James RosenquistEcho Pale, From Mirrors of the Mind Portfolio, 1975 1975
1975
About the Item
- Creator:James Rosenquist (1933, American)
- Creation Year:1975
- Dimensions:Height: 29.14 in (74 cm)Width: 36.62 in (93 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Brecon, GB
- Reference Number:1stDibs: LU18913953832
James Rosenquist
Although he insisted that he and his fellow Pop artists developed their art-making styles independently, American painter James Rosenquist belonged at the table with Andy Warhol and Roy Lichtenstein.
Known for his distinctive use of visual montage, Rosenquist produced large, vibrantly colored tableaux marked by fragmentation and overlap. He often employed familiar motifs and objects drawn from popular contemporary culture — hot dogs, lipstick tubes, American flags — which he manipulated to form disorienting compositions whose constituent elements are nearly unrecognizable.
Born in North Dakota to Swedish parents, Rosenquist was encouraged to pursue painting by his mother, who was also an artist. He studied painting for two years at the University of Minnesota, but dropped out at the age of 21 to attend the Art Students League in New York on a scholarship. A job as a billboard painter in the late 1950s set him up to pursue his signature style, which borrowed its bold graphics and remixed kitschy aesthetic from the visual vocabulary of advertising. Works like Flamingo Capsule (1983) embody his trademark visual dissonance, drawing cigarette-ad motifs into conversation with stripes from the American flag and aluminum foil wrappers.
In addition to enormous paintings, Rosenquist created drawings, prints and collages. The 2011 lithograph The Memory Continues but the Clock Disappears is a montage of melting clocks and confetti, all submerged in a pool of water. While wryly hinting at the inevitability of decay and deterioration — suggesting that life is a ticking clock — the composition also alludes to Salvador Dalí's signature motif, the defining symbol of Surrealism. Such compositions demonstrate how Rosenquist masterfully combined seemingly incongruous elements into a harmonious and poetic whole.
Find James Rosenquist art today on 1stDibs.
- ShippingRetrieving quote...Ships From: Brecon, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- It's Only Rock 2By Barbara WagnerLocated in Brecon, PowysMono prints with litho on Fabriano paper. Edition of 1Category
2010s Abstract Expressionist Figurative Prints
MaterialsLithograph, Monoprint
- It's Only Rock 1, Unique Print 1/1By Barbara WagnerLocated in Brecon, PowysMono prints with litho on Fabriano paper. Edition of 1Category
2010s Contemporary Abstract Prints
MaterialsLithograph, Monoprint
- L-5-1974By Hans HartungLocated in Brecon, PowysTitle: L-5-1974 Medium: Lithograph Year: 1974 Signed, titled and inscribed by hand Size: 16.4 × 12.5 on 29.8 × 21.8 inches Hans Hartung (21 September 1904 – 7 December 1989) was a ...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- You Live With It IBy Barbara WagnerLocated in Brecon, Powys21 x 24cm on Somerset paper. They are collagraph and carborundum prints with monoprint background.Category
2010s Abstract Abstract Prints
MaterialsParchment Paper
- Not For You 11By Barbara WagnerLocated in Brecon, PowysOriginal one off linocuts (wet on wet) on Japanese paper and are 30 x 30cm printed area.Category
2010s Abstract Abstract Prints
MaterialsParchment Paper
- Not For You 1By Barbara WagnerLocated in Brecon, PowysOriginal one off linocuts (wet on wet) on Japanese paper and are 30 x 30cm printed area.Category
2010s Abstract Abstract Prints
MaterialsParchment Paper
- F-111 (Castelli Gallery Poster)By James RosenquistLocated in Hinsdale, ILROSENQUIST, JAMES (1933 - 2017) F-111 (Castelli Gallery Poster) Offset Lithograph c. 1965 Signed and dated in pencil along lower edge Sheet Size: 28” x 22”, Fresh ...Category
1960s Pop Art Abstract Prints
MaterialsLithograph, Offset
- "Ten Days" limited edition lithograph by James RosenquistBy James RosenquistLocated in Hinsdale, ILJAMES ROSENQUIST "Ten Days, from The New York Collection for Stockholm" Lithograph in colors on paper,1973 9 x 12 inches (22.9 x 30.5 cm) (sheet) Ed. 114/300 Signed, numbered, and d...Category
1970s Pop Art Abstract Prints
MaterialsLithograph
- "Woman in the Sun" by James Rosenquist, 1991By James RosenquistLocated in Hinsdale, ILJAMES ROSENQUIST (B. 1933) "Woman in the Sun" 15 color lithograph from aluminum plate on mould-made paper, white Rives BFK, 1991 Catalog #225 She...Category
1990s Pop Art Abstract Prints
MaterialsLithograph
- Ice PointBy James RosenquistLocated in Ljubljana, SIIce Point. Original color lithograph, 1983. Edition of 150 signed and numbered impressions on Arches paper. Art and Sport portfolio: The Yugoslav Olympic Committee of the Winter Olympic Games Sarajevo...Category
1980s Pop Art Abstract Prints
MaterialsLithograph
- Large Bus by Allen Jones classic British 1960s pop art in bright primary colorsBy Allen JonesLocated in New York, NYThis large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...Category
1960s Pop Art Abstract Prints
MaterialsLithograph
- Sightseeing (black pull) James Rosenquist text Pop Art in black and whiteBy James RosenquistLocated in New York, NYThis abstract composition features a cropped view of the words SIGHT SEEING, in bold all-capital lettering. Roses fill the top line of text, and the bottom line of text in white is s...Category
1970s Pop Art Abstract Prints
MaterialsLithograph, Screen
