Joan Miró

Hand-signed and numbered Joan Miró "L'Oiseau Destructeur" etching and aquatint

1969

Conrad Marca Relli - Composition VIII Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition: 75 + AP + HC Size: 56 x 76 cm Condition: In very good conditions an...

Albert Ràfols Casamada - FRUITES D'ESTIU Date of creation: 2004 Medium: Etching and aquatint on Vélin d'Arches paper Edition: 100 + 10 H.C. + 10 PA Size: 80 x 60 cm Condition: In ver...

Antoni Tàpies is considered one of the most significant Spanish artists of the 20th century and a leading exponent of European informal art. His work combines matter, signs and symbo...

Antoni Tàpies is considered one of the most significant Spanish artists of the 20th century and a leading exponent of European informal art. His work combines matter, signs and symbo...

Antoni Tàpies is considered one of the most significant Spanish artists of the 20th century and a leading exponent of European informal art. His work combines matter, signs and symbo...

Antoni Tàpies is considered one of the most significant Spanish artists of the 20th century and a leading exponent of European informal art. His work combines matter, signs and symbo...

Mixed media print on paper by young Polish artist Berenika Korecka-Sowinska who graduated in 2009 from Academy of Fine Arts in Warsaw

Mixed media print on paper by young Polish artist Berenika Korecka-Sowinska who graduated in 2009 from Academy of Fine Arts in Warsaw

Artist: Joan Mitchell (American, 1925-1992) Title: "Fields I" Portfolio: Fields *Signed and numbered by Mitchell in pencil (on second sheet) lower right Year: 1992 Medium: Original E...

Frank Stella’s Guifà e la Beretta Rossa, (Guifà and the Red Cap), 1989, is a captivating etching made of bold colors and large-scale geometric forms. This artwork was made in collaboration with well-known print maker Kenneth Tyler. In the upper left of the image, rainbow hues of violet, blue, green and yellow decorate the paper. These colors contrast beautifully against the bold, inky strokes which color the background. Additionally, columns, pillars and cones are layered on top of one another as if in a collage. The shapes vary from perfect circles to abstract forms. Viewed in combination, the imagery dances before the viewer, inviting the imagination to construct its own interpretations. This series of mechanical shapes and 3-D composition are reminiscent of Stella’s relief paintings from the early 1980s. For an artist like Stella, experimenting with color, form and dimension is key. He proves to viewers he cannot be confined to a specific artistic genre or movement. Therefore, Stella's abstract works retain a timelessness which will transcend expectations of abstract art. Above all, this large-scale work is an exceptional example of Stella’s later period and his iconic artistic style. The artist is a master of both painting and print. Oftentimes, Stella’s prints...