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Antonio SauraTu cabello es amarillo1962
1962
$2,949.65
£2,242.77
€2,500
CA$4,126.05
A$4,503.22
CHF 2,365.20
MX$54,693.61
NOK 29,678.80
SEK 27,852.73
DKK 19,042.06
About the Item
Antonio Saura
Tu cabello es amarillo
1962
Silkscreen on fine white Vélin paper
Signed in pencil and dated 
Number 63/85
77,50 x 55 cm
Edited by José Ayllón
Catalogue raisonné of graphic works ‘Saura’ nº38 pag 55
- Creator:Antonio Saura (1930, Spanish)
- Creation Year:1962
- Dimensions:Height: 30.52 in (77.5 cm)Width: 21.66 in (55 cm)
- More Editions & Sizes:63 of 85Price: $2,950
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:BARCELONA, ES
- Reference Number:1stDibs: LU2838216478792
Antonio Saura
Antonio Saura (1930 – 1998) was a Spanish artist and writer, one of the major post-war painters to emerge in Spain in the fifties whose work has marked several generations of artists and whose critical voice is often remembered. He began painting and writing in 1947 in Madrid while suffering from tuberculosis, having already been confined to his bed for five years. In his beginnings he created numerous drawings and paintings with a dreamlike surrealist character that most often represented imaginary landscapes, employing a flat smooth treatment that offers a rich palette of colors. He claimed Hans Arp and Yves Tanguy as his artistic influences. The first appearances in his work of forms that will soon become archetypes of the female body or the human figure occur in the mid-1950s. Starting in 1956 Saura tackled the register of what will prove to be his greatest works: women, nudes, self-portraits, shrouds and crucifixions, which he painted on both canvas and paper. In 1957 in Madrid he founded the El Paso Group and served as its director until it broke up in 1960. Limiting his palette to blacks, grays and browns, Saura asserted a personal style that was independent of the movements and trends of his generation. His work followed in the tradition of Velasquez and Goya. Starting in 1959 he began creating a prolific body of works in print, illustrating numerous books including Cervantes’s Don Quijote, Orwell’s Nineteen Eighty-Four, Nostlinger’s adaptation of Pinocchio, Kafka’s Tagebucher, Quevedo’s Three Visions, and many others.
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