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Dale Chihuly
Float (Blue), Lithograph, Dale Chihuly

2017

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  • Léger, L'Eau, Verve: Revue Artistique et Littéraire (after)
    By Fernand Léger
    Located in Auburn Hills, MI
    Lithograph on vélin du Marais paper. Inscription: Signed in the plate. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. I, N° 1, December 1937. Pri...
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    1930s Modern Landscape Prints

    Materials

    Lithograph

  • Léger, La partie de campagne (Saphire E.14), Verve: Revue Artistique (after)
    By Fernand Léger
    Located in Auburn Hills, MI
    Lithograph on vélin du Marais paper. Inscription: Signed in the plate. Good condition; with centerfold, as issued. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol....
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    1950s Modern Landscape Prints

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    Lithograph

  • Derain, Au Jardin d'Allah, Verve: Revue Artistique et Littéraire (after)
    By André Derain
    Located in Auburn Hills, MI
    Lithograph on vélin du Marais paper. Inscription: Signed in the plate, with additional lithography by the artist on verso. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. I, N° 4, 1939. Printed by Mourlot Freres, Paris, 1939. ANDRE DERAIN (1880-1954) had a major role in the development of two of the most significant artistic movements of the early-20th century. He, Henri Matisse, and Maurice de Vlaminck were responsible for generating works with a totally new style which would become Fauvism and his association with Pablo Picasso and Georges Braque was integral to early Cubism. Nevertheless, his contribution as the generator of the ideas behind these movements is constantly debated, and some consider his work derivative. This is due in part to the fact that, continually in search of artistic meaning and attempting to create a timeless art removed from the specificity of the modern age, he experimented with different stylistic idioms. Whichever side of the Derain debate you end up on, we can all appreciate his use of expressive vibrant color, his simplification of form, and his fascination with primitive art were constants throughout his work and played a major role in the creation and propagation of early Modern Art.
    Category

    1930s Modern Landscape Prints

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  • Klee, Tête d'enfant, Verve: Revue Artistique et Littéraire (after)
    By Paul Klee
    Located in Auburn Hills, MI
    Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, with additional lithography after Henri Matisse on verso, as issued. Good condition. Notes: From the volume...
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    1930s Modern Landscape Prints

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  • Bonnard, Coucher de soleil sur la Méditerranée, Verve: Revue Artistique (after)
    By Pierre Bonnard
    Located in Auburn Hills, MI
    Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered. Good condition; with centerfold, as issued. Notes: From the volume, Verve: Revue Artistique et Littéraire, ...
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    1940s Modern Landscape Prints

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    Lithograph

  • Borès, La terre, Verve: Revue Artistique et Littéraire (after)
    By Francisco Bores
    Located in Auburn Hills, MI
    Lithograph on vélin du Marais paper. Inscription: Signed in the plate. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. I, N° 1, December 1937. Printed by Mourlot Freres, Paris, 1937. FRANCISCO BORES (1898-1972) was an important figure of twentieth-century European art. His presence was important among the second wave of Spanish artists who arrived in Paris in the 1920s, which also included Pablo Picasso, Ginés Parra, Pedro Flores...
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    1930s Modern Landscape Prints

    Materials

    Lithograph

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