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Kim LimIII by Kim Lim, 19911991
1991
$4,548.51
£3,250
€3,880.79
CA$6,236.69
A$6,963.43
CHF 3,632.31
MX$85,625.71
NOK 45,844.32
SEK 43,160.82
DKK 28,950.70
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About the Item
III by Kim Lim, 1991
Additional information:
Medium: woodcut on paper
36 x 32.5 cm
14 1/8 x 12 3/4 in
signed and dated in pencil verso
Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making.
On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery: things characterized by formal and decorative simplicity.
Kim Lim exhibited widely after leaving the Slade in 1960.From 1980, she turned to stone-carving, whilst continuing to make prints and fill sketchbooks with drawings from nature. With her husband, the sculptor and painter William Turnbull, she made journeys to China, Indonesia, Cambodia, Egypt, Malaysia and Turkey, always alert to art and nature alike, and with a sharp eye to human diversity.
- Creator:
- Creation Year:1991
- Dimensions:Height: 14.13 in (35.9 cm)Width: 12.75 in (32.39 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Kingsclere, GB
- Reference Number:1stDibs: LU2718214578312
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View AllIV by Kim Lim, 1991
By Kim Lim
Located in Kingsclere, GB
IV by Kim Lim, 1991
Additional information:
Medium: woodcut on paper
36 x 32.5 cm
14 1/8 x 12 3/4 in
signed and dated in pencil verso
Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making.
On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...
Category
20th Century Abstract Prints
Materials
Woodcut
Relief by Kim Lim, 1993
By Kim Lim
Located in Kingsclere, GB
Relief by Kim Lim, 1993
Additional information:
Medium: lithograph
51.3 x 76 cm
20 1/4 x 29 7/8 in
signed, dated and numbered in pencil
Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making.
On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...
Category
20th Century Abstract Prints
Materials
Lithograph
Untitled by Mark Lancaster, 1967
By Mark Lancaster
Located in Kingsclere, GB
Untitled by Mark Lancaster, 1967
Additional information:
Medium: lithograph
73 x 63.5 cm
28 3/4 x 25 in
signed
Mark Lancaster was born Christopher Ronald Mark Lancaster, but early in life he decided that "Mark" was his favorite of the three names. Educated at Holme Valley Grammar School, 1949–52, and Bootham School, York, from 1952 to 55, after which he worked in a family textile business and studied textile technology for six years, painting in his own time, before going to King's College, Newcastle in 1961 to study Fine Art. From 1961 to 1965 Mark Lancaster studied under Richard Hamilton at the University of Newcastle upon Tyne, where he also taught from 1965–66, and then at the Bath Academy of Art, Corsham, Wiltshire, 1966–68, while living in London. He first visited New York City in 1964, where he worked briefly as an assistant to Andy Warhol, appeared in several Warhol movies, and met Jasper Johns, Ray Johnson, Ellsworth Kelly, Roy Lichtenstein, Frank Stella, James Rosenquist, Larry Rivers, Frank O'Hara, Robert Motherwell, Helen Frankenthaler, Norman Mailer and many others. In New York he photographed extensively, and started a series of paintings related to the imagery of the Howard Johnson...
Category
20th Century Abstract Prints
Materials
Lithograph
V by Kim Lim, 1991 - Minimalist Tonal Print, Beige, White, Neutral
By Kim Lim
Located in Kingsclere, GB
V by Kim Lim, 1991
Additional information:
Medium: woodcut on paper
36 x 32.5 cm
14 1/8 x 12 3/4 in
signed and dated in pencil verso
Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making.
On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...
Category
20th Century Abstract Prints
Materials
Woodcut
Untitled IV, from Waddington Suite by Robyn Denny, 1968-9
By Robyn Denny
Located in Kingsclere, GB
Untitled IV, from Waddington Suite by Robyn Denny, 1968-9
Additional information:
Medium: screenprint
61 x 53.4 cm
24 1/8 x 21 1/8 in
signed and numbered 71/75 in pencil
Robyn Denn...
Category
21st Century and Contemporary Abstract Prints
Materials
Screen
Untitled III, from Waddington Suite by Robyn Denny, 1968-9
By Robyn Denny
Located in Kingsclere, GB
Untitled III, from Waddington Suite by Robyn Denny, 1968-9
Additional information:
Medium: screenprint
61 x 53.4 cm
24 1/8 x 21 1/8 in
signed and numbered 71/75 in pencil
Robyn Den...
Category
21st Century and Contemporary Abstract Prints
Materials
Screen
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