Galerie Beyeler Basel
View Similar Items
Fernand LégerGalerie Beyeler Basel1969
1969
About the Item
- Creator:Fernand Léger (1881-1955, French)
- Creation Year:1969
- Dimensions:Height: 30 in (76.2 cm)Width: 20.5 in (52.07 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:A-: Near Mint, very light signs of handling.
- Gallery Location:Brooklyn, NY
- Reference Number:Seller: AW10191stDibs: LU129415079622
Fernand Léger
A painter as well as a filmmaker, illustrator, stage-set designer, ceramicist and printmaker, Fernand Léger was one of the most prolific artists of the first half of the 20th century. His early mature work as a Cubist was marked by the use of bold colors and contrasts and a visual vocabulary inspired by industrial technology. In his later career, Léger turned to idiomatic, almost naïve depictions of human figures, in a belief that his work should be accessible to ordinary people and relevant to their lives.
Born in Normandy, the son of a cattle trader, Léger worked as an architectural draftsman in Paris while studying art. By 1908 he was a member of an artistic circle that included Marc Chagall, Robert Delaunay, sculptor Jacques Lipchitz, and the poet Guillaume Appolinaire, and through them he became connected to the Cubists. As opposed to the flat planes and neutral hues seen in the paintings of Pablo Picasso and Georges Braque, Léger’s Cubist abstractions were devised with vivid colors and forms that had dimensionality. Soon after his army service in World War I — he was gassed at the Battle of Verdun — Léger entered his “mechanical” period. Convinced that technology would improve the human condition, he painted compositions of tubular shapes and cylinders that are reminiscent of machine parts. In other work, Léger sought to capture the bustle and brio of modern life with references to railroad stations, factories, street signs and billboards.
Léger had also emerged from the trenches with a deep concern to make his art engage the sorts of men and women he had met during the war. He sought to bring his work to a wider audience through film, theater sets and book illustrations. In the 1920s, influenced by Purism — a variant on Cubism that promoted a simpler and more direct approach to forms and compositions — Léger produced a series of paintings depicting everyday objects: a soda siphon, an accordion, a guitar and vase. The human figure returned to his work. By 1930, pure abstraction disappeared almost completely from Léger’s art in favor of simple studies of people. Their boldly outlined forms, placed against a bright background, can be regarded as an assemblage of parts — yet in these representations of dancers, acrobats and folks on bicycles, Léger seems to be articulating a kind of kinship and affection. You will see from the works on offer why Fernand Léger is often regarded as the warmest and most humane of the great modern artists.
Find a collection of original Fernand Léger art today on 1stDibs.
- 1967 Miriam Schapiro 'Silver Windows' Pop Art Offset LithographBy Miriam SchapiroLocated in Brooklyn, NYPoster created for an exhibit at Andre Emmerich Gallery in 1967Category
1960s Abstract Prints
MaterialsOffset
$560 Sale Price20% Off - Homage to Vincent Van GoghBy Lawrence WeinerLocated in Brooklyn, NY"Homage to Vincent Van Gogh" by Lawrence Weiner, Unsigned Offset Lithograph printed in 1990 from an edition size of 1000. The overall size of the Offset Lithograph is 33 x 23.5 inch...Category
1990s Conceptual Abstract Prints
MaterialsOffset
$200 Sale Price20% Off - Spoleto- 14 Giugno, 1974By Willem de KooningLocated in Brooklyn, NYSku: AW1177 Artist: Willem de Kooning Title: Spoleto-14 Giugno Year: 1974 Signed: No Medium: Offset Lithograph Paper Size: 41.25 x 29.5 inches ( 104.775 x 74.93 cm ) Image Size: 41.2...Category
1970s Expressionist Prints and Multiples
MaterialsOffset
$280 Sale Price20% Off - Gerhard Richter, 1025 Colors (1025 Farben) Official Museum Poster, 2013By Gerhard RichterLocated in Brooklyn, NYSku: CB5017 Artist: Gerhard Richter Title: 1025 Colors (1025 Farben) Year: 2013 Signed: No Medium: Offset Lithograph Paper Size: 48 x 46 inches ( 121.92 x 116.84 cm ) Image Size: 43....Category
Early 2000s Contemporary Abstract Prints
MaterialsOffset
- 1974 Jean Dubuffet 'Le Libre Echange' SerigraphBy Jean DubuffetLocated in Brooklyn, NYFirst edition exhibition serigraph by Dubuffet.Category
1970s Modern Abstract Prints
MaterialsScreen
- Eduardo Chillida - Collage - 1995 Lithograph 26.75" x 18.75"By Eduardo ChillidaLocated in Brooklyn, NYSku: R264 Artist: Eduardo Chillida Title: Collage Year: 1995 Signed: No Medium: Lithograph Paper Size: 26.75 x 18.75 inches ( 67.945 x 47.625 cm ) Image Size: 26.75 x 18.75 inches ( ...Category
2010s Abstract Geometric Abstract Prints
MaterialsLithograph
$200 Sale Price20% Off
- Historic Yves Klein at Dwan Gallery exhibition invitation Mid Century ModernBy Yves KleinLocated in New York, NYWell documented work, illustrated in the National Gallery of Art, Smithsonian Institution hardcover exhibition monograph. Yves Klein at Dwan Gallery Po...Category
1960s Modern Abstract Prints
MaterialsLithograph, Offset
- Large Johnny Friedlaender Poster Print No TextBy Johnny FriedlaenderLocated in Surfside, FLJohnny Friedlaender (26 December 1912 – 18 June 1992) was a leading 20th-century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Gotthard Johnny Friedlaender was born in Pless (Pszczyna), Prussian Silesia, as the son of a pharmacist. He was graduated from the Breslau (Wrocław) high school in 1922 and then attended the Academy of Arts (Akademie der Bildenden Kunste) in Breslau, where he studied under Otto Mueller. He graduated from the Academy as a master student in 1928. In 1930 he moved to Dresden where he held exhibitions at the J. Sandel Gallery and at the Dresden Art Museum. He was in Berlin for part of 1933, and then journeyed to Paris. After two years in a Nazi concentration camp, he emigrated to Czechoslovakia, where he settled in Ostrava, where he held the first one-man show of his etchings. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L ‘Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947 he produced the work Reves Cosmiques and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Staël and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951 and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968 Friedlaender was travelling to Puerto Rico, New York City and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth-century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain...Category
Mid-20th Century Modern Abstract Prints
MaterialsOffset, Screen
- DEMOCRATIC PARTY HUMAN RIGHTS DINNERBy Robert RauschenbergLocated in Aventura, FLOffset lithograph on hodgkins handmade paper. Hand signed and numbered in pencil by the artist. Certificate of authenticity included. Edition of 100. Framed. All reasonable offers w...Category
1980s Modern Abstract Prints
MaterialsHandmade Paper, Lithograph, Offset
$6,000 Sale Price20% Off - UntitledBy Terry LeftrookLocated in San Francisco, CAThis artwork "Untitled" c.1980 is an original offset lithograph on wove paper by Canadian artist Terry Leftrook, born 1948. It is hand signed in pencil by the artist. The size is 13...Category
Late 20th Century Modern Abstract Prints
MaterialsOffset
- Original Disques Import Clementine vintage music posterLocated in Spokane, WAOriginal linen-backed vintage poster "DISQUES IMPORT CLEMENTINE". Excellent condition. The image with the psychedelic look of the two records that create the eyes and the rest...Category
1970s Modern Abstract Prints
MaterialsOffset
- RAUSCHENBERG (Scarce and collectible early exhibition invitation)By Cris GianakosLocated in New York, NYCris Gianakos, Robert Rauschenberg RAUSCHENBERG (Scarce and collectible early invitation), 1970 Offset Lithograph Invitation 8 7/10 × 11 9/10 inches Unframed Offset lithograph invitation created on the occasion of Robert Rauschenberg's exhibition at SVA's Visual Arts Gallery in 1970. The poster was designed by Cristos Gianakos, with Rauschenberg's approval, who was also a professor at SVA, and the show was curated by Felice Wender, the director of Dayon's Gallery 12 in Minneapolis. The invitation states that "after completing its New York debut, the show will open at the School of the Art Institute of Chicago in January 4...Category
1970s Modern Abstract Prints
MaterialsLithograph, Offset
