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Kenny Scharf
Furungle (Red)

2021

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Furungle (Green)
By Kenny Scharf
Located in Hollywood, FL
Artist: Kenny Scharf Title: Furungle (Green) Size: 42 x 42 in (106.7 x 106.7 cm) Medium: Archival pigment ink print with silkscreened high gloss varnish and diamond dust Editio...
Category

2010s Contemporary Abstract Prints

Materials

Varnish, Archival Pigment, Screen

Flower Coasas II
By Lamar Briggs
Located in Hollywood, FL
Artist: Lamar Briggs Title: Flower Coasas II Medium: Screenprint Signed: Hand Signed Edition: Edition of 200 Measurements: 22" x 29" Note: This piece is sold UNFRAMED Condition: Exce...
Category

Late 20th Century Abstract Abstract Prints

Materials

Screen

Wide Window 1
By John Hultberg
Located in Hollywood, FL
Artist: John Hultberg Title: Wide Window 1 Medium: Serigraph Signed: Hand Signed Edition: From the edition of 200 Measurements: 30" x 26" Condition: Excellent. This piece has be...
Category

Late 20th Century Abstract Abstract Prints

Materials

Screen

Wide Window II
By John Hultberg
Located in Hollywood, FL
Artist: John Hultberg Title: Wide Window II Medium: Serigraph Signed: Hand Signed Edition: Edition of 200 Measurements: 32.5" x 24" Note: This piece is sold UNFRAMED Condition:...
Category

1970s Abstract Abstract Prints

Materials

Screen

Sinking Ship
By John Hultberg
Located in Hollywood, FL
Artist: John Hultberg Title: Sinking Ship Medium: Serigraph Signed: Hand Signed Edition: From the edition of 200 Measurements: 38" x 26" Note: This piece is sold UNFRAMED Condi...
Category

Late 20th Century Abstract Abstract Prints

Materials

Screen

Modern Collage 1
By Lee Adler
Located in Hollywood, FL
Artist: Lee Adler Title: Modern Collage 1 Medium: Screenprint with hand collage paper with holes Signed: Hand Signed Edition: From the edition of 250 Measurements: 29 1/2" x 22 1...
Category

Late 20th Century Abstract Abstract Prints

Materials

Screen

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Angel Otero is known for oil paintings of bleeding color fields that bunch and crease to create topographic textures. In this visually compelling edition, Untitled (SK-PH), the artist flattened one of his compositions into a digital print, turning his signature folds into trompe l’oeil. Here, they read as intricate line work atop a tumultuous sea of brushed pastels. Inspired by a visit to the Lincoln Center archives, Otero drew a connection between the dramatic flair captured in photographs of operas presented during the 1970s and works from his “Poussin” series. Discussing the characters depicted in Poussin’s paintings, Otero remarked, “they were painted with poses that seemed staged, like a play set...
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