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Keith Boyle
"Untitled" from Suite 10 West Coast Artists

1967

$950
£729.56
€836.07
CA$1,337.37
A$1,498.14
CHF 780.67
MX$18,274.27
NOK 9,920.53
SEK 9,354.35
DKK 6,240.17

About the Item

Artist: Keith Boyle – American (1930 - 2023) Title: “Untitled” from the suite: 10 West Coast Artists, Collector’s Press, 1967 Year: 1967 Medium: Lithograph on ivory wove paper Image size: 18.5 x 18.5 inches Sheet size: 23.25 x 22.25 inches. Publisher: Collector’s Press, San Francisco Edition: 75. Signature: Signed lower right in pencil Numbered: 39/75 lower right in pencil Condition: Good This lithograph is from the notable portfolio “10 West Coast Artists” containing ten prints, title page and colophon page, published by Collector’s Press in San Francisco in 1967. Prints by Keith Boyle, Bruce Conner, Richard Diebenkorn, Roy de Forest, Sidney Gordin, Frank Lobdell, James Melchert, Manuel Neri, Frank Ruvolo, Peter Voulkos are in the portfolio. The print is in good condition. There is a faint stain ½” x 1” in the upper right of the sheet close to the edge, far from the image. Please see pictures. Keith Boyle was born in Defiance, Ohio on February 15, 1930. He studied at the Ringling School of Art in Sarasota, Florida and received his BFA at the University of Iowa, where he studied printmaking with Mauricio Lasansky. Boyle moved to the Bay Area in California in 1960. He taught painting and drawing at Stanford University in Palo Alto, California from 1962 through 1986. As a professor of art, he kept a large painting studio on campus at Stanford and showed in numerous exhibitions in California during this time. In 1981 he earned an individual artist grant from the National Endowment for the Arts. His paintings are in the San Francisco MOMA and numerous collections. Boyle’s major influences are Henri Matisse, Clyfford Still, and Richard Diebenkorn. His artist statement states that he is primarily interested in space and color. Keith considers his work unencumbered by culture, theory, and criticism. When asked what his judgment criteria are for determining artistic merit, he said, “When the painting convinces me that it’s real, then it’s good.” He remarked that it is more from experiencing art than from academia. Keith and his wife Beth moved to the Applegate area in southern Oregon drawn by the excellent theatre of Oregon Shakespeare Festival. He had a one-man exhibition at the Schneider Museum of Art in 1996 and served as co-curator of the Regional Perspectives Exhibition. Keith has lived in Oregon for 16 years. Boyle has taught at Lake Forest College, Barat College, Sacramento State and Stanford University. His paintings are often considered the hallmark of Bay Area color abstractions. His work is represented in many important collections and has been exhibited in many outstanding national and international shows.
  • Creator:
    Keith Boyle (1930, American)
  • Creation Year:
    1967
  • Dimensions:
    Height: 23.25 in (59.06 cm)Width: 22.25 in (56.52 cm)Depth: 0.1 in (2.54 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    The print is in good condition. There is a faint stain ½” x 1” in the upper right of the sheet close to the edge, far from the image. Please see pictures.
  • Gallery Location:
    San Francisco, CA
  • Reference Number:
    Seller: PM02042024-41stDibs: LU666313899572

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