Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Louis Marcoussis
Rue Caulaincourt

1931

About the Item

Rue Caulaincourt Etching and engraving, 1931 Initialed in the plate (see photo) Edition: 77 Plate 10 from "Plaches de Salut" Published by Aux Editions Jeanne Bucher, Paris Rue Caulaincourt is a street in Montmatre where Marcoussis lived from 1913 to c. 1939. The inscription translates to "You, me and this White Rabbit" Condition: Excellent Image/plate size: 8 x 9 1/2 inches Sheet size: 12 3/8 x 15 7/8 inches Louis Marcoussis, formerly Ludwik Kazimierz Wladyslaw Markus or Ludwig Casimir Ladislas Markus, (1878 or 1883, Łódź – October 22, 1941, Cusset) was a painter and engraver of Polish origin who lived in Paris for much of his life and became a French citizen. Early life After studying law briefly in Warsaw he went to the Kraków Academy of Fine Arts, where his teachers included Jan Stanislawski and Jozev Mehoffer. Moving to Paris in 1903, he spent a short time at the Académie Julian under Jules Lefebvre. The first time a painting of his was shown in a major exhibition was at the Salon d'Automne in 1905, and over the next quarter-century his work was shown in many other important exhibitions, in particular at the Salon des Indépendants and the Salon des Tuileries. He drew cartoons for satirical journals, as he had earlier in Poland. In Paris he needed to earn his own living, and also took on other drawing and illustration work. In the cafés of Montmartre and Montparnasse he got to know Apollinaire, Braque, Degas, Picasso and many more artists and writers. It was Apollinaire who suggested Markus' French name, Marcoussis, after a village not far from Paris. Cubist epoch Impressionism influenced his early paintings, but from about 1911 he was part of the Cubist movement alongside other avant-garde painters like Picasso, Braque, Juan Gris and those of the Section d'Or. His work was shown in exhibitions in many European cities and in the US. In 1925 he had his first solo exhibition in Paris. As well as painting still lifes and musical instruments in the Cubist manner, he also produced portraits, views of Paris, and images from the Breton seaside. In 1913 he had married Alice Halicka, a painter who came from Kraków. Their daughter Malène was born in 1922. Marcoussis served in a Polish company of the French Foreign Legion from 1914 to 1919. He became a French citizen, while also staying in touch with Poland, both personally and professionally. He did not generally talk about his Jewish ancestry, and his family had converted to Catholicism, but today Marcoussis is often described as a Jewish artist. Later life From 1930 onwards, much as his friend Clément Serveau, he concentrated on printmaking and illustration, including work inspired by Apollinaire's Alcool, Tzara's Indicateur des chemins de cœur, and Éluard's Lingères légères and Aurélia. In the late 1930s Marcoussis collaborated with Spanish surrealist Joan Miró and taught him etching techniques, culminating in Miró's Black and Red Series, now in the collection of the Museum of Modern Art He also taught at the Académie Schlaefer. After Nazi troops arrived in Paris in 1940, Marcoussis and Alice moved to Cusset near Vichy. He died there on 22 October 1941. Courtesy Wikipedia
  • Creator:
    Louis Marcoussis (1878 - 1941, French, Polish)
  • Creation Year:
    1931
  • Dimensions:
    Height: 8 in (20.32 cm)Width: 9.5 in (24.13 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Fairlawn, OH
  • Reference Number:
    Seller: FA20481stDibs: LU14012464292
More From This SellerView All
  • Le Cheval
    By Jacques Villon
    Located in Fairlawn, OH
    Le Cheval Etching, 1921 Signed in pencil lower left Edition: Signed edition of 50 (as here) Unsigned edition is 400 for the book Du Cubisme Printer: R. Girard et Cie Pr...
    Category

    1920s Cubist Abstract Prints

    Materials

    Etching

  • Toro and Horse
    By Ralston Crawford
    Located in Fairlawn, OH
    Toro and Horse Lithograph, 1957 Signed and numbered in pencil by the artist. Titled in pencil lower left. Edition: 25 (24/25) Printer: Ravel, Paris Reference: Freeman L57.11 'Toro and Horse' was inspired by Spanish bullfighting...
    Category

    1950s Cubist Prints and Multiples

    Materials

    Lithograph

  • Homme couche et femme accroupie
    By Pablo Picasso
    Located in Fairlawn, OH
    Homme couche et femme accroupie Lithograph on Arches paper, 1956 Signature stamp lower right )see photo) Annotated in pencil lower left: "epreuve d'artiste" (see p[hoto) Edition: 50, plus a few artist's proofs One of at least six artist's proofs apart from the edition of 50 Printed by Mourlot, Paris Inventory number verso: 50. Edition: 50, plus a few artist's proofs One of at least six artist's proofs apart from the edition of 50 Provenance: Pablo Picasso Inventory number verso: 50.014 (recorded in the Picasso Archives, Paris) Marina Picasso Collection...
    Category

    1950s Cubist Abstract Prints

    Materials

    Lithograph

  • Composition au verre a pied (Composition with stemmed glass)
    By Pablo Picasso
    Located in Fairlawn, OH
    Unsigned Edition: a proof outside the edition of 50 printed on Japan Hodomura paper and the additional 50 impressions printed for the book Jaime Sabartes, "Dans l'atelier de Picasso...
    Category

    1940s Cubist Abstract Prints

    Materials

    Ink, Lithograph

  • Le Groupe
    By Alexander Archipenko
    Located in Fairlawn, OH
    Le Groupe Lithograph, 1963 Signed and numbered in pencil, lower right Edition: 75 (68/75) see photo Publisher: Erker Presse, St. Gallen blindstamp lower left. see photo From the suit...
    Category

    1960s Cubist Abstract Prints

    Materials

    Lithograph

  • Untitled
    By Henri Goetz
    Located in Fairlawn, OH
    Untitled Signed in pencil lower right (see photo) Edition: 25 (9/25) (see photo) Engraving, drypoint & carborundum Printed by the artist Condition: Excellent, slight residue on reverse Sheet: 9 7/8 x 12 3/4" Image/Plate: 5 x 7" Note: Goetz was born in the United States, moved to Paris and became a noted Surrealist artist and journalist of the surrealist movement. As a printmaker, Goetz invented carborundum printmaking in the 1960’s. In 1968, La gravure au carborundum, a treatise on carborundum printing, was published by the Maeght Gallery. It was prefaced by Joan Miró. Goetz created many abstract prints using this method. Other artists such as Antoni Clavé, Antoni Tàpies, and in particular Joan Miró, employed carborundum printing in their work. Henri Bernard Goetz (1909-1989) Henri Bernard Goetz was born 29 September 1909 in New York, in a family of French and American origin. He studied at Harvard University and the Grand Central Art School before moving to Paris in 1930 where he continued his studies at the Academies Julian and Academies Ozenfant in Montparnasse. After a brief return to the US in the early 1930’s he settled permanently in France, taking a Parisian studio next to Victor Brauner. With Brauner Goetz became involved with the Surrealist group and was soon a highly accomplished exponent. 1935 would be a year of major importance for Goetz: he exhibited for the first time at the Salon des Surindependants, he married the Dutch painter Christine Boumeester and he met Hans Hartung, who would become a close lifelong friend. In 1937 Goetz held his first solo show at Galerie Van Leer, Paris. During the war, having neglected to become naturalized French citizens, Goetz and Boumeester became illegal aliens and both worked in the resistance movement. They printed leaflets on a simple printing press and created posters to paste...
    Category

    1960s Abstract Expressionist Abstract Prints

    Materials

    Drypoint, Etching

You May Also Like
  • L'Éventail rose
    By Marie Laurencin
    Located in New York, NY
    A very good impression of this scarce color etching and drypoint. Fourth state (of 4). Signed and numbered 54/100 in pencil, lower margin.
    Category

    1920s Cubist Abstract Prints

    Materials

    Color, Drypoint, Etching

  • NU II: ONE PLATE FROM ESTAMPES ORIGINALES, ALBUM A (BLOCH 805)
    By Pablo Picasso
    Located in Aventura, FL
    Nu II: One Plate from Estampes originales, Album A (B. 805; Ba. 956). Drypoint, on Montval. Hand signed in red crayon by the artist. Edition of 20 (from the total edition of 70 wi...
    Category

    1950s Cubist Abstract Prints

    Materials

    Paper, Drypoint

  • untiltled, black, white and gray etching
    Located in Belgrade, MT
    This etching is in very good condition, it is signed and numbered by the artist but I was unable to identify the artist. It is a piece from my private collection of artists from the ...
    Category

    20th Century Cubist Abstract Prints

    Materials

    Paint, Etching, Lithograph

  • Still Life on a Table (Paris 1910)
    By Georges Braque
    Located in London, GB
    GEORGES BRAQUE 1882-1963 Argenteuil-sur-Seine, 1882-1963 Paris (French) Title: Still Life on a Table (Paris 1910) Nature morte sur une table (Paris 1910), 1910-11 Technique: Ori...
    Category

    1910s Cubist Abstract Prints

    Materials

    Etching

  • The Small Mechanical Workshop
    Located in London, GB
    JACQUES VILLON 1875-1963 (Gaston Duchamp) Damville 1875-1963 Paris (French) Title: The Small Mechanical Workshop Le petit atelier de mécanique, 1914 ...
    Category

    1910s Cubist Abstract Prints

    Materials

    Etching

  • "Le Pacte".
    By Louis Marcoussis
    Located in New York, NY
    "Le Pacte", Paris: Editions Forcade, 1930. In Gold Leaf Frame. Original etching printed in black ink on japon. Hand signed with artist’s monogram lower left, an impression of the f...
    Category

    1930s Cubist Abstract Prints

    Materials

    Etching

Recently Viewed

View All