James RosenquistFireworks for President Clinton1996
1996
About the Item
- Creator:James Rosenquist (1933, American)
- Creation Year:1996
- Dimensions:Height: 28 in (71.12 cm)Width: 28 in (71.12 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU118524295121
James Rosenquist
Although he insisted that he and his fellow Pop artists developed their art-making styles independently, American painter James Rosenquist belonged at the table with Andy Warhol and Roy Lichtenstein.
Known for his distinctive use of visual montage, Rosenquist produced large, vibrantly colored tableaux marked by fragmentation and overlap. He often employed familiar motifs and objects drawn from popular contemporary culture — hot dogs, lipstick tubes, American flags — which he manipulated to form disorienting compositions whose constituent elements are nearly unrecognizable.
Born in North Dakota to Swedish parents, Rosenquist was encouraged to pursue painting by his mother, who was also an artist. He studied painting for two years at the University of Minnesota, but dropped out at the age of 21 to attend the Art Students League in New York on a scholarship. A job as a billboard painter in the late 1950s set him up to pursue his signature style, which borrowed its bold graphics and remixed kitschy aesthetic from the visual vocabulary of advertising. Works like Flamingo Capsule (1983) embody his trademark visual dissonance, drawing cigarette-ad motifs into conversation with stripes from the American flag and aluminum foil wrappers.
In addition to enormous paintings, Rosenquist created drawings, prints and collages. The 2011 lithograph The Memory Continues but the Clock Disappears is a montage of melting clocks and confetti, all submerged in a pool of water. While wryly hinting at the inevitability of decay and deterioration — suggesting that life is a ticking clock — the composition also alludes to Salvador Dalí's signature motif, the defining symbol of Surrealism. Such compositions demonstrate how Rosenquist masterfully combined seemingly incongruous elements into a harmonious and poetic whole.
Find James Rosenquist art today on 1stDibs.
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- The NewsBy KAWSLocated in New York, NY2018 The complete set of 9 screenprints in colors Sheet: 24 x 24 in., each Edition of 100 Each sheet signed, dated and numbered in pencilCategory
2010s Pop Art Abstract Prints
MaterialsScreen
- Ups and DownsBy KAWSLocated in New York, NY2013 The complete set of 10 screenprints in colors Sheet: 35 x 23 inches, each Edition of 100 Each signed, dated and numbered in pencil Contained in original portfolio boxCategory
2010s Pop Art Abstract Prints
MaterialsScreen
- Pop Shop II: one plate (L. pp. 96-97)By Keith HaringLocated in New York, NY1988 Screenprint in colors, on wove paper, with full margins 12 x 15 in. (30.5 x 38.1 cm) Edition of 200, HC Signed, dated, and numbered in pencil, recto FramedCategory
1980s Pop Art Abstract Prints
MaterialsPaper, Screen
- Reflections on CrashBy Roy LichtensteinLocated in New York, NY1990 Lithograph, screenprint on paper and metalised PVC on paper S. 59 1/8 x 75 in. (150.2 x 190.5 cm) Edition of 68 Signed, dated and numbered in pencil, lower marginCategory
1990s Pop Art Abstract Prints
MaterialsPaper, Lithograph, Screen
- Ups and DownsBy KAWSLocated in New York, NY2013 The complete set of 10 screenprints in colors, on Saunders Waterford High White paper 35 x 23 inches, each Edition of 100 + 20AP All signed, dated and numbered in pencilCategory
2010s Pop Art Abstract Prints
MaterialsScreen
- Flowers 2By Alex KatzLocated in New York, NY2017 Screenprint in colors, on Crane Museo Max 365gsm paper Sheet: 23 x 28 1/2 in. (58.4 x 72.4 cm) Edition of 100 Signed and numbered in pencil Unframed, excellent conditionCategory
2010s Pop Art Abstract Prints
MaterialsPaper, Screen
- Fire Bridge, Pop Art Screenprint by Robert IndianaBy Robert IndianaLocated in Long Island City, NYArtist: Robert Indiana, American (1928 - ) Title: Fire Bridge: Chrysler Museum at Norfolk, December 1 - January 15 Year: circa 1965 Medium: Screenprint on Fabriano Paper Size: 30 x ...Category
1960s Pop Art Abstract Prints
MaterialsScreen
- BrushstrokesBy Roy LichtensteinLocated in Miami, FLHand-signed rf Lichtenstein in pencil and numbered 245/300. Published by Leo Castelli Gallery, for the Pasadena Art Museum, California. The Prints of Roy Lichtenstein A Catalogue Rai...Category
1960s Pop Art Figurative Prints
MaterialsScreen
- Untitled Littmann 50By Keith HaringLocated in Miami, FLEA Artists Proof aside from edtion of 150. Screenprint in colors on Wove Paper. Hand signed, numbered from the Artists Proof edition of 20 and dated '85 in pencil right side margin. Published by Martin Lawrence Limited Editions, Inc., New York...Category
1980s Pop Art Figurative Prints
MaterialsScreen
- Autoportraits Vinalhaven Suite, 1980, Complete Set of 10By Robert IndianaLocated in Austin, TXArtist: Robert Indiana (1928-2018) Title: Autoportraits Vinalhaven Suite, 1980, The complete set of ten screenprints in colors, all framed Year: 1980 Medium: Screen print on Fabrian...Category
1980s Pop Art Abstract Prints
MaterialsScreen
- HOPE (R/W/B) LARGE 4 PANEL PAINTINGBy Robert IndianaLocated in Aventura, FLOil and Silkscreen ink on triple primed canvas. Hand signed, dated, titled and inscribed "P/P" on verso by Robert Indiana. Printer's Proof edition. Total of 4 panels. Each panel ...Category
Early 2000s Pop Art Abstract Prints
MaterialsCanvas, Oil, Screen
- Roy Lichtenstein ( 1923 - 1997 ) – Brushstroke – hand-signed Screenprint – 1965By Roy LichtensteinLocated in Varese, ITScreenprint on heavy, white wove paper , edited in 1965 Limited edition of 280 copies signed in pencil by artist in lower right corner and numbered 243/280 paper size: : 58,4 x 73,6 ...Category
1960s Pop Art Prints and Multiples
MaterialsScreen, Paper