Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Johnny Friedlaender
Les oiseaux, Société internationale d'art XXe siècle

1973

$716
$89520% Off
£536.51
£670.6420% Off
€628.95
€786.1820% Off
CA$1,002.75
CA$1,253.4420% Off
A$1,123.91
A$1,404.8920% Off
CHF 588.38
CHF 735.4820% Off
MX$13,868.43
MX$17,335.5420% Off
NOK 7,391.21
NOK 9,239.0120% Off
SEK 6,957.47
SEK 8,696.8420% Off
DKK 4,691.98
DKK 5,864.9720% Off
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Année N°40, Juin 1973, Cahiers d'art créés en 1938 par G. di San Lazzaro, Panorama 73, 1973. Published by Société Internationale d'Art XXe siècle, Paris, under the direction of Gualtieri di San Lazzaro, éditeur, Paris; printed by Mourlot Frères, Paris, 1973. Additional notes: Excerpted from the academic article, “Promoting Original Prints, The Role of Gualtieri di San Lazzaro and XXe Siècle” by Valerie Holman, published in Print Quarterly, XXXIII, 2016, 2, Until recently very little has been written on the Italian author and art publisher Gualtieri di San Lazzaro (1904-75), yet for 50 years he chronicled the life and work of contemporary artists, produced monographs of exceptional quality, and disseminated original prints by modern painters and sculptors through his best-known periodical, XXe Siècle. Although still a relatively unfamiliar figure in the United Kingdom, San Lazzaro is one of the half-dozen great art publishers of the mid-twentieth century who, together with his exemplar, Ambroise Vollard (1866-1939), and those of his own generation, Christian Zervos (1889-1970), Tériade (1889-1983) and Albert Skira (1904-73), chose to base himself in Paris, seeing it throughout his life as the centre of the art world….XXe Siècle, an illustrated periodical, was launched in 1938 and printed in editions of approximately 2,000, each issue containing both photographs and four-colour separation reproductions across a wide spectrum of visual imagery ranging from masterpieces of Western painting to popular prints from the Far East. Its large format, lively design, and close integration of text and image, were immediately striking, but its most innovative feature, introduced at the suggestion of Hans Arp (1886-1966), was the inclusion of original prints by contemporary artists in every issue. With obvious appeal for collectors, XXe Siècle was also designed to introduce a wider, international public to contemporary painting and sculpture through good quality colour reproductions and the immediacy of original prints. Comparable in price to Cahiers d'Art, early issues of XXe Siècle sold out rapidly. While San Lazzaro's own aesthetic preferences tended towards lyric abstraction, he made clear that XXe Siècle was non-partisan [publication ceased during World War II]….in 1951, San Lazzaro relaunched XXe Siècle with thematic issues that were materials based, or centred on a topic of current interest in the visual arts, particularly in Europe: concepts of space, matter, monochrome, mark-making and the sign.' A defining feature of the new series was Italy's artistic dialogue with France for, while San Laz-zaro had originally concentrated on Paris-based painters and sculptors, his aim was to create an international network, to make known the work of French artists in Italy and Italian artists in France, and subsequently extend this bilateral axis to the English-speak-ing world. The artists represented in No. I by an original print were all best known as sculptors: Arp, Laurens, Henry Moore (1898-186) and Marino Marini, San Lazzaro not only sought to show readers the full range of an artist's work, but to encourage the production of prints, a stimulus much appreciated, for example, by Magnelli…. Suffering from failing health, in 1968 San Lazzaro lost overall control of XXe Siècle to Léon Amiel, a printer-publisher who had provided financial backing and helped with distribution in America." Thematic issues now ceased and were replaced by a 'panorama' of the year, but San Lazzaro was still active as a publisher of books and albums of prints….Shortly after his death, San Lazzaro himself was the subject of two exhibitions: 'Omaggio a XXe Siècle' in Milan in December 1974 centred on graphic work by those artists closest to him late in life, while 'San Laz-zaro et ses Amis' at the Musée d'Art Moderne de la Ville de Paris in 1975 featured work by all those whose work he had promoted for more than 50 years: Arp, Calder (1898-1976), Capogrossi, Chagall, Sonia Delau-nay, Dubuffet, Estève, Lucio Fontana (1899-1968), Gili-oli (1911-77), Magnelli, Marini, Miró, Moore and Poliakoff. This exhibition was seen by one of his closest colleagues as an indirect portrait of San Lazzaro, a complex man whose modesty and reserve masked his unremitting drive to extend international appreciation of contemporary art, and to bring the reading public closer to its making through the medium of print. JOHNNY FRIEDLAENDER (1912-1992) was a leading German/French 20th-century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. Friedlaender painted using oils and watercolors; however, his preferred medium was aquatint etching which is a technically difficult artistic process, of which Friedlaender has been a pioneer. After freedom in 1944, Friedlaender began a series of twelve etchings entitled Images du Malheur, with Sagile as his publisher. In the same year he received a commission to illustrate four books by the brothers Jean and Jérôme Tharaud of the French Academy. In 1945 he worked for several newspapers including Cavalcade and Carrefour. He produced the work Rêves Cosmiques in 1947 and the same year became a member of the Salon de Mai, a position he held until 1969. In 1948, he began a friendship with the painter Nicolas de Staël and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender acquired French nationality by naturalization on 28 November 1952. Friedlaender expanded his geographic scope in 1951 and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Triennale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year.
  • Creator:
    Johnny Friedlaender (1912 - 1992, Polish)
  • Creation Year:
    1973
  • Dimensions:
    Height: 12.4 in (31.5 cm)Width: 9.65 in (24.52 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Auburn Hills, MI
  • Reference Number:
    1stDibs: LU1465216527042

More From This Seller

View All
Friedlaender, Composition, XXe Siècle (after)
By Johnny Friedlaender
Located in Auburn Hills, MI
Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n°40, 1973. Published and printed under the direction of Gualt...
Category

1970s Modern Figurative Prints

Materials

Lithograph

Friedlaender, Composition, XXe Siècle (after)
$716 Sale Price
20% Off
Free Shipping
Composition, Société internationale d'art XXe siècle
By Giuseppe Capogrossi
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 5 (double)...
Category

1950s Modern Figurative Prints

Materials

Lithograph

Composition, Société internationale d'art XXe siècle
By Pierre Alechinsky
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXIIe Année, N° 14, Jui...
Category

1960s Modern Figurative Prints

Materials

Lithograph

Composition, Société internationale d'art XXe siècle
By Raoul Ubac
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXe Année, N° 10 (doubl...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Composition, Société internationale d'art XXe siècle
By Pietro Consagra
Located in Auburn Hills, MI
Woodcut on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXIe Année, N° 13, Noël 19...
Category

1950s Modern Abstract Prints

Materials

Woodcut

Lam 林飛龍, Oiseau du possible, XXe Siècle (after)
By Wifredo Lam
Located in Auburn Hills, MI
Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n°52, 1979. Published and printed under the direction of Gualt...
Category

1970s Surrealist Figurative Prints

Materials

Lithograph

You May Also Like

The Birds
By Johnny Friedlaender
Located in Paris, FR
Engraving Handsigned by the artist in pencil and annotated EA Artist proof 91.00 cm. x 63.00 cm. 35.83 in. x 24.8 in. (paper) 76.50 cm. x 58.50 cm. 30.12 in. x 23.03 in. (image) Th...
Category

1970s Abstract Abstract Prints

Materials

Engraving

Abstract Composition 9
By Johnny Friedlaender
Located in San Francisco, CA
This artwork "Abstract Composition 9" c.1970 in an original color lithograph on B.F,K. Rives paper by noted Polish artist Johnny Friedlaender, 1912-199...
Category

Late 20th Century Abstract Abstract Prints

Materials

Lithograph

Untitled IV
By Johnny Friedlaender
Located in San Francisco, CA
This artwork "Untitled IV" c.1970 in an original color aquatint on Arches paper by noted Polish artist Johnny Friedlaender, 1912-1992. It is hand signed and numbered 128/135 in penci...
Category

Late 20th Century Abstract Abstract Prints

Materials

Aquatint

original lithograph
By Johnny Friedlaender
Located in Henderson, NV
Medium: original lithograph. Printed in 1973 at the Mourlot atelier for the art revue XXe Siecle. Size: 12 1/4 x 9 1/4 inches (310 x 235 mm). Not signed.
Category

1970s Figurative Prints

Materials

Lithograph

Untitled I
By Johnny Friedlaender
Located in San Francisco, CA
This artwork "Untitled I" c.1970 in an original color aquatint on Arches paper by noted Polish artist Johnny Friedlaender, 1912-1992. It is hand signed and numbered 128/135 in pencil...
Category

Late 20th Century Abstract Abstract Prints

Materials

Aquatint

Untitled
By Johnny Friedlaender
Located in Paris, FR
Aquatint Handsigned by the artist in pencil Edition : 65/135 65.00 cm. x 49.00 cm. 25.59 in. x 19.29 in. (paper) 44.50 cm. x 41.50 cm. 17.52 in. x 16.34 in. (image) This engraving...
Category

1960s Abstract Abstract Prints

Materials

Aquatint