Juraj Dobrović

Vintage OP Art Silkscreen Print Juraj Dobrovic Lithograph Kinetic Red

c.1968-1972

Pol Bury (Belgian, 1922-2005) screen print of Statue of Liberty Hand signed and numbered 27/ 62 in pencil Dimensions: 24.25 X 17.5 inches. (sheet size) Provenance: Published by Lefebre Gallery, New York. lithographie en couleurs. Signées et numérotées 27/62. This is just for the print. the title sheet is just included for reference. Pol Bury (1922 – 2005) was a Belgian sculptor who began his artistic career as a painter in the Jeune Peintre Belge (along with Willy Anthoons, James Ensor, Odette Collon, Pierre Alechinsky, Jo Delahaut and Jean Rets...

Pol Bury (Belgian, 1922-2005) Screen print of Brooklyn Bridge Hand signed and numbered 27/ 62 in pencil Dimensions: 17.5 X 24.25 inches. (sheet size) Provenance: Published by Lefebre Gallery, New York. lithographie en couleurs. Signées et numérotées 27/62. This is just for the print. the title sheet is just included for reference. Pol Bury (1922 – 2005) was a Belgian sculptor who began his artistic career as a painter in the Jeune Peintre Belge (along with Willy Anthoons, James Ensor, Odette Collon, Pierre Alechinsky, Jo Delahaut and Jean Rets...

Pol Bury (Belgian, 1922-2005) screen print Hand signed and numbered 27/ 62 in pencil Dimensions: 17.5 X 24.25 inches. (sheet size) Provenance: Published by Lefebre Gallery, New York. lithographie en couleurs. Signées et numérotées 27/62. This is just for the print. the title sheet is just included for reference. Pol Bury (1922 – 2005) was a Belgian sculptor who began his artistic career as a painter in the Jeune Peintre Belge (along with Willy Anthoons, James Ensor, Odette Collon, Pierre Alechinsky, Jo Delahaut and Jean Rets...

Pol Bury (Belgian, 1922-2005) Screen print of raised bridge Hand signed and numbered 27/ 62 in pencil Dimensions: 17.5 X 24.25 inches. (sheet size) Provenance: Published by Lefebre Gallery, New York. lithographie en couleurs. Signées et numérotées 27/62. This is just for the print. the title sheet is just included for reference. Pol Bury (1922 – 2005) was a Belgian sculptor who began his artistic career as a painter in the Jeune Peintre Belge (along with Willy Anthoons, James Ensor, Odette Collon, Pierre Alechinsky, Jo Delahaut and Jean Rets...

A Op Art abstract color screenprint, "Planetary Folklore" 1968, by Victor Vasarely (1906-1997). This very striking work by Vasarely is comprised of various colorful geometric shapes, the work is signed lower right "Vasarely" and numbered lower left "2/250. This is an early and crisp impression in excellent condition and housed under glass in a gilt & silvered hardwood frame. This very eye-catching work by one of the 20th century's leading Op artists is ready to hang on your wall. 14" x 14.50" at sight without frame Numered 2/250 A Franco-Hungarian painter, Victor Vasarely (1906-1997) first studied medicine before turning to art. In Budapest, he frequented artists from the Hungarian Bauhaus...

Op art screenprint In a mesmerizing pattern of soft greens and mauves by Argentine artist Hugo Demarco. Title: Relations Couleur III Medium: Screenprint...

Hugo Demarco Relation Couleur, 1973 Silkscreen on velincarton Hand signed and numbered 63/200 on lower front. Bears the publisher's blind stamp on the fro...

Julio Le Parc Jeux Enquête - Choisissez vos Ennemis, 1970-2014 Screenprint on wove paper Hand signed, dated and numbered 46/50 in graphite by the artist on the front Published by Serpentine Galleries, UK Accompanied by official certificate of authenticity from the Serpentine as well as gallery issued Certificate of Guarantee Unframed The long sold out Limited Edition produced on the occasion of Julio Le Parc’s exhibition at the Serpentine Gallery in the UK is a silkscreen print of a dartboard, part of the playful installation Choisissez vos Ennemis (1970) from his Jeux Enquête series, which was featured in the show. This series was borne from the civil unrest in France and the events of May 1968. It depicts social archetypes of different ranks: the imperialist, the capitalist, the military, the intellectual neutral, the policeman, and the indifferent. Julio Le Parc was born in Mendoza, Argentina in 1928 and currently lives and works in Paris where he has resided since the late 1950s. In 1964 he was awarded the Special Prize (acquisition) in the Premio Internacional Torcuato Di Tella, Buenos Aires, Argentina, and in 1996, the International Painting Grand Prix at the XXXIII Venice Biennial, Italy. Following his expulsion from Paris in 1968, he travelled around various European countries only to return five months later when the restriction was revoked. Le Parc participated in Unofficial Latin America, held in Paris, and the Medellín Biennial in Colombia in 1970. Le Parc held his first solo exhibition at the Howard Wise Gallery, New York (1966), which was followed his first retrospective exhibition, held at the Instituto Di Tella in Buenos Aires, Argentina (1967). Subsequently Le Parc has held numerous retrospective exhibitions in major museums in Havana, Düsseldorf, Montevideo, Caracas, Asunción, Mexico City, Stockholm, Berlin, Madrid, Barcelona, Santiago de Chile, and Porto Alegre. His most recent solo exhibitions were held at the Palais de Tokyo in Paris (2013) and at the Daros Foundation (2014). Notable writings include: A propósito de arte espectáculo... (With regard to spectacle art...); Función social del arte en la sociedad contemporánea (The social function of art in contemporary society); Color 1959 (Colour 1959); and El artista en el context social actual (The artist in the present social context). He participated, with the Denuncia group, in the collective work Torture (1972) and joined the International Brigade...