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André Lanskoy
Blue Composition by Andre Lanskoy
1965

Name: Blue Composition by Andre Lanskoy
Brand: André Lanskoy
Price: 1871.42 AUD
Availability: InStock
Rating: 4.9 (34 reviews)

$1,200

£904.92

€1,046.58

CA$1,683.59

A$1,871.42

CHF 980.96

MX$22,854.55

NOK 12,246.69

SEK 11,521.85

DKK 7,811.39

About the Item

This lithograph was printed in 1965 at the Atelier Mourlot in Paris. It is signed, and numbered from an edition of 150. A major theme running through Lanskoy's work is the interaction of form and color. He breaks the subject to make it disappear in large solid colors and light refractions. In this particular piece, he depicts the city of Paris with the Eiffel Tower at the center. Certificate of Provenance: Each individual work of art carefully curated by Mourlot Editions comes with a Certificate of Provenance, signed, dated, stamped, and numbered by Eric Mourlot. Stored in a clear protective sleeve accompanying your piece, this certificate guarantees the origin and authenticity of your personal lithograph. Lanskoy was a painter and printmaker who is associated with the post-war school of lyrical abstract painting called “Tachism.” He was born Andrei Miachailovitch Lanskoyin, son of Comte Lanskoy, in Moscow and fought in the Tsarist White Army during the Russian Revolution. Lanskoy left Russia afterwards, moving to Paris in 1921. He studied at the famously progressive Académie de la Grande Chaumière, painting portraits and still lifes in vivid colors with thick applications of paint, inspired by Vincent van Gogh and Chaïm Soutine. After 1942, he began to paint exclusively abstract works.

Creator:

André Lanskoy (1902 - 1976, French)

Creation Year:

1965

Dimensions:

Height: 25.75 in (65.41 cm)Width: 19.75 in (50.17 cm)

Medium:

Lithograph

Movement & Style:

Abstract Expressionist

Period:

1960-1969

Condition:

Gallery Location:

New York, NY

Reference Number:

1stDibs: LU132325714682

Shop All André Lanskoy

André Lanskoy

André Lanskoy was one of the great painters of the École de Paris and of the second mid-twenty century. André Lanskoy was born Andrei Michailovich Lanskoy in Moscow in 1902, the son of Count Lanskoy. The family moved to St. Petersburg in 1909 and in 1918, he moved to Kiev, where he made his first paintings. During the Russian Civil War, Lanskoy fought in the Tsarist White Army but after an injury, moved to Constantinople. In 1921, he arrived in Paris, where he stayed for the rest of his life. Recalling his arrival in the French capital, Lanskoy said: "Literally in the first night I started to paint and I haven’t stopped since." Lanskoy's figurative pictures and still lifes of that period were inspired by Van Gogh, Matisse and Soutine. In 1923, André Lanskoy qualified for the Salon d'Automne, where he was discovered by the art dealer Wilhelm Uhde, a valuable contact who helped him gain his first solo exhibition in 1925. Lanskoy went on to exhibit with those of Robert and Sonia Delaunay, Léopold Survage, Ossip Zadkine and other Russian artists in Paris. Soon Lanskoy's works could be found in museums and important private collections. Towards the end of the 1930s, the artist slowly gave up figurative painting, and by 1943, had turned entirely to non-representational painting. In his continuous quest for new means of expression, he turned to the illustration of books, tapestries, mosaics and collages. André Lanskoy maintained a deep friendship with Nicolas de Staël, with whom he held a joint exhibition in 1948. During this time and the following decade, the artist gained international acclaim through exhibitions, including one showcasing late works at the New York Fine Arts Associates in 1956. The artist participated in II. documenta in 1958 alongside other artists of the Informel movement and in the exhibition "Les Peintres Russes de l'école de Paris" at the Museum of Art and History Saint-Denis in 1960. He is considered one of the most important exponents of lyric abstraction within the École de Paris. André Lanskoy died on August 22, 1976, in Paris.

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Edward Landon, 'Arrangement with Blue Major', color serigraph, edition 40, 1942, Ryan 9. Signed, titled, and annotated 'Edition 40' in pencil. A superb impression, with fresh colors, on cream, wove paper; the full sheet with margins (3/4 to 1 5/8 inches), in excellent condition. Image size 15 x 9 3/4 inches (381 x 248 mm); sheet size 17 15/16 x 11 3/4 inches (456 x 298 mm). Matted to museum standards, unframed. 'Arrangement with Blue Major' was selected for the landmark ‘Artists for Victory’ exhibition at the Metropolitan Museum of Art in 1942. Impressions of this work are also in the collections of the Asheville Art Museum, Five Colleges and Historic Deerfield Museum Consortium, Georgetown University (Special Collections), Mount Holyoke College Art Museum, Rutgers University, Smith College Museum of Art, and the Springfield Museum of Fine Arts. ABOUT THE ARTIST Born in Hartford, Connecticut, Edward Landon dropped out of high school to study art at the Hartford Art School. In 1930 and 1931, he was a student of Jean Charlot at the Art Students League in New York, after which he traveled to Mexico to study privately for a year with Carlos Merida. In 1933 he settled near Springfield, Massachusetts, painted murals in the local trade school, and exhibited with the Springfield Art League. His painting 'Memorial Day' won first prize at the fifteenth annual exhibition of the League at the Springfield Museum of Fine Arts. Landon became an active member of the Artists Union of Western Massachusetts, serving as president from 1934-1938. Landon acquired Anthony Velonis’s instructional pamphlet on the technique of serigraphy in the late 1930s. With colleagues Phillip Hicken, Donald Reichert, and Pauline Stiriss, he began experimenting with screen printing techniques. The artists' groundbreaking work in screen printing as a fine art medium was the subject of the group’s landmark exhibition at the Springfield Museum of Fine Arts in 1940. Landon became one of the founding members of the National Serigraph Society and served as editor of its publication, 'Serigraph Quarterly,' in the late 1940s and as its president in 1952 and 1953. The Norlyst Gallery in Manhattan held a one-person show of his prints in 1945. Awarded a Fulbright Fellowship in 1950, Landon traveled to Norway, where he researched the history of local artistic traditions and produced the book 'Scandinavian Design: Picture and Rune Stones...

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