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Joyce KozloffPictures and Borders III Signed/N lithograph by Pattern & Decoration art pioneer1977
1977
$1,500
£1,159.01
€1,339.93
CA$2,119.61
A$2,377.28
CHF 1,244.95
MX$28,886.29
NOK 15,808.73
SEK 14,987.79
DKK 10,001.84
About the Item
Joyce Kozloff
Pictures and Borders III, 1977
Color lithograph on wove paper
Signed, titled, dated and annotated "Solo Impression" in graphite pencil on the back
Editions Solo-Impression of 50
30 × 22 inches
Unframed
Pictures and Borders III
Color lithograph on wove paper
Pencil signed, titled and annotated "Solo Impression" on the back; a Printers Proof, aside from the regular edition of 50
Published by Judith Solodkin, founder of SOLO Impression, Inc
Unframed
Provenance: Provenance: De-accessioned from the corporate collection of Stroock & Stroock & Lavan
JOYCE KOZLOFF BIOGRAPHY
Joyce Kozloff was born in Somerville, New Jersey in 1942. She received a BFA from Carnegie Institute of Technology, Pittsburgh, PA in 1964 and an MFA from Columbia University in 1967. Kozloff was a major figure in both the Pattern and Decoration and the Feminist art movements of the 1970s. In 1979, she began to focus on public art, increasing the scale of her installations and expanding the accessibility of her art to reach a wider audience. Kozloff has since executed a number of major commissions in public spaces, including Dreaming: The Passage of Time for the United States Consulate, Art in Embassies Program in Istanbul, Turkey; The Movies: Fantasies and Spectacles for the Los Angeles Metro’s Seventh and Flower Station, CA; Caribbean Festival Arts for P.S. 218, New York, NY; New England Decorative Arts for the Harvard Square Subway Station, Cambridge, MA; and Bay Area Victorian, Bay Area Deco, Bay Area Funk for the International Terminal, San Francisco Airport, CA.
Since the early 1990s, Kozloff has utilized mapping as a device for consolidating her enduring interests in history, culture, and the decorative and popular arts. She initially concentrated on cities known to her, onto which patterns and images reflecting their colonial pasts were then overlaid. Subsequent series examined bodies of water and the inaccuracies of early maps from the so-called “Age of Discovery.” In 1999-2000, Kozloff was awarded the Jules Guerin Fellowship / Rome Prize from the American Academy in Rome, Italy. During her yearlong residency abroad Kozloff conceived and completed Targets, a nine-foot walk-in globe in twenty-four sections, each of which is painted with an aerial map of a place that has been bombed by the U.S. in the years since World War II. A 2001 residency at the Bogliasco Foundation in Liguria, Italy provided the genesis for Boy's Art, a series of twenty-four collaged drawings based on maps, diagrams, and illustrations of historic battles, which examine the fascination with war shared by many young boys. Distributed Art Publishers published an oversized artist’s book of these works in 2003.
Most recently, Kozloff's work has been included in several national and international museum exhibitions focusing on the Pattern and Decoration movement: With Pleasure: Pattern and Decoration in American Art 1972-1985, Museum of Contemporary Art, Los Angeles, CA (2019-2020); Less is a Bore: Maximalist Art & Design, Institute for Contemporary Art, Boston, MA (2019); Pattern and Decoration: Ornament as Promise, Ludwig Forum, Aachen, Germany, Museum Moderner Kunst Stiftung Vienna, Austria, and Ludwig Museum, Budapest, Hungary (2018-2019); Pattern, Decoration & Crime, MAMCO, Geneva, Switzerland, and Le Consortium, Dijon, France (2018-2019).
In China is Near, Kozloff explored the China accessible to her, visiting the Chinatowns of Mott Street, Manhattan; Main Street, Flushing, Queens; 8th Street, Sunset Park, Brooklyn; Webster Street, Oakland; and Grant Avenue, San Francisco – all destinations on the twenty-first century Silk Route. Her photographs convey the experience of these locations, capturing the sensory overload triggered by the surfeit of kitsch – gaudy trinkets, cheap apparel, and glittering electronics. Reveling in the ways this visual clutter rhymed with her own layered, dense aesthetic, Kozloff paired these images with collages incorporating drawings of old maps, imagery from the internet, and Chinese characters and motifs. The resulting series, published as a book by Charta Books, presents a rich, immersive, unconventional chronicle of China, not a travelogue of a country visited, but of one traversed nonetheless.
In March 2012, Kozloff’s JEEZ was exhibited at the main entrance to The Armory Show Modern. JEEZ is a twelve by twelve-foot painting in thirty-six panels based on the Ebstorf map, a 13th-century mappa mundi of the same size painted on thirty sewn goatskins. In her response to this historic work, Kozloff drew upon a wide range of her artistic practices, incorporating her interest in cartography, decoration, history, material culture, and politics. As a secular person, she was particularly motivated by the ongoing evangelical rhetoric of some candidates in the current U.S. presidential race. JEEZ is her subsequent attempt to grapple with the religious images that pervade Western culture. In JEEZ, Kozloff navigates through the history of art, incorporating everything from Byzantine mosaics to contemporary street art. She culls from sources high and low, from Old Master paintings to everyday kitsch, and encounters scores of representations of Jesus: black, Asian, Latino, and female; adult and infant; Jesuses from the movies and New Age hippie Jesuses. Over thirteen months, Kozloff painted 125 images of Christ into her contemporary mappa mundi. Each represents a stereotype from its culture, faithful to its own artistic ideal, but the proliferation of depictions wryly erodes their power.
Recent solo exhibitions of Kozloff's work include: Joyce Kozloff: Navigational Triangles, DC Moore Gallery, New York (2010); Joyce Kozloff: Co+Ordinates, Trout Gallery, Dickinson College, Carlisle, PA (2008); Joyce Kozloff: Voyages + Targets, Spazio Thetis, Venice, Italy (2006); Joyce Kozloff: Exterior and Interior Cartographies, Regina Gouger Miller Gallery of Carnegie Mellon University, Pittsburgh, PA (2006); and Joyce Kozloff: Topographies, Contemporary Art Center of Virginia, Virginia Beach, VA (2002). Crossed Purposes, a major traveling exhibition pairing the work of Joyce Kozloff with that of her husband, photographer Max Kozloff, was organized by the Butler Institute of American Art in Youngstown, Ohio and traveled to a number of museums around the country during 1999 and 2000. Kozloff's work has been included in countless important group exhibitions, including WACK! Art and the Feminist Revolution, which originated at The Geffen Contemporary at MOCA in Los Angeles, CA in 2006 and traveled to the National Museum of Women in the Arts in Washington, D.C.; P.S. 1 MOMA in Long Island City, NY; and the Vancouver Art Gallery in British Columbia, Canada.
Kozloff has served on the Board of Governors of the Skowhegan School of Painting and Sculpture (Skowhegan, ME) since 1998 and has been a member of the National Academy of Design since 2003. She was on the Department of Art Advisory Board at Carnegie Mellon University (Pittsburgh, PA) from 1992-1998, the Board of Directors of the College Art Association from 1985-1989, and the Advisory Board of the Public Art Fund from 1984-1986.
-Courtesy DC Moore
- Creator:Joyce Kozloff (1942, American)
- Creation Year:1977
- Dimensions:Height: 30 in (76.2 cm)Width: 22 in (55.88 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good condition; the work had been framed so there's minor tape residue on the top of the back which will re-frame out; ships unframed.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745215257892
Joyce Kozloff
Born December 14, 1942, Somerville, NJ Public Collections
Albany Institute of History and Art, Albany, NY
Albright-Knox Art Gallery, Buffalo, NY
Allen Memorial Art Museum, Oberlin, OH
Ball State University Art Gallery, Muncie, IN
Bartlett Center for Visual Arts, Oklahoma State University, Stillwater, OK
Brooklyn Museum, Brooklyn, NY
Carnegie Mellon University Libraries, Pittsburgh, PA
Casa de las Americas, Havana, Cuba
College of Wooster Art Museum, Wooster, OH
Davis Museum & Cultural Center, Wellesley College, Wellesley, MA
California Palace of the Legion of Honor, Fine Arts Museums of San Francisco, San
Francisco, CA
Dayton Art Institute, Dayton, OH
Delaware Art Museum, Wilmington, DE
Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY
Freedman Gallery, Albright College, Reading, PA
Georgia Museum of Art, University of Georgia, Athens, GA
Grey Gallery, New York University, New York, NY
Grinnell College Art Gallery, Grinnell, IA
Hawaii Art in Public Places program, purchased by Hawaii State Foundation on Culture and
the Arts
Harvard University, Fogg Art Museum, Cambridge, MA
Hebrew Union College Museum, Jewish Institute of Religion, New York, NY
Indianapolis Museum of Art, Indianapolis, IN
Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ
Jersey City Museum, Jersey City, NJ
The Jewish Museum, NY
John Michael Kohler Arts Center, Sheboygan, WI
Joslyn Museum, Omaha, NE
Library of Congress, Washington, DC
List Gallery, Swarthmore College, Swarthmore, PA
Los Angeles County Museum of Art, CA
Ludwig Forum for International Art, Aachen, DE
Mildred Lane Kemper Art Museum, St. Louis, MO
Massachusetts Institute of Technology, Cambridge, MA
Metropolitan Museum of Art, New York, NY
Mint Museum of Art, Charlotte, NC
Mount Holyoke College Art Museum, South Hadley, MA
Municipal Gallery and Museum of Modern Art, Udine, IT
Museum of Contemporary Art, Los Angeles, CA
Museum of Fine Arts, Santa Fe, NM
The Museum of Modern Art, New York, NY
National Academy Museum, New York, NY
National Gallery of Art, Washington, DC
National Museum of American Art, Smithsonian Institution, Washington, DC
National Museum of Women in the Arts, Washington, DC
New Jersey State Museum, Trenton, NJ
New Mexico Museum of Art, Santa Fe, NM
New York Public Library, New York, NY
Nora Eccles Harrison Museum of Art, Utah State University, Logan, UT
Norton Gallery of Art, West Palm Beach, FL
Palmer Museum of Art, Pennsylvania State University, University Park, PA
Pennsylvania Academy of Fine Arts, Philadelphia, PA
Racine Art Museum, Racine, WI
Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA
Smith College Museum of Art, Northampton, MA
Springfield Art Museum, Springfield, MO
Stanley Museum of Art, University of Iowa, Iowa City IA
Trout Gallery, Dickinson College, Carlisle, PA
University Art Gallery, New Mexico State University, Las Cruces, NM
University of Arizona Museum of Art, Tucson, AZ
University of California Santa Barbara Library, Judith A. Hoffberg Archive, Santa Barbara,
CA
Weatherspoon Gallery, University of North Carolina, Greensboro, NC
Whitney Museum of American Art, New York, NY
Yale University Art Museum, New Haven, CT
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By Joyce Kozloff
Located in New York, NY
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Pictures and Borders II, 1977
Color lithograph on wove paper
Signed, dated, titled and numbered "Artist's Proof XVI" in graphite pencil on the back of the sheet
Editions AP-XVI of 50
30 × 22 inches
Pencil signed, titled and annotated Artist's Proof XVI on the back; one of XX Artists' Proofs, aside from the regular edition of 50
Published by Judith Solodkin, founder of SOLO Impression, Inc
Provenance: Provenance: De-accessioned from the corporate collection of Stroock & Stroock & Lavan
Unframed
JOYCE KOZLOFF BIOGRAPHY
Joyce Kozloff was born in Somerville, New Jersey in 1942. She received a BFA from Carnegie Institute of Technology, Pittsburgh, PA in 1964 and an MFA from Columbia University in 1967. Kozloff was a major figure in both the Pattern and Decoration and the Feminist art movements of the 1970s. In 1979, she began to focus on public art, increasing the scale of her installations and expanding the accessibility of her art to reach a wider audience. Kozloff has since executed a number of major commissions in public spaces, including Dreaming: The Passage of Time for the United States Consulate, Art in Embassies Program in Istanbul, Turkey; The Movies: Fantasies and Spectacles for the Los Angeles Metro’s Seventh and Flower Station, CA; Caribbean Festival Arts for P.S. 218, New York, NY; New England Decorative Arts for the Harvard Square Subway Station, Cambridge, MA; and Bay Area Victorian, Bay Area Deco, Bay Area Funk for the International Terminal, San Francisco Airport, CA.
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2018 The American Dream, Emden, Germany
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2016 Art 101, Brooklyn, NY
2015 Andre Zarre Gallery, NYC
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2009 George Billis Gallery
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