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Charles EckartTomasini Creek Wilderness #3, by Charles Eckartcirca 2015
circa 2015
About the Item
Signed, titled and numbered from the edition of 7. Black and white abstract etching, from a series inspired by ground cover and vegetation in the Point Reyes, California area.
Charles Eckart was born in Oakland, California and grew up in Yosemite Valley. He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development. After focusing on the figure for many years, his work changed to landscape after he moved from San Francisco to Point Reyes in 1985.
Eckart's work has developed from early expressionist figurative images to the current abstracted landscapes, reflecting a strong gestural style and an emphasis on texture and energy. The most recent etchings, the Ground Cover series, are taken from direct observations of the intimate landscape. They could be called painter's prints because they are created more closely to the way a painting is constructed: by building up layers of pigment.
- Creator:Charles Eckart (1935, American)
- Creation Year:circa 2015
- Dimensions:Height: 11 in (27.94 cm)Width: 16 in (40.64 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Palm Springs, CA
- Reference Number:1stDibs: LU30828700022
Charles Eckart
Charles Eckart was born in Oakland, California and grew up in Yosemite Valley. He attended the University of the Pacific, the Art Center of College and Design in Los Angeles and the San Francisco Art Institute. He exhibited regularly with Charles Campbell Gallery from 1980 to 1989 and then with the Campbell-Thiebaud Gallery from 1990 to 2000. Originally a painter, he started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development. After focusing on the figure for many years, his work changed to landscape after he moved from San Francisco to Point Reyes in 1985. Eckart's work has developed from early expressionist figurative images to the current abstracted landscapes, reflecting a strong gestural style and an emphasis on texture and energy. The most recent etchings, the Ground Cover series, are taken from direct observations of the intimate landscape. They could be called painter's prints because they are created more closely to the way a painting is constructed: by building up layers of pigment.
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