Joan Mitchell

Sunflowers II

1992

Printer: Hollanders Workshop, New York Publisher: Knoedler, New York Edition size: 61, plus proofs Catalogue Raisonné: Graham 17 Signed, dated, and numbered inpencil, lower margin

Printer and Publisher: ULAE, West Islip, New York Catalogue raisonne: Abrams 41 Edition size: 18 Signed, dated, and numbered, lower margin

Printer: Fred Genis, Hollanders Workshop, New York Publisher: Knoedler, New York Edition size: 47, plus proofs Catalogue raisonné: Graham 16 Signed, dated, and numbered, lower m...

Sheet size: 24 1/8 x 24 1/8 inches Frame size: 26 3/4 x 26 3/4 inches Printer: Edition Domberger, Germany Publisher: Edition Domberger, Germany Edition: 125, plus proofs Catalogue r...

Printer: Kenneth Tyler Publisher: Tyler Graphics Ltd., Bedford, New York Catalogue Raissone: Axsom 146 Edition Size: 23 Signed and numbered in pencil, lower margin

Frame size: 43 1/2 x 31 3/4 inches Printer: Imprimerie Maeght, Levallois-Perret, France Publisher: Maeght Editeur, Paris Edition size: 75, plus proofs Signed and annotated in pencil,...

Lithograph on white Tyler Graphics Ltd. (TGL) handmade paper 44x61 in (111.8x154.9cm) Edition of 52

A very good impression of this color lithograph on Rives BFK. Signed and numbered 30/40 in pencil. Printed by Mourlot, Paris. Published by Galerie Karl Flinker, Paris. From the same-...

15 x 38 ins (38.1 x 96.5 cms) Edition of 98 Signature:Signed "Motherwell" in pencil lower right Inscriptions:Numbered in pencil lower right; workshop chop mark lower right; work...

Lithograph on white Tyler Graphics Ltd. (TGL) handmade paper 32 1/2 x 76 in. (82.6 x 193 cm) Edition of 40

Edition of 49 plus 12 artist's proofs 158.4 x 101.6 cms (62.4 x 40 ins) Published by Tyler Graphics Ltd., Bedford Village, New York

Horse Ride-Green, Violet, Brown. Original color lithograph, 1969. Edition of 75 signed and numbered impressions on Arches paper. Joan Miró was a famous Spanish Catalan surreal painter, sculptor and ceramicist, but he also created graphics, large installations and murals. His radical style for that time was a contribution to the early-20th-century avant-garde and complete abstraction later. Early fauvistic works showed the influence of Cézanne, in cubist compositions, but also a reference to the avant-garde interests of the painter. Few years later he started to change his artistic approach over the magic realism to surrealism. His surfaces become abstract and stayed like that until the rest of his career. Miró’s mature style evolved from the tension between his fanciful, poetic impulse and his vision of the harshness of modern life. The artworks are reflections of his subconscious mind, filled with pictorial signs, biomorphic forms, geometric shapes, and abstract and semi-abstract objects. He worked extensively in lithography and produced numerous murals, tapestries, and sculptures for public spaces. Miro’s composition...