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Joseph DrapellHeart 30/90 - unique, colourful, abstract, one off, framed monoprint1984
1984
About the Item
As if emulating the rhythm of a beating heart, this compelling abstract print was created by the Czech born artist Joseph Drapell. Fine concentric circles in black emanate from the green centre of this piece against a rich brown background, framed by red and highlighted by a deep blue and silver detail. Drapell is known for his skilled use of trowels, serrated blades and his fingers to achieve remarkable texture and depth in his work. Edition 30 of 90.
“In terms of real painting innovation, I admired the work of Barnett Newman, Jackson Pollock,
Van Hoffman, Morris Louis, and Canadian artist Jack Bush. It took me 50 years or so to develop my own art, to contribute to the chain of the art of painting.” Joseph Drapell
After emigrating to Canada, Joseph Drapell studied art at the Cranbrook Academy of Art in Michigan. Inspired by the abstract paintings of Morris Louis, he experimented with different techniques to apply wide swaths of paint in thick layers. In the 1990’s he was a founding member of a group of artists called the New New Painters that exhibited together internationally. Drapell is a member of the Royal Academy of Art, and his works are held in both private and public collections in Canada and the U.S. Drapell divides his time between Toronto and a beloved island retreat in Georgian Bay.
FRAMED
30 × 37.75 in
- Creator:Joseph Drapell (1940, German)
- Creation Year:1984
- Dimensions:Height: 22 in (55.88 cm)Width: 30 in (76.2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Bloomfield, CA
- Reference Number:1stDibs: LU29113914792
Joseph Drapell
Joseph Drapell was born into the German- (and later Soviet-) occupied small town of Humpolec (near Prague) in 1940. His parents brought up their three boys not to believe in the official propaganda of the occupying regimes. Like the Czech novelist Milan Kundera, Drapell felt that life was elsewhere. Drapell escaped his birth country at his first opportunity at the age of twenty-five in order to develop his art in the free West. He landed in Halifax in 1966, grateful to Canada for accepting him. Drapell adopted an island (B-109) in Georgian Bay as his new spiritual home. The island has inspired (directly or indirectly) all his mature artistic developments to date. Drapell's aim was to contribute to the art of painting, rather than to merely make a living as an artist. Between 1968 and 1970, he studied under various visiting artists and lecturers at Cranbrook Academy of Art in Michigan. This is where he first started to develop his compression technique as a response to the paintings of Morris Louis. He settled in Toronto in 1970. Drapell walked the streets of New York with a roll of large paintings, until he was discovered by the Robert Elkon Gallery on Madison Avenue. After three exhibitions there (and several in Toronto where he was discovered by Jared Sable of the Dunkelman Gallery), Drapell achieved his first artistic breakthrough in 1974 with the Great Spirit Paintings. Joseph divides his time between Toronto and Georgian Bay (Lake Huron).
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