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Jim DineGilbert & Sullivan Signed and numbered screenprint for the New York City Center1968
1968
About the Item
Jim Dine
Gilbert & Sullivan, 1968
Color Silkscreen on wove paper
35 × 25 inches
Edition 6/144
Hand-signed by artist, signed, dated and numbered lower left
New York City Center of Music and Drama, New York,, pub.; HKL, New York, prntr.
Unframed
This rare, richly-colored screenprint was created by Jim Dine as part of the New York City Center of Music and Drama portfolio which raised funds for City Center. This work is titled Gilbert & Sullivan, an homage to the famous duo of opera composers. The City Center was New York’s first cultural center of theatres, and ballet, opera and drama companies. Artists who were commissioned to create works for this important portfolio include Richard Anuszkiewicz, Robert Indiana, Gerald Laing, Lowell Nesbitt, George Segal and Jack Youngerman. This work was acquired as part of a complete portfolio, with an introduction by Mayor John Lindsay. Legendary Metropolitan Museum curator Henry Geldzahler wrote the Introduction to the portfolio, writing that American art "has become sure of itself (some might say cocky) for the first time in this century, with the consequent attributes of clarity, powerful design and the immediate recognizability of a multitude of personal styles."
Regarding the present work, Geldzahler wrote, “Jim Dine moves us simply and directly with his City Center Gilbert and Sullivan print. The photograph is exquisitely chosen, the metallic bar which bisects the photograph and establishes the plane transposes the photo and draw it forward, and finally the eccentric lettering and exaggerated rouge and lipstick convey exactly the amusement and heartbreak of Gilbert and Sullivan at their best." Jim Dine himself described the piece as follows, "I have spent the past year living and working in London, England. The tradition of Gilbert & Sullivan is very much alive here. It shows itself in the satire of the post ‘Beyond the Fringe’ era in the cabaret era of TV. I have used the anonymous photo fragment of a group of child clowns from some forgotten music hall routine as the overall image and colored it mauve as that seemed to fit the non-literal image of G & S in 1968. The forced naivete of the informal typography is about the way I feel about the G & S lyrics."
More about Jim Dine
Jim Dine (b. 1935, Cincinnati, Ohio) is an American artist who rose to prominence in late-1950’s New York. He played a key role in creating the first “Happenings” and thereafter was closely associated with the Pop Art movement. His diverse body of work defies such easy categorization, however, as it is also understood as seminal to Neo-Dada and Neo-Expressionism. An innovator throughout his long career, Dine’s vast and varied output includes paintings, assemblages, sculptures, drawings, prints, and over twelve books of poetry. His extensive practice has been the subject of more than 300 solo exhibitions around the world, including eleven major surveys and retrospectives since 1970.
Dine studied at the University of Cincinnati and Boston Museum School from 1953-1955, and received his BFA from Ohio University in 1957. In 1958, he enrolled in graduate study at Ohio University. His work can be found in public collections throughout the world, including the Art Institute of Chicago, Chicago, IL; Brooklyn Museum, Brooklyn, NY; Cincinnati Art Museum, Cincinnati, OH; Cleveland Museum of Art, Cleveland, OH; Dallas Museum of Art, Dallas, TX; Fogg Art Museum, Harvard University, Cambridge, MA; Israel Museum, Jerusalem; Indianapolis Museum of Art, Indianapolis, IN; Metropolitan Museum of Art, New York, NY; Minneapolis Institute of Arts, Minneapolis, MN; Centre Georges Pompidou, Paris, France; Museum of Contemporary Art, Chicago, IL; Museum of Fine Arts, Boston; The Museum of Modern Art, New York, NY; National Gallery of Art, Washington, DC; Solomon R. Guggenheim Museum, New York, NY; Tate Gallery, London, UK; Tokyo Metropolitan Art Museum, Tokyo, Japan; Whitney Museum of American Art, New York, NY; and the Yale University Art Gallery, New Haven, CT, among others.
- Creator:Jim Dine (1935, American)
- Creation Year:1968
- Dimensions:Height: 35 in (88.9 cm)Width: 25 in (63.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745213953292
Jim Dine
The Ohio-born artist Jim Dine brought his ever-shifting, multidisciplinary vision to New York in 1958, a time of transition in the American art world. Abstract Expressionism, which had dominated the scene for years, was on the wane, and a group of young artists, including Dine, Allan Kaprow, Jasper Johns and Robert Rauschenberg, was eager to replace it with a movement that flipped the traditional rules of art-making on their head.
Beyond dissolving the boundaries between mediums and genres, attaching found objects and detritus to their canvases, these revolutionaries began staging performative “happenings” in public spaces, redefining the very definition of a work of art. As Pop art took form, Dine used objects with personal significance, like his paintbrushes, to transform his paintings into two-dimensional sculptures. He was included in the Norton Simon Museum’s 1962 “New Painting of Objects,” often considered the first true Pop art exhibition in America, but he remained a chameleon, constantly changing his style, material and technique.
More than his contemporaries, Dine has forged new paths in drawing, scrawling words and names across the canvas to create graphic, abstract landscapes. He is obsessed by certain motifs — such as hearts and his own bathrobe — which recur in various forms throughout his oeuvre. He has occasionally worked in classical genres, such as portraiture, as exemplified by the 1980 aquatint Nancy Outside in July. He has also co-opted the bold, graphic vocabulary of advertising and commercials, as in the sleek 2010 composition Gay Laughter at the Wake.
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