'Scheherazade', Académie Julian, Venice Biennale, Carnegie Prize, NYMOMA, AIC

1931

'Midcentury Biomorphic Abstract', NYMoMA, Paris, XXXII Venice Biennale, MALI, Lima, Peru Signed, lower right, 'E.R. Larrain' for Emilio Rodríguez Larraín (Peruvian, 1928-2015), and inscribed 'Roma, Nov 1963, Enero 1964'. (Rome, Nov 1963-January 1964). Verso titled, "L'Homme C'est Sujet à Errer" (Man Tends to Wander), and bearing the artist's self-portrait in india ink and wash. Exhibited: XXXII Venice Biennale, 1964. (original exhibition label verso) Previously with Staempfli Galleries, New York. This painting is registered in the Archives of American Art as 'Staempfli Gallery, inventory #775'. A monumental and historically distinguished work by this groundbreaking Peruvian Modernist who drew inspiration from Peruvian indigenous and pre-colonial culture. The paintings of Emilio Rodríguez Larraín are held in the permanent collections of museums worldwide including the Musée de la Ville de Paris, Peru's Museo de Arte de Lima and the Museum of Modern Art in New York. This painting was selected by the Peruvian Government for exhibition at the XXXII Venice Biennale in 1964 and is the largest single recorded work by the artist. Emilio Rodríguez Larraín received his Bachelors of Architecture in 1949 from Peru's Universidad Nacional de Ingeniería and held his first solo exhibition in Lima after visiting Europe in 1950. In 1951, he returned to Europe in the company of the artists Alfredo Ruiz Rosas and Joaquín Roca Rey...

A dynamic, cabinet-size oil abstract comprising contiguous and overlapping areas of coral, jade, pink and slate-blue with additional linear and circular emphasis. Signed lower righ...

Signed lower right, 'Aziza' with monogram and dated 1990. A fresh and vibrant oil abstract juxtaposing adjacent and overlaid organic forms in cerulean, crimson and yellow applied wi...

Signed lower right, 'Schoener' for Jason Schoener (American, 1919-1997) and painted circa 1970. Titled 'Choruscating Landscape' (labels, verso). Accompa...

Fernando de Szyszlo was a Peruvian painter best known for using pre-Columbian imagery and muted palette. De Szyszlo’s art was an attempt at reinventing Surrealist themes in a Latin A...

French lithograph abstract in green and yellow tones, circa 1960. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Archival...

Lithograph Handsigned by the artist in pencil and numbered 74/150 75.50 cm. x 54.00 cm. 29.72 in. x 21.26 in. (paper) 70.00 cm. x 51.00 cm. 27.56 in. x 20.08 in. (image) LCD4876

Oil on canvas Francis Moreau is a French artist (1940-2021) who lived and worked in Paris, France. Like many others, he wasn't born with a brush from childhood but through hard wor...