David Shapiro

Birnham Wood 4, Geometric Abstract Aquatint Etching by David Shapiro

1981

A detailed abstract geometric print by David Shapiro featuring a blend of aquatint and etching methods on Sekishu, a type of handmade Japanese paper. One half of the composition feat...

Artist: Marcos Yrizarry, Puerto Rican (1936 - 1995) Title: Sin Titulo I Year: 1970 Medium: Aquatint Etching with Intaglio, signed in pencil Edition: 100 Size: 30 in. x 22 in. (76.2 c...

Artist: Jacqueline Debutler, French (1928 - ) Title: untitled Year: circa 1965 Medium: Etching with Aquatint, signed and numbered in pencil Edition...

Artist: Jack Sonenberg, American/Canadian (1925 - ) Title: Dimensions 1 Year: 1970 Medium: Etching with Aquatint with String Collage, signed and numbered in pencil Edition: 50 Image ...

Joel Shapiro's post-minimalist work often references the human body, in a variety of poses, represented by geometric forms. In Untitled, 1992, a blue square is seated firmly atop a black rectangle, which has landed in a seeming haphazard manner within the view frame. The forms have light, sketchy lines around them, reminiscent of Futurist dynamism markings or perhaps a draftsman's study of dimensions. In the upper right, a series of these sketchy markings seem situated somewhere between motion and form. Shapiro has assembled mechanism, geometry, balance, fluid, solid and motion into this dynamic etching, which was produced by Pace Prints...

ALAN SHIELDS Peace of the Rock, 1974 Mixed Media Aquatint & Silkscreen Signed and numbered 14/20 in graphite pencil recto Frame included: held in original vintage frame Measurements...

Original etching, aquaforte, aquatint engraving. poetry text by Robert Pinget on facing fold of sheet. The individual sheet is unsigned. The justification page is hand signed by t...

Joel Shapiro's post-minimalist work often references the human body, in a variety of poses, represented by geometric forms. In Untitled, 1992, a rust-red rectangle supports three black rectangles piled at varying angles. The forms have light, sketchy lines around them, reminiscent of Futurist dynamism markings or perhaps a draftsman's study of dimensions. A gelatinous blue form intersects the balanced rectangles, while further blue forms tumble out of a fanned series of black triangles. Shapiro has assembled mechanism, geometry, balance, fluid, solid and motion into this dynamic etching, which was published by Pace Prints...