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Bruno MunariPeano Curves - Screen Print by Bruno Munari - 19911991
1991
$559.29
$798.9930% Off
£426.91
£609.8730% Off
€476
€68030% Off
CA$788.75
CA$1,126.7930% Off
A$866.59
A$1,237.9830% Off
CHF 452.88
CHF 646.9830% Off
MX$10,334.76
MX$14,763.9530% Off
NOK 5,734.73
NOK 8,192.4730% Off
SEK 5,342.39
SEK 7,631.9830% Off
DKK 3,628.03
DKK 5,182.9130% Off
About the Item
Peano Curves is an original Serigraph realized by Bruno Munari in 1991.
Hand-signed and numbered with pencil by the artist on the lower margin.
Excellent condition.
Bruno Munari (October 24, 1907 in Milan – September 30, 1998 in Milan) was an Italian artist, designer, and inventor who contributed fundamentals to many fields of visual arts (painting, sculpture, film, industrial design, graphic design) in modernism, futurism, and concrete art, and in non-visual arts (literature, poetry) with his research on games, didactic method, movement, tactile learning, kinesthetic learning, and creativity.
- Creator:Bruno Munari (1907 - 1998, Italian)
- Creation Year:1991
- Dimensions:Height: 27.56 in (70 cm)Width: 27.56 in (70 cm)Depth: 0.08 in (2 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1294301stDibs: LU65039716322
Bruno Munari
In his prolific career, Bruno Munari was known for various contributions to art, industrial design, film, architecture, art theory, and technology. Munari’s principles and beliefs were built upon his early involvement in the Futurist movement, which he joined at the age of 19 using the pseudonym “Bum.” During the 1930s, Munari began to move towards Constructivism, particularly with his kinetic sculptures, Useless Machines (begun 1933), meant to transform or complicate their surrounding environments. Throughout his career, Munari was captivated by both a sense of whimsy and the manipulation of artificial light. After World War II, Munari also developed radical innovation in graphics, typography, and book publishing, through the latter creating pieces he would call Useless Books.
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