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Emil Bisttram
The Harbor

c. 1950

$1,800List Price

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'Subway No. 3' — Mid-century Modernism, New York City
By August Mosca
Located in Myrtle Beach, SC
August Mosca, 'Subway No. 3', lithograph, c. 1946-56, edition 50. Signed, titled and numbered '28/50' in pencil. A fine, richly-inked impression on off-white, wove paper; the full sh...
Category

Mid-20th Century American Modern Abstract Prints

Materials

Lithograph

#3 — Modernist Abstraction — African American Artist
Located in Myrtle Beach, SC
Hilliard Reynolds Dean, '#3', color lithograph, 1970, edition not stated but small. Signed and titled in pencil. A fine impression, with fresh colors, on Arches, heavy, cream wove pa...
Category

1970s American Modern Abstract Prints

Materials

Lithograph

'Bridge at Poughkeepsie' — WPA Era American Modernism
By Albert Heckman
Located in Myrtle Beach, SC
Albert Heckman (1893-1971), 'Bridge at Poughkeepsie', lithograph, 1934, edition 30. Signed, titled, and annotated '30 Impressions' in pencil. A superb, richly-inked impression, on cr...
Category

1930s American Modern Abstract Prints

Materials

Lithograph

Variation 4, Vol. I
By Katherine Sophie Dreier
Located in Myrtle Beach, SC
Katherine S. Dreier, 'Variation 4, Vol. I' from '1 to 40 Variations', lithograph with pochoir and hand-coloring, 1934, edition 65. Stenciled signature and date, lower right. Annotate...
Category

Mid-20th Century American Modern Abstract Prints

Materials

Watercolor, Lithograph, Stencil

'Variation 5, Vol. I' — from the series '1 to 40 Variations'
By Katherine Sophie Dreier
Located in Myrtle Beach, SC
Katherine S. Dreier, 'Variation 5, Vol. I' from '1 to 40 Variations', lithograph with pochoir and hand-coloring, 1934, edition 65. Stenciled signature and date, lower right. Annotate...
Category

Mid-20th Century American Modern Abstract Prints

Materials

Watercolor, Lithograph, Stencil

'Going My Way?' — Mid-century American Surrealism
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Going My Way?', lithograph, 1946, edition 14. Signed in pen, recto. Titled, numbered '#118 14/14' and dated '5/5/46' in pen, verso. A fine, richly-inked impression, on heavy, off-white wove paper, with full margins (1 5/8 to 2 15/16 inches), in excellent condition. Image size 13 1/8 x 7 3/8 inches; sheet size 17 x 12 3/8 inches. Scarce. Matted to museum standards, unframed. An impression of this work is in the permanent collection of the National Gallery of Art. ABOUT THE ARTIST Robert Vale Faro (1902-1988) was a modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan. Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller...
Category

1940s American Modern Abstract Prints

Materials

Lithograph

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Douglas Semivan Abstract Modern "Receiver I" Signed and Numbered
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"Receiver I" is an abstract print of three diagonally placed lines. It is reminiscent of an early work by Georgia O'Keeffe, "Blue Lines X" in that both artists, Semivan and O'Keeffe, have achieved a beauty in the placement, width of, length and juxtapositions of simple lines to achieve a never ending balance and harmony for the viewer. Born in Detroit, Michigan, Douglas Semivan...
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1950s "Abstract Line Print" Stone Lithograph San Francisco Printmaker
Located in Arp, TX
From the estate of Jerry Opper and Ruth Opper Abstract Line Print c.1950's Stone Lithograph on Paper 25" x 19.5" Unframed Estate stamp lower left Came from ...
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Untitled (Plate 2) DLM
By Alexander Calder
Located in Fairlawn, OH
Untitled (Plate 2) DLM Color lithograph, 1963 Unsigned and unnumbered (as issued) From: Derriere le Miroir, No. 141 Published by A. Maeght, Paris Printer: Mourlot Freres, Paris Note...
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Untitled
By Hans Burkhardt
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Lithograph, 1948. Signed by the artist and dated in pencil, lower right. Numbered 4/12 in pencil, lower left.
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