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jean-Michel AtlanEast1957
1957
About the Item
Lithograph, 1957
Handsigned by the artist in pencil and numbered 87/100
Publisher : Editions le Musée de Poche, Paris
Printer : Jean Pons
Catalog : [Polieri 1747]
66.00 cm. x 50.00 cm. 25.98 in. x 19.69 in. (paper)
54.50 cm. x 43.50 cm. 21.46 in. x 17.13 in. (image)
On BFK Rives paper
Jean-Michel Atlan (1913-1960) had a brief life but with uncommon intensity. He was born and spent his youth in Algeria, where the Berber traditions left a lasting impression on him. As a student in Paris, he became a professor of philosophy and was close to Gaston Bachelard (1884-1962).
Self-taught in painting, he invented a powerful pictorial world that drew its sources from African, pre-Columbian and Assyrian arts.
As is often the case in Atlan's work, the forms are enigmatic. We have the impression of discerning creatures, living forms, but we cannot conclude anything definitive. This is what makes Atlan's art so attractive.
These forms are not attached to any specific context, but the artist gives them a particular strength and energy through his black line. The color complements the composition beautifully and tempers the power of the black. The orange background, with its pencilled appearance, vibrates and shines through under the black. Some notes of blue and red complete this vigorous composition.
Certificate of authenticity
LCD7110
- Creator:jean-Michel Atlan (1913 - 1960, French)
- Creation Year:1957
- Dimensions:Height: 25.99 in (66 cm)Width: 19.69 in (50 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Insolate paper and visible tape marks in the margins otherwise in good condition.
- Gallery Location:Paris, FR
- Reference Number:Seller: LCD71101stDibs: LU1066215816582
Jean Michel Atlan was born in Constantine (Algeria) in 1913. After his studies in Constantine, he came to Paris in 1930 to prepare a bachelor’s degree in philosophy at the Sorbonne. He prepared the courses, while teaching in various provincial schools until 1940. He was dismissed by the Vichy government and moved to Paris. He wrote poems of a surreal nature, not yet painted. He then content himself sometimes to illustrate his poetry with simple drawings. Atlan began painting in 1941, in the middle of the war. His first works were expressionist. He contacted the Resistance and was arrested by the Germans; interned at Sainte-Anne, he simulated madness, which allowed him to «get out». After the long-awaited liberation, in 1944 Atlan participated in his first exhibitions, collective and individual. This date will be the starting point for many other exhibitions. From 1945, Atlan created abstract and fantastic figurative animal forms influenced by the high primitivism of the Cobra group and participated in its exhibitions. Around 1956, Jean-Michel Atlan’s style was strengthened. Very marked black winding lines surround fields with pastel tones reminiscent of organic and plant associations and whose theme is combat and fantasy resulting from a vision of the agnostic and biologistic world. Atlan’s artistic breakthrough in 1956 was due to a poster that the artist designed for the exhibition of the new "Ecole de Paris" in the Charpentier gallery and for an exhibition in the Bing gallery in Paris. In the 1950s, Atlan, considered one of the most important representatives of the "New School of Paris", enjoyed strong recognition in France as in Japan, but also in England and the USA. The artist died of cancer in Paris in 1960. It has already been paid tribute to Jean-Michel Atlan in 1963 by a retrospective at the National Museum of Modern Art. It leaves about 220 works to posterity among which one finds tapestries and illustrations.
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