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Johnny FriedlaenderJohnny Friedlaender, The Birds, from XXe Siecle, 19731973
1973
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About the Item
This exquisite lithograph by Johnny Friedlaender (1912–1992), titled Les oiseaux (The Birds), from the album XXe Siecle, Annee No. 40, Juin 1973, originates from the 1973 edition published by Societe Internationale d’Art XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1973. Les oiseaux reflects Friedlaender’s lyrical abstraction and hallmark atmospheric balance of line, gesture, and color.
Executed as a lithograph on velin paper, this work measures 12.5 x 9.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris.
Artwork Details:
Artist: Johnny Friedlaender (1912–1992)
Title: Les oiseaux (The Birds)
Medium: Lithograph on velin paper
Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm)
Inscription: Unsigned and unnumbered as issued
Date: 1973
Publisher: Societe Internationale d’Art XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris
Printer: Mourlot Freres, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the album XXe Siecle, Annee No. 40, Juin 1973, published by Societe Internationale d’Art XXe Siecle, Paris; printed by Mourlot Freres, Paris, 1973
About the Publication:
Gualtieri di San Lazzaro’s XXe Siecle (Twentieth Century) was one of the most influential art journals of modernism, founded in Paris in 1938 as a platform for the greatest painters, sculptors, printmakers, writers, and cultural thinkers of the 20th century. San Lazzaro, a visionary editor and champion of the avant garde, sought to unite text and image in a single elevated format, commissioning original prints from leading artists and pairing them with critical essays, poetry, and scholarly commentary. The publication became an essential record of modern art, featuring contributions by Picasso, Chagall, Braque, Leger, Miro, Calder, Kandinsky, Moore, and many others, produced in collaboration with the finest ateliers such as Mourlot, Jacomet, Arte, and Pizzi. Today, XXe Siecle is celebrated for its exceptional integration of fine art and literature, its historical significance, and its unmatched role in documenting the evolution of modern aesthetics.
About the Artist:
Johnny Friedlaender (1912–1992) was a German born French painter and master printmaker whose pioneering achievements in color intaglio placed him among the most important figures in 20th century printmaking, standing in a lineage shaped by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; his visionary approach to abstraction, his technical brilliance, and his poetic integration of line and atmosphere established him as a global leader in postwar graphic art. Born in Pless, Silesia, and educated at the Academy of Fine Arts in Breslau, Friedlaender’s early grounding in drawing and classical composition enabled him to later break open the expressive possibilities of printmaking, developing a radically new visual language of soft, floating lines set against radiant, layered color fields. Forced to flee the rise of Nazism, he arrived in Paris in the 1930s and ultimately became a central figure at Stanley William Hayter’s legendary Atelier 17, where he worked alongside leading modernists such as Marc Chagall, Joan Miro, Yves Tanguy, Alberto Giacometti, and Max Ernst, an environment that profoundly shaped his aesthetic and helped him emerge as one of the workshop’s most technically gifted innovators. He revolutionized aquatint, soft ground, and sugar lift techniques through complex multi plate processes that allowed him to create shimmering veils of color, delicately modulated tonal transitions, and ethereal abstract forms that hovered between gesture and dreamlike suggestion, bridging the emotional resonance of Kandinsky, the biomorphic flow of Miro, and the atmospheric delicacy of Surrealist sensibilities while remaining unmistakably his own. His global influence extended through decades of teaching, inspiring generations of printmakers including Krishna Reddy, Yozo Hamaguchi, Seong Moy, students of Hayter, and numerous contemporary artists working in color intaglio, lyrical abstraction, and experimental etching. Works by Friedlaender are represented in the Louvre, MoMA, the British Museum, the Stedelijk Museum, the National Gallery of Art, the Art Institute of Chicago, the Philadelphia Museum of Art, the Albertina, the Tel Aviv Museum of Art, the Cleveland Museum of Art, and many other major institutions, attesting to the depth of his impact on modern printmaking. Later artists working in abstract etching, lyrical abstraction, gestural minimalism, and atmospheric color field techniques continue to draw inspiration from his jewel like surfaces, shimmering chromatic harmonies, and masterful manipulation of layered space. The highest auction record for Johnny Friedlaender was achieved on October 27, 1990, when Composition sold for 15,000 USD at Ader Tajan in Paris, underscoring the lasting demand for his rare and exceptional works and securing his position as one of the most influential and collectible printmakers of the 20th century.
Johnny Friedlaender XXe Siecle 1973, Johnny Friedlaender Mourlot lithograph, Friedlaender Les oiseaux.
- Creator:Johnny Friedlaender (1912 - 1992, Polish)
- Creation Year:1973
- Dimensions:Height: 12.4 in (31.5 cm)Width: 9.65 in (24.52 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465216527042
Johnny Friedlaender
Johnny Gotthard Friedlaender was born in Pless (Silesia) and his early studies were in Breslau under Otto Mueller. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L 'Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In 1947, he produced the work Reves Cosmiques, and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Stael and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951, and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968, Friedlaender was travelling to Puerto Rico, New York and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth century artists. 1978 brought a retrospective of Friedlaender's works at the Musee d'Art Moderne de la Ville de Paris. He was awarded the Lovis Corinth Prize in Regensburg three years later. On his 75th birthday, Friedlaender was given a retrospective in the Bremen Art Museum. On his 80th birthday he held a retrospective exhibition in Bonn at the municipal council offices. Friedlaender died in Paris at the age of 89.
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