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Antonio CalderaraSerigrafie di A. Calderara, "Tre tempi a modulo quadrato: ventun frequenze" 19741974
1974
$2,702.48
£2,062.80
€2,300
CA$3,811.21
A$4,187.29
CHF 2,188.30
MX$49,936.88
NOK 27,709.83
SEK 25,814.05
DKK 17,530.42
About the Item
L’opera raccoglie tre fascicoli, con titolo impresso sulla copertina, riuniti in una custodia nera. Al suo interno si trovano sette serigrafie originali di Antonio Calderara, accompagnate da un testo inedito di Carlo Belloli e pubblicate da Lucini a Milano. Ogni stampa reca sul retro la firma dell’autore e la numerazione progressiva; l’esemplare qui presentato è il numero 7 di 24 esemplari.
I tre fascicoli, intitolati Quadrato Intertonali, Quadrato Alternanze e Quadrato Contrappunti, costituiscono una sequenza di variazioni sul tema del modulo quadrato. In ciascuna raccolta Calderara dispone una successione di piccoli quadrati colorati che mutano gradualmente secondo un ordine preciso. Le tre serie seguono andamenti differenti: uno spirale, uno alternato e uno lineare. Le immagini si sviluppano come variazioni ritmiche e visive sul tema della frequenza, in dialogo con il testo poetico che le accompagna. Ogni fascicolo contiene 7 serigrafie, per un totale di 21 stampe.
Le serigrafie misurano 33x33 cm, l’immagine 27x27 cm e la custodia misura 33,5x34x3 cm.
Le stampe sono conservate in buone condizioni, mentre la custodia mostra tracce del tempo e dell’uso.
Nelle foto sono state caricate: tre foto con tutte le tre raccolte e le rispettive sette serigrafie e le foto, viste nel dettaglio, della raccolta "QUADRATO-INTERTONALI"
- Creator:Antonio Calderara (1903 - 1978)
- Creation Year:1974
- Dimensions:Height: 13 in (33 cm)Width: 13 in (33 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Le stampe sono conservate in buone condizioni, mentre la custodia mostra tracce del tempo e dell’uso.
- Gallery Location:Vicenza, IT
- Reference Number:1stDibs: LU2890217173382
Antonio Calderara
Antonio Calderara is a self-taught and changeable artist. In 1954, the study of Mondrian's work led him first to the study of light and then to a progressive loss of the landscape reference, increasingly moving towards an aniconic expressive form that saw him participate in European research, mostly ones of German origin. In his autobiography, he traces the first non-figurative painting to 1959. Calderara spent most of his life in isolation near Lake Orta, most of which he spent wondering about the role of light and color in an attempt to answer the question, what is painting?
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