Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Dale Chihuly
BASKET DRAWING Signed Lithograph, Freeform Basket, Pearlescent blue accents

1996

Price:$1,975

More From This Seller

View All
SILK STOCKINGS, CANDLELIT CAFES Signed Lithograph, Geometric Abstract Pattern
Located in Union City, NJ
Silk Stockings and Candlelit Cafes, is an original hand drawn lithograph by Sharon E. Sutton printed using hand lithography techniques on archival paper 100% acid free. An architectu...
Category

1980s Abstract Geometric Abstract Prints

Materials

Lithograph

FEATHER DANCER Signed Lithograph, Abstract Color Wash, Native American Culture
By Lamar Briggs
Located in Union City, NJ
FEATHER DANCER is a limited edition color lithograph by the American painter Lamar Briggs printed using traditional lithography techniques on archival Arches paper. Lamar Briggs (193...
Category

1970s Abstract Abstract Prints

Materials

Lithograph

FLOWER COSAS II, Signed Lithograph, Abstract Watercolor, Peacock Colors
By Lamar Briggs
Located in Union City, NJ
FLOWER COSAS II is a limited edition color lithograph on archival Arches paper by Lamar Briggs (1935-2015) American painter and Texas artist who was born in Lafayette, Louisiana. He ...
Category

1970s Abstract Abstract Prints

Materials

Lithograph

Composition 3: Rose Beige, Yellow, Lime, Signed Linocut, Modernist Abstract
By Bruce Porter
Located in Union City, NJ
Composition 3: Rose Beige, Yellow, Lime is an original hand drawn color linocut/litho by the New York artist Bruce Porter, printed from hand carved linoleum blocks and hand drawn lit...
Category

1990s Abstract Abstract Prints

Materials

Lithograph, Linocut

ABSTRACT 2, Signed Lithograph, Modernist Drawing, Free Form Line and Shapes
By Jan Voss
Located in Union City, NJ
Abstract 2 is an original hand drawn lithograph by the German artist Jan Voss, printed using hand lithography techniques on archival Arches paper 100% acid free. Abstract 2 presents ...
Category

1970s Abstract Abstract Prints

Materials

Lithograph

ABSTRACT 1 Signed Lithograph, Modernist Drawing, Color Shapes, Blue, Yellow, Red
By Jan Voss
Located in Union City, NJ
ABSTRACT 1 is an original hand drawn lithograph by the German artist Jan Voss, printed using hand lithography techniques on archival Arches paper 100% acid free. ABSTRACT 1 presents ...
Category

1970s Abstract Abstract Prints

Materials

Lithograph

You May Also Like

Rythme-couleur - Hand-signed and numbered original lithograph, 1962
By Sonia Delaunay
Located in New York, NY
Sonia Delaunay Rythme-couleur, 1962 Lithograph on Fabriano wove paper 27 3/5 × 19 7/10 in l 70.2 × 50 cm Frame included - 32 1/3 x 24 4/5 l 83 x 63 cm Edition of 40 Condition: Overa...
Category

1960s Abstract Geometric Abstract Prints

Materials

Lithograph

Tightrope: abstract modern minimalist color field drawing with rainbow colors
By Gene Davis
Located in New York, NY
Rainbow shades shine in delicate clusters of vertical lines, in this abstract, geometric lithograph. Vibrant yellow, green, magenta pink, blue and brown take on the organic quality o...
Category

1970s Abstract Abstract Prints

Materials

Lithograph

Addison Gallery 1982 SIGNED Frank Stella Vintage Poster, metallic rainbow
By Frank Stella
Located in New York, NY
This shimmering, metallic vintage poster with rainbow text and layers of texture must be seen in person to appreciate Frank Stella's masterful design. Original exhibition poster for Frank Stella’s Metal Reliefs exhibition at the Addison Gallery...
Category

Late 20th Century Abstract Abstract Prints

Materials

Lithograph

A Muse by Dieter Roth set of ten abstract black and white lithographs
By Dieter Roth
Located in New York, NY
This series of abstract black and white Roth prints is full of movement, wildly diverse mark making, visceral, three-dimensional shapes and dynamic sketched lines. The artist worked on the same stone, erasing and adding elements with each step of the process to create a new print. Working on a lithography stone allowed him to scratch away areas with precision, revealing tightly hatched white lines that complement swaths of smokey gray. A Muse reflects Roth’s interest in permutations, decay, and a mathematical approach to making images. Each week the artist created a new variant: the series was originally planned as a set of 52. Dieter Roth, A Muse 1971-1972 series of 12 prints (this set is an incomplete set of ten prints), lithographs from stone printed in black on white handmade paper image 18.9 × 14.6 in / 48 x 37 cm paper 30.7 × 20.9 in / 78 x 53 cm edition of 30 each, numbered and signed, 6 artists copies this series 1/30 printed by Karl Schulz, Braunschweig and published by Petersburg Press, London weekly variant printed from the same stone, began October 1971 (52 prints were planned, but only 12 were executed) Condition: excellent with some dimples and wear commensurate with age Catalogue Reference: Roth 185-196 Dieter Roth was a printmaker from childhood: his first etching at the age of 16 was scratched into a soda can, and despite the failure of the can to print anything but a shadow of ink, he continued his study and by 20 was a serious apprentice in lithography to a well-known commercial artist, Eugen Jordi. Later he would continue to print and publish much of his own work. From the 1960s onward, his collaborations with Petersburg Press brought him international recognition and produced some of his most celebrated work: Six Piccadillies (1970), and Containers (1972). Interested in chance and spontaneity, Roth was drawn to make prints using unorthodox means: according to mathematical principles, using equations, or by randomly rearranging blocks before they were run through the press. The artist often printed plates repeatedly in different colors, producing many variations from just a few images. He used the printing press and materials to interrogate the creative process rather than just as tools to achieve an edition of identical prints: for example, overprinting or under-inking, or running objects through the press (in 1968, a box of chocolates). Roth was not just interested in the chance of making pictures but the unpredictability of decay: allowing the grease from slices of meat to slowly contaminate paper, immersing a print in vegetable juice, clamping metal to paper to produce rust, and pouring chocolate over a finished work. Roth would make hundreds of print editions and books over his career and blurred the line between genres and mediums, embarking on prodigious collaborations and experimentation with music, poetry...
Category

1970s Abstract Abstract Prints

Materials

Lithograph

Düsseldorf (German Cities) by Dieter Roth monuments vintage postcard light blue
By Dieter Roth
Located in New York, NY
Düsseldorf (German Cities), 1970 24 x 33.8 in. / 61 x 86 cm Screen print in one color on offset lithograph, black on white card. “for Paul” written in pencil lower middle. Signed and...
Category

1960s Abstract Abstract Prints

Materials

Lithograph, Screen

Goodbye Sharpie Dieter Roth black and white geometric abstract print
By Dieter Roth
Located in New York, NY
Dieter Roth Goodbye Sharpie, 1972 44.5 x 54.3 / 113 x 138 cm Planographic printing from zinc, white on dyed grey card Edition of 30, this copy marked "Artist's Copy" and annotated II/IV Dieter Roth was a printmaker from childhood: his first etching at the age of 16 was scratched into a soda can, and despite the failure of the can to print anything but a shadow of ink, he continued his study and by 20 was a serious apprentice in lithography to a well-known commercial artist, Eugen Jordi. Later he would continue to print and publish much of his own work. From the 1960s onward, his collaborations with Petersburg Press brought him international recognition and produced some of his most celebrated work: Six Piccadillies (1970), and Containers (1972). Interested in chance and spontaneity, Roth was drawn to make prints using unorthodox means: according to mathematical principles, using equations, or by randomly rearranging blocks before they were run through the press. The artist often printed plates repeatedly in different colors, producing many variations from just a few images. He used the printing press and materials to interrogate the creative process rather than just as tools to achieve an edition of identical prints: for example, overprinting or under-inking, or running objects through the press (in 1968, a box of chocolates). Roth was not just interested in the chance of making pictures but the unpredictability of decay: allowing the grease from slices of meat to slowly contaminate paper, immersing a print in vegetable juice, clamping metal to paper to produce rust, and pouring chocolate over a finished work. Roth would make hundreds of print editions and books over his career and blurred the line between genres and mediums, embarking on prodigious collaborations and experimentation with music, poetry...
Category

1970s Abstract Abstract Prints

Materials

Lithograph

Recently Viewed

View All