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Bruno MunariPeano Curves - Screen Print by Bruno Munari - 19911991
1991
$799
£611.85
€680
CA$1,123
A$1,231.87
CHF 644.53
MX$14,661.65
NOK 8,140.82
SEK 7,636.24
DKK 5,180.19
About the Item
Triptych for Munari is an print realized by Bruno Munari in 1991.
Mixed colored screen print on Fabriano Rosaspina paper.
Hand-signed and numbered in pencil on the lower margin. Edition 15/100
Beautiful mixed colored composition.
Original title: Trilogia per Munari.
The artwork includes original colophon with text by Roberto Sanesi.
Bruno Munari (Milan, 24 October 1907 - Milan, 30 September 1998). He was one of the greatest protagonists of 20th century art, design and graphics, making fundamental contributions in different fields of visual expression (painting, sculpture, cinematography, industrial design, graphics) and non-visual (writing, poetry, teaching ) with a multifaceted research on the theme of movement, light and the development of creativity and imagination in childhood through play.
He is considered one of the protagonists of programmed and kinetic art, but he escapes every definition, every cataloging due to the multiplicity of his activities and his great and intense creativity.
- Creator:Bruno Munari (1907 - 1998, Italian)
- Creation Year:1991
- Dimensions:Height: 27.56 in (70 cm)Width: 27.56 in (70 cm)Depth: 0.08 in (2 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1291671stDibs: LU65039640952
Bruno Munari
In his prolific career, Bruno Munari was known for various contributions to art, industrial design, film, architecture, art theory, and technology. Munari’s principles and beliefs were built upon his early involvement in the Futurist movement, which he joined at the age of 19 using the pseudonym “Bum.” During the 1930s, Munari began to move towards Constructivism, particularly with his kinetic sculptures, Useless Machines (begun 1933), meant to transform or complicate their surrounding environments. Throughout his career, Munari was captivated by both a sense of whimsy and the manipulation of artificial light. After World War II, Munari also developed radical innovation in graphics, typography, and book publishing, through the latter creating pieces he would call Useless Books.
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