Items Similar to Perturbation en O #1172
Want more images or videos?
Request additional images or videos from the seller
1 of 4
James CoignardPerturbation en O #11722004
2004
About the Item
Publisher GKM.
Edition of 40 ex.
Unframed.
Carborundum engraving.
Moulin de Larroque handmade paper.
Free shipment worldwide.
“With just a few strokes of his brush he conjures up an entire world. James Coignard extends the boundaries between concrete and abstract. He knows how to create chromatic melodies that shift in timbre from cobalt blue to blood red. His pictures are an artistic epicentre where lines, letters and numbers meld with vigorous swashes of colour.” That is how the writer Johan Persson has described the artist’s paintings. With this exhibition we honour James Coignard, showing some of his last carborundum engravings and paintings as well as presenting the book “L’œuvre gravé de James Coignard” volume VI. In this edition, we have gathered together all the engravings that James Coignard produced between June 2005 and his decease, on 7 March 2008. Behind him he left many fond memories and a life’s work as a great artist. James Coignard’s principal modes of expression were oil on canvas and gravure au carborundum, but also in bronze and glass sculptures as well as in ceramics. His work has been shown on more than 400 exhibitions, primarily in Central Europe and Scandinavia, but also in Canada and the USA. His first Swedish exhibition was at Malmö Museum in 1956. The early 1970s saw the start of a long-term liaison with Galleri Östermalm in Stockholm, owned by Editions Sonet. They came to represent him in Scandinavia and edited several volumes of his graphic works. It was not until 2003 that we at Galleri GKM Siwert Bergström, took over the role of James Coignard’s representative. By then, however, we had already known one another for almost 20 years, and we have many treasured memories of our meetings. We recall our visits to his various studios, on the rue Martel in Paris, in La Boissière-École and later in Antibes. It was always such fun to be there and experience the playful way in which he coaxed forth his works of art with paints and a variety of materials. More often than not he would present us with a personally dedicated drawing or engraving before we left. That was the kind of person James Coignard was: generous to a fault – a friendly, modest, self-effacing man who never had a bad word to say about anyone. We are delighted that, in collaboration with James Coignard’s children; Pascale, David, Emmanuelle and Simon, and his assistant and close friend, Fatima Ashad, we are able to continue to work with his artistic production and to ensure that it lives on. James Coignard was an important artist, but also a warm and compassionate human being, a big-hearted man whose death has left a gaping hole. We are fortunate, at least, in having his art to remember him by.
- Creator:James Coignard (1925-2008, French)
- Creation Year:2004
- Dimensions:Height: 31.5 in (80 cm)Width: 47.25 in (120 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Malmo, SE
- Reference Number:1stDibs: LU3282176593
James Coignard
James Coignard, painter, ceramist, sculptor and etcher, was born in Tours in 1925. At the age of 23 and after a brief career in the French administration, he discovers the landscapes of the French Riviera and decides to study at Arts décoratifs in Nice. Four years later, he quits his job at the administration to commit himself entirely to his artistic career. The encounter with Paul Hervieu in 1950 is decisive. His collaboration with gallery Hervieu made him known in artistic circles, nationally and internationally and then particularly in Scandinavia. At the beginning of his career, art critics label James Coignard as a member of Ecole de Paris. Soon, his painting and ceramic distances themselves from those of his colleagues and he goes it alone. At the beginning of the sixties, he starts to work with glass but the technical turning point occurs in 1968 when his friend Henri Goetz discovers a new etching technique, using carborundum. Etching then becomes central in his work. At the same time, his career takes off internationally. He travels a lot, especially to Sweden and USA where he lives during a few years. 1978, James Coignard participates in the creation of the etching studio Pasnic, with which he starts a long collaboration. During the eighties, he shares his time between Paris and the French Riviera and takes an interest in artist’s books and publishing issues. He exhibits now all over the world, and is acknowledged as one of the greatest painter-etchers of his time. Until his decease in 2008, James Coignard was a prolific painter, sculptor and etcher and leaves behind an immense work.
About the Seller
5.0
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
Established in 1967
1stDibs seller since 2013
233 sales on 1stDibs
Typical response time: 7 hours
- ShippingRetrieving quote...Shipping from: Malmo, Sweden
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllLe blanc #1163
By James Coignard
Located in Malmo, SE
Publisher GKM.
Edition of 40 ex.
Unframed.
Carborundum engraving.
Moulin de Larroque handmade paper.
Free shipment worldwide.
“With just a few strokes of his brush he conjures up an...
Category
Early 2000s Contemporary Abstract Prints
Materials
Engraving
Trois verts #1193.
By James Coignard
Located in Malmo, SE
Publisher GKM.
Edition of 15 ex.
Signed/numbered.
Carborundum engraving.
Moulin de Larroque handmade paper.
Free shipment worldwide.
“With just a few strokes of his brush he conjure...
Category
Early 2000s Contemporary Abstract Prints
Materials
Engraving
Paysage bleu #1230
By James Coignard
Located in Malmo, SE
Publisher GKM.
Edition of 40 ex.
Unframed.
Carborundum engraving.
Moulin de Larroque handmade paper.
Free shipment worldwide.
“With just a few strokes of his brush he conjures up an entire world. James Coignard extends the boundaries between concrete and abstract. He knows how to create chromatic melodies that shift in timbre from cobalt blue to blood red. His pictures are an artistic epicentre where lines, letters and numbers meld with vigorous swashes of colour.” That is how the writer Johan Persson has described the artist’s paintings. With this exhibition we honour James Coignard, showing some of his last carborundum engravings and paintings as well as presenting the book “L’œuvre gravé de James Coignard” volume VI. In this edition, we have gathered together all the engravings that James Coignard produced between June 2005 and his decease, on 7 March 2008. Behind him he left many fond memories and a life’s work as a great artist. James Coignard’s principal modes of expression were oil on canvas and gravure au carborundum, but also in bronze and glass sculptures as well as in ceramics. His work has been shown on more than 400 exhibitions, primarily in Central Europe and Scandinavia, but also in Canada and the USA. His first Swedish exhibition was at Malmö Museum in 1956. The early 1970s saw the start of a long-term liaison with Galleri Östermalm in Stockholm, owned by Editions Sonet. They came to represent him in Scandinavia and edited several volumes of his graphic works. It was not until 2003 that we at Galleri GKM Siwert Bergström...
Category
Early 2000s Contemporary Abstract Prints
Materials
Engraving
Une buveuse #1219
By James Coignard
Located in Malmo, SE
Publisher GKM.
Edition of 40 ex.
Unframed.
Carborundum engraving.
Moulin de Larroque handmade paper.
Free shipment worldwide.
“With just a few strokes of his brush he conjures up an entire world. James Coignard extends the boundaries between concrete and abstract. He knows how to create chromatic melodies that shift in timbre from cobalt blue to blood red. His pictures are an artistic epicentre where lines, letters and numbers meld with vigorous swashes of colour.” That is how the writer Johan Persson has described the artist’s paintings. With this exhibition we honour James Coignard, showing some of his last carborundum engravings and paintings as well as presenting the book “L’œuvre gravé de James Coignard” volume VI. In this edition, we have gathered together all the engravings that James Coignard produced between June 2005 and his decease, on 7 March 2008. Behind him he left many fond memories and a life’s work as a great artist. James Coignard’s principal modes of expression were oil on canvas and gravure au carborundum, but also in bronze and glass sculptures as well as in ceramics. His work has been shown on more than 400 exhibitions, primarily in Central Europe and Scandinavia, but also in Canada and the USA. His first Swedish exhibition was at Malmö Museum in 1956. The early 1970s saw the start of a long-term liaison with Galleri Östermalm in Stockholm, owned by Editions Sonet. They came to represent him in Scandinavia and edited several volumes of his graphic works. It was not until 2003 that we at Galleri GKM Siwert Bergström...
Category
Early 2000s Contemporary Abstract Prints
Materials
Engraving
Paysage rouge #1231
By James Coignard
Located in Malmo, SE
Publisher GKM.
Edition of 40 ex.
Unframed.
Carborundum engraving.
Moulin de Larroque handmade paper.
Free shipment worldwide.
“With just a few strokes of his brush he conjures up an entire world. James Coignard extends the boundaries between concrete and abstract. He knows how to create chromatic melodies that shift in timbre from cobalt blue to blood red. His pictures are an artistic epicentre where lines, letters and numbers meld with vigorous swashes of colour.” That is how the writer Johan Persson has described the artist’s paintings. With this exhibition we honour James Coignard, showing some of his last carborundum engravings and paintings as well as presenting the book “L’œuvre gravé de James Coignard” volume VI. In this edition, we have gathered together all the engravings that James Coignard produced between June 2005 and his decease, on 7 March 2008. Behind him he left many fond memories and a life’s work as a great artist. James Coignard’s principal modes of expression were oil on canvas and gravure au carborundum, but also in bronze and glass sculptures as well as in ceramics. His work has been shown on more than 400 exhibitions, primarily in Central Europe and Scandinavia, but also in Canada and the USA. His first Swedish exhibition was at Malmö Museum in 1956. The early 1970s saw the start of a long-term liaison with Galleri Östermalm in Stockholm, owned by Editions Sonet. They came to represent him in Scandinavia and edited several volumes of his graphic works. It was not until 2003 that we at Galleri GKM Siwert Bergström...
Category
Early 2000s Contemporary Abstract Prints
Materials
Engraving
Transversale bleue #1144
By James Coignard
Located in Malmo, SE
Publisher GKM.
Edition of 40 ex.
Unframed.
Carborundum engraving.
Moulin de Larroque handmade paper.
Free shipment worldwide.
“With just a few strokes of his brush he conjures up an entire world. James Coignard extends the boundaries between concrete and abstract. He knows how to create chromatic melodies that shift in timbre from cobalt blue to blood red. His pictures are an artistic epicentre where lines, letters and numbers meld with vigorous swashes of colour.” That is how the writer Johan Persson has described the artist’s paintings. With this exhibition we honour James Coignard, showing some of his last carborundum engravings and paintings as well as presenting the book “L’œuvre gravé de James Coignard” volume VI. In this edition, we have gathered together all the engravings that James Coignard produced between June 2005 and his decease, on 7 March 2008. Behind him he left many fond memories and a life’s work as a great artist. James Coignard’s principal modes of expression were oil on canvas and gravure au carborundum, but also in bronze and glass sculptures as well as in ceramics. His work has been shown on more than 400 exhibitions, primarily in Central Europe and Scandinavia, but also in Canada and the USA. His first Swedish exhibition was at Malmö Museum in 1956. The early 1970s saw the start of a long-term liaison with Galleri Östermalm in Stockholm, owned by Editions Sonet. They came to represent him in Scandinavia and edited several volumes of his graphic works. It was not until 2003 that we at Galleri GKM Siwert Bergström...
Category
Early 2000s Contemporary Abstract Prints
Materials
Engraving
You May Also Like
Metamorfosis
By Louise Bourgeois
Located in New York, NY
Portfolio with complete text, 5 drypoint prints with etching and aquatint and numerous illustrations on Rives BFK. The sheets are loose as issued and in superb condition. One from a ...
Category
1990s Contemporary Abstract Prints
Materials
Drypoint, Etching, Aquatint, Lithograph
"Fuera del Radar II" 2020 Signed Original Large Engraving 63x39in Mexican Artist
By Miguel Castro Leñero
Located in Miami, FL
Miguel Castro Leñero (Mexico, 1956)
'Fuera del Radar II', 2020
engraving on paper Intaglio 300 g.
63.6 x 39 in. (161.5 x 99 cm.)
Edition of 30
Unframed
ID: CAM-105
Hand-signed by author
Category
2010s Contemporary Prints and Multiples
Materials
Engraving, Etching, Aquatint
Deux Bleus Sur Noir (Two Blues on Black) /// James Coignard French Abstract Art
By James Coignard
Located in Saint Augustine, FL
Artist: James Coignard (French, 1925-2008)
Title: "Deux Bleus Sur Noir (Two Blues on Black)"
*Signed by Coignard in pencil lower right
Year: 2006
Medium: Original Hand-Embellished Ca...
Category
Early 2000s Contemporary Abstract Prints
Materials
Engraving, Handmade Paper
A duet. Surrealistic etching, Monochromatic, Minimalistic, Polish art
By Leszek Rózga
Located in Warsaw, PL
20th century figurative drypoint print by Polish artist Leszek Rozga. Print depicts abstract figures- they look somewhat familiar but it is not clear what they are. This piece is sig...
Category
2010s Contemporary Figurative Prints
Materials
Paper, Drypoint
Mexican Japanese woman artist 1998 signed original engraving art proof 16x21in
Located in Miami, FL
Namiko Prado Arai (Mexico, 1963)
'Untitled 1', 1998
engraving on paper Guarro Biblos 250g.
15.6 x 21.1 in. (39.5 x 53.5 cm.)
ID: PRA-303
Hand-signed by author
Unframed
Category
1990s Contemporary Abstract Prints
Materials
Ink, Etching, Engraving
Mexican Japanese woman artist 1998 signed original engraving art proof 14x26in
Located in Miami, FL
Namiko Prado Arai (Mexico, 1963)
'Untitled', 1998
engraving on paper Guarro Biblos 250g.
14 x 25.6 in. (35.5 x 65 cm.)
Edition of 12
ID: PRA-302
Hand-signed by author
Unframed
Category
1990s Contemporary Abstract Prints
Materials
Ink, Etching, Engraving