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Johnny Friedlaender
Johnny Friedlaender, The Birds, from XXe Siecle, 1973

1973

$716
$89520% Off
£557.45
£696.8220% Off
€633.99
€792.4820% Off
CA$1,030.15
CA$1,287.6920% Off
A$1,131.58
A$1,414.4720% Off
CHF 591.37
CHF 739.2120% Off
MX$13,495
MX$16,868.7520% Off
NOK 7,488.34
NOK 9,360.4220% Off
SEK 6,976.02
SEK 8,720.0220% Off
DKK 4,737.44
DKK 5,921.8020% Off

About the Item

This exquisite lithograph by Johnny Friedlaender (1912–1992), titled Les oiseaux (The Birds), from the album XXe Siecle, Annee No. 40, Juin 1973, originates from the 1973 edition published by Societe Internationale d’Art XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1973. Les oiseaux reflects Friedlaender’s lyrical abstraction and hallmark atmospheric balance of line, gesture, and color. Executed as a lithograph on velin paper, this work measures 12.5 x 9.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Johnny Friedlaender (1912–1992) Title: Les oiseaux (The Birds) Medium: Lithograph on velin paper Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm) Inscription: Unsigned and unnumbered as issued Date: 1973 Publisher: Societe Internationale d’Art XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, Annee No. 40, Juin 1973, published by Societe Internationale d’Art XXe Siecle, Paris; printed by Mourlot Freres, Paris, 1973 About the Publication: Gualtieri di San Lazzaro’s XXe Siecle (Twentieth Century) was one of the most influential art journals of modernism, founded in Paris in 1938 as a platform for the greatest painters, sculptors, printmakers, writers, and cultural thinkers of the 20th century. San Lazzaro, a visionary editor and champion of the avant garde, sought to unite text and image in a single elevated format, commissioning original prints from leading artists and pairing them with critical essays, poetry, and scholarly commentary. The publication became an essential record of modern art, featuring contributions by Picasso, Chagall, Braque, Leger, Miro, Calder, Kandinsky, Moore, and many others, produced in collaboration with the finest ateliers such as Mourlot, Jacomet, Arte, and Pizzi. Today, XXe Siecle is celebrated for its exceptional integration of fine art and literature, its historical significance, and its unmatched role in documenting the evolution of modern aesthetics. About the Artist: Johnny Friedlaender (1912–1992) was a German born French painter and master printmaker whose pioneering achievements in color intaglio placed him among the most important figures in 20th century printmaking, standing in a lineage shaped by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; his visionary approach to abstraction, his technical brilliance, and his poetic integration of line and atmosphere established him as a global leader in postwar graphic art. Born in Pless, Silesia, and educated at the Academy of Fine Arts in Breslau, Friedlaender’s early grounding in drawing and classical composition enabled him to later break open the expressive possibilities of printmaking, developing a radically new visual language of soft, floating lines set against radiant, layered color fields. Forced to flee the rise of Nazism, he arrived in Paris in the 1930s and ultimately became a central figure at Stanley William Hayter’s legendary Atelier 17, where he worked alongside leading modernists such as Marc Chagall, Joan Miro, Yves Tanguy, Alberto Giacometti, and Max Ernst, an environment that profoundly shaped his aesthetic and helped him emerge as one of the workshop’s most technically gifted innovators. He revolutionized aquatint, soft ground, and sugar lift techniques through complex multi plate processes that allowed him to create shimmering veils of color, delicately modulated tonal transitions, and ethereal abstract forms that hovered between gesture and dreamlike suggestion, bridging the emotional resonance of Kandinsky, the biomorphic flow of Miro, and the atmospheric delicacy of Surrealist sensibilities while remaining unmistakably his own. His global influence extended through decades of teaching, inspiring generations of printmakers including Krishna Reddy, Yozo Hamaguchi, Seong Moy, students of Hayter, and numerous contemporary artists working in color intaglio, lyrical abstraction, and experimental etching. Works by Friedlaender are represented in the Louvre, MoMA, the British Museum, the Stedelijk Museum, the National Gallery of Art, the Art Institute of Chicago, the Philadelphia Museum of Art, the Albertina, the Tel Aviv Museum of Art, the Cleveland Museum of Art, and many other major institutions, attesting to the depth of his impact on modern printmaking. Later artists working in abstract etching, lyrical abstraction, gestural minimalism, and atmospheric color field techniques continue to draw inspiration from his jewel like surfaces, shimmering chromatic harmonies, and masterful manipulation of layered space. The highest auction record for Johnny Friedlaender was achieved on October 27, 1990, when Composition sold for 15,000 USD at Ader Tajan in Paris, underscoring the lasting demand for his rare and exceptional works and securing his position as one of the most influential and collectible printmakers of the 20th century. Johnny Friedlaender XXe Siecle 1973, Johnny Friedlaender Mourlot lithograph, Friedlaender Les oiseaux.
  • Creator:
    Johnny Friedlaender (1912 - 1992, Polish)
  • Creation Year:
    1973
  • Dimensions:
    Height: 12.4 in (31.5 cm)Width: 9.65 in (24.52 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Southampton, NY
  • Reference Number:
    1stDibs: LU1465216527042

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