Helen FrankenthalerHelen Frankenthaler - Lush Spring Framed Print
About the Item
- Creator:Helen Frankenthaler (1928, American)
- Dimensions:Height: 26.5 in (67.31 cm)Width: 33 in (83.82 cm)Depth: 2 in (5.08 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Central, HK
- Reference Number:1stDibs: LU2388213708312
Helen Frankenthaler
Prolific and pioneering painter Helen Frankenthaler said it was “a combination of impatience, laziness and innovation” that drove her to thin her paints with turpentine so that they would seep into the fabric of an unprimed canvas. Her breakthrough in the early 1950s led the way for a spellbinding new style of painting that would come to be known as Color Field.
Although Color Field is often considered a strain of Abstract Expressionism, Frankenthaler’s work differed from the gestural “Action Painting” that typified the paintings of artists like Willem de Kooning and Lee Krasner. Her vast and immersive expanses of color created at a fearless scale captivated art critics and greatly influenced her peers including Morris Louis and Kenneth Noland.
Frankenthaler knew from an early age that she wanted to be a painter. The youngest daughter of a New York State Supreme Court justice, she grew up on Manhattan’s Park Avenue and as a child delighted in the little ways color and form revealed themselves, whether dribbling red nail polish in a sink full of water or drawing her steps from the Metropolitan Museum of Art to her family’s apartment. As a student at Bennington College, her rare vision was enriched by the mentorship of painter Paul Feeley, who gave her lessons in Cubism. After dabbling in art history at Columbia University, she rented a studio downtown and befriended rising New York art stars like Jackson Pollock and Robert Motherwell, whom she later married.
Characterized by “direct, exuberant gestures,” the Abstract Expressionist technique was all about gusto, and Frankenthaler had it in spades. One of the few women of this era to garner widespread critical acclaim, Frankenthaler had a significant impact on the mid-20th-century art world. She exhibited in the high-profile 1951 Ninth Street Show and, in 1957, she appeared in a Life magazine spread on women artists photographed by Gordon Parks. In 1960, the Jewish Museum held her first major museum show, a retrospective of her 1950s work. A 1969 solo exhibition at the Whitney Museum of American Art further introduced Frankenthaler to the broader art world.
While Frankenthaler remains best known for bold, expressive “soak-stain” paintings such as Mountains and Sea (1952), she worked across diverse media for decades, with forays into woodcutting, drawing and printmaking that also pushed boundaries. She also taught at Harvard, Yale and Princeton, fostering generations of artists. She died in 2011.
Find original Helen Frankenthaler art on 1stDibs.
- ShippingRetrieving quote...Ships From: Central, Hong Kong
- Return PolicyThis item cannot be returned.
- Alma Woodsey Thomas - Color Etude Framed PrintLocated in Central, HKThis print features a reproduction of Color Etude (1966) by Alma Woodsey Thomas. It’s mounted and laminated for protection from dust and UV rays, a...Category
2010s Abstract Prints
MaterialsWood, Paper
- Alma Woodsey Thomas - Breeze Rustling Through Fall Flowers Framed PrintLocated in Central, HKThis print features a reproduction of Breeze Rustling through Fall Flowers (1968) by Alma Woodsey Thomas. It’s mounted and laminated for protection...Category
2010s Abstract Prints
MaterialsWood, Paper
- Helen Frankenthaler - Tutti-Frutti Framed PrintBy Helen FrankenthalerLocated in Central, HKThis print features a reproduction of Tutti-Frutti (1966) by Helen Frankenthaler. It's mounted and laminated for protection from dust and UV rays, and floated in a hand-stained, natu...Category
2010s Abstract Prints
MaterialsWood, Paper
- Joan Miró - L'Oro dell'Azzurro Framed PrintBy Joan MiróLocated in Central, HKThis print features a reproduction of L'Oro dell'Azzurro (1967) by Joan Miró. It's framed in sustainably sourced black ash with a gallery acrylic finish. Wired for hanging. Size 31....Category
2010s Abstract Prints
MaterialsWood, Paper
- Sarah Morris - Black Beetle (Origami), 2008By Sarah MorrisLocated in Central, HKThe painter, filmmaker, photographer, and graphic artist Sarah Morris (*1967, Sevenoaks, UK) shot to prominence in the 1990s, becoming one of the most important abstract artists of t...Category
2010s Abstract Prints
MaterialsPaper
- Gerhard Richter - Abstraktes BildeBy Gerhard RichterLocated in Central, HKGerhard Richter Abstraktes Bild, 2023 6-color hybrid print on 260g Rives handmade paper 27 3/5 × 27 3/5 in 70 × 70 cm Edition of 500Category
2010s Abstract Prints
MaterialsPaper
- Patricia Wilder Abstract Print Titled "Passage" Framed and MattedBy Patricia WilderLocated in Plainview, NYAn abstract colors print titled "Passage" by the photograph artist Patricia Wilder. The photograph made from original slide transparency and printed in...Category
21st Century and Contemporary Modern Abstract Prints
MaterialsGlass, Wood, Paper
- Abstract fauna in black and white of Akule Hawaiian Fish Fine Art PrintLocated in London, GB"The play of water and light has fascinated me for years. From childhood I have found sunlight underwater mesmerising - be it a Cornish rock pool or The Red Sea, the movement and diffraction of light excites me. Add to that the thrill of schools of fish - specifically Akule, which are found in seas off Hawaii. I spent some time wanting to make a series of prints that captured the play of light on these fast moving fish - creating flowing abstract forms and textures." - Mike G Jackson The goal isn't to replicate the real world - it is to show where the real world and the process meet - sometimes pushing towards the real world, sometimes pushing towards the process - but never completely at either extreme. - Michael G Jackson Michael Jackson (b.1966) is an experimental photographer based in North Dorset, England. He studied art at West Dean College in Sussex, then apprenticed under landscape painter Christopher W Baker and later discovered his passion for photography. He moved away from working with traditional camera techniques in 2015 and is currently progressing the Luminogram process into new directions in which he has become regarded as a leading practitioner. His work has been exhibited internationally and is part of various private and museum collections including The National Art Gallery in Washington, USA. Selected Press: “Mike Jackson...Category
2010s Abstract Black and White Photography
MaterialsSilver
- "PROPOSITION", hand-tooled aluminum intaglio print, abstract, monotype, framedBy Harold WortsmanLocated in Toronto, OntarioPROPOSITION is a hand-tooled aluminum intaglio print on Rives BFK 250g paper with deckle edge. It is a framed monotype in white matte wood with spacers under glass to maintain the de...Category
21st Century and Contemporary Contemporary Abstract Prints
MaterialsWood, Printer's Ink, Archival Paper, Etching, Intaglio, Glass
- Abysmal, 2021 Contemporary digital printBy Michael DavisLocated in Palm Desert, CAStyle: Contemporary, Modern, Conceptual Small study for the series “Rare Earth"Category
21st Century and Contemporary Conceptual Mixed Media
MaterialsMetal
- Variable Picture (3 x 7 = 21 Shapes) - French GermanBy Jean ArpLocated in London, GBThis multiple is hand signed by the artist “J. Arp” in blue ballpoint pen on a label, verso. It is also hand numbered in blue ballpoint pen, from the edition of 100 on a label, verso...Category
1960s Abstract Abstract Prints
MaterialsPlexiglass, Wood, Paper
- "Metamorphosis of Zan Biell" by Keisuke Serizawa, SignedBy Keisuke SerizawaLocated in Pasadena, CAAn abstract Expressionist piece titled "Metamorphosis of Zan Biell" Numbered "20/20", and signed by artist Keisuke Serizawa. Woodcut on Rice Paper. Designer, painter, illustrator, d...Category
1970s Abstract Expressionist Abstract Prints
MaterialsWood, Paper