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Judith Rothschild Untitled, from the Long Point Gallery Portfolio1988
1988
$880
£676.95
€785.75
CA$1,241.01
A$1,390.14
CHF 730.15
MX$16,903.66
NOK 9,246.11
SEK 8,777.04
DKK 5,864.37
About the Item
Judith Rothschild
Untitled, from the Long Point Gallery Portfolio, 1988
Woodcut on paper
Hand signed, numbered 22/30 and dated on lower front
15 × 22 inches
Unframed
Publisher: Long Point Gallery, Inc., Provincetown, Massachusetts; Printer:Trestle Editions Limited, New York
Hand signed, numbered 22/30 and dated on lower front
Publisher: Long Point Gallery, Inc., Provincetown, Massachusetts; Printer:Trestle Editions Limited, New York
Rarely to market, this stunning 1988 woodcut was created by Judith Rothschild as part of a portfolio produced for sale by Long Point Gallery, an artist's cooperative in Provincetown, Massachusetts.
Superb provenance as it is was acquired from the original Long Point Portfolio. This will be the first time the work will be removed from the portfolio.
It is hand signed, dated and numbered from a very small edition of only 30; it is in fine condition, unframed and never framed, and housed in the original portfolio box, with the original colophon page, which also included works by 11 other artists.
For reference and provenance we have included an image of the colophon page from the complete portfolio.
About Judith Rothschild:
Judith Rothschild (1921-1993), a brilliant colorist with a keen eye for composition, gained success as a young artist in New York in the 1940s. Following her graduation from Wellesley in 1943, Rothschild studied at the Art Students League with Reginald Marsh, at Stanley William Hayter’s Atelier 17, and with Hans Hofmann and Karl Knaths. Recognized as a gifted and precocious abstract painter, in 1945 she became a member of the Jane Street group, which included artists Leland Bell, Nell Blaine, Jane Freilicher, and Larry Rivers. Her first solo exhibition was held at their space, Jane Street Gallery, in December 1945. Firmly rooted in the order of Cubism but painted with the vitality of an emergent talent, Rothschild’s paintings and collages retain a freshness in rhythm with contemporary sensibilities, worthy of reexamination.
Rothschild was a member and later president of the American Abstract Artists, an editor of Leonardo magazine, and is well known for her philanthropic foundation aiding artist estates in their preservation of work and materials. Her work is included in the collections of the Metropolitan Museum of Art, the National Gallery of Art, The Museum of Modern Art, the San Francisco Museum of Modern Art, the Solomon R. Guggenheim Museum, the Whitney Museum of American Art, the Philadelphia Museum of Art, among others.
Courtesy of Richard Gray Gallery
Provenance
Long Point Gallery Portfolio
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Lithograph on paper with deckled edges
Hand signed, numbered 22/30 and dated on lower front
22 × 15 inches
Unframed
Hand signed, numbered 22/30 and dated on lower front
Publisher: Long Point Gallery, Inc., Provincetown, Massachusetts; Printer: Bruce Porter from Trestle Editions Limited, New York
Rarely to market, this stunning 1988 woodcut was created by Nora Speyer as part of a portfolio produced for sale by Long Point Gallery, an artist's cooperative in Provincetown, Massachusetts.
Superb provenance as it is was acquired from the original Long Point Portfolio. This will be the first time the work will be removed from the portfolio.
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For reference and provenance we have included an image of the colophon page from the complete portfolio.
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