Maria Elena Vieira da Silva

L'inclémence lointaine

1961

Engraving Handsigned by the artist in pencil and numbered 67/100 63.00 cm. x 45.00 cm. 24.8 in. x 17.72 in. (paper) 40.00 cm. x 36.00 cm. 15.75 in. x 14.17 in. (image) LCD4183

Engraving Unsigned In this small format print, an aerial space is presented by means of effervescent and delicately detailed triangular shapes set against a brown background, charact...

Engraving, 1982 Handsigned by the artist in pencil and numbered 28/30 Publisher : Association française des amateurs d'estampes (Jouy-en-Josas) Catalog : n° 460 44.00 cm. x 50.00 cm...

Engraving, 1995 Edition : 20/99 23.50 cm. x 17.00 cm. 9.25 in. x 6.69 in. (paper) 17.00 cm. x 14.00 cm. 6.69 in. x 5.51 in. (image) Seal by Jacqueline de Champvallins Handsigned by...

Engraving Edition : EA Publisher : Champvallins 63.00 cm. x 45.00 cm. 24.8 in. x 17.72 in. (paper) 26.50 cm. x 21.50 cm. 10.43 in. x 8.46 in. (image) Handsigned by the artist in pe...

Engraving 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (paper) 46.00 cm. x 29.00 cm. 18.11 in. x 11.42 in. (image) Annoted "EA" Handsigned by the artist in pencil Ref : LCD3714

191j24011 (Abstract print) Engraving / carborundum on zinc printed on BKF paper 250 g - Unframed. Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and ...

Engraving / carborundum on zinc printed on BKF paper 250 g - Unframed. Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and printing process allows him ...

Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g. Unframed. Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and printing process allows him to further explore notions of time and perspective. Muckensturm is inspired by the concepts of calmness, constancy and temporality. His work visually expresses a sense of harmony with time. In his prints, he begins with gestural marks, examining them in detail, transforming them gradually, exploring how they communicate differently as he alters their size, shape, depth, magnitude and orientation over time. Edition 7/15 Pierre Muckensturm is a French abstract painter and print maker. His visual language is one of harmony, calm and timelessness built around softly textured surfaces and a muted, black and white palette. Born in Strasbourg, France, he currently lives and works in Colmar. Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and printing process allows him to further explore notions of time and perspective. Muckensturm is inspired by the concepts of calmness, constancy and temporality. His work visually expresses a sense of harmony with time. In his prints, he begins with gestural marks, examining them in detail, transforming them gradually, exploring how they communicate differently as he alters their size, shape, depth, magnitude and orientation over time. In 2004, Muckensturm began working with oil on large scale canvases. He isolates gestural elements, enlarging them on the picture plane to explore their presence in relation to the surrounding emptiness. He develops the paintings methodically, exploring the process of transformation the canvas undergoes in the painting process. Working the surface into a texture that belies its age, Muckensturm achieves a balance of intensity and tranquility. INSPIRATION Muckensturm is inspired by the concepts of calmness, constancy and temporality. His work visually expresses a sense of harmony with time. Initially a figurative painter, he discovered abstraction in 2004 on a visit to Notre Dame du Haut, a Modernist chapel in Ronchamp, France, designed by Charles-Edouard Jeanneret-Gris, otherwise known as Le Corbusier. The simplicity of its forms brought Muckensturm a feeling of tranquility. He began seeking ways to directly express how felt that day. His search brought him into contact with the work of Julius Bissier, whose simple, organic, gestural brushstrokes, evocative of Taoist painting...

Engraving / carborundum on zinc printed on BKF paper 250 g - Unframed. Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and printing process allows him ...

Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. This work is made of 2 elements. Each elements' dimensions: 76 x 56 cm / 30 x 22 inches. Edition o...

Published by edition GKM. Unframed. Edition: 40 ex. Signed by the artist. Free shipment worldwide. “With just a few strokes of his brush he conjures up an entire world. James Coignard extends the boundaries between concrete and abstract. He knows how to create chromatic melodies that shift in timbre from cobalt blue to blood red. His pictures are an artistic epicentre where lines, letters and numbers meld with vigorous swashes of colour.” That is how the writer Johan Persson has described the artist’s paintings. With this exhibition we honour James Coignard, showing some of his last carborundum engravings and paintings as well as presenting the book “L’œuvre gravé de James Coignard” volume VI. In this edition, we have gathered together all the engravings that James Coignard produced between June 2005 and his decease, on 7 March 2008. Behind him he left many fond memories and a life’s work as a great artist. James Coignard’s principal modes of expression were oil on canvas and gravure au carborundum, but also in bronze and glass sculptures as well as in ceramics. His work has been shown on more than 400 exhibitions, primarily in Central Europe and Scandinavia, but also in Canada and the USA. His first Swedish exhibition was at Malmö Museum in 1956. The early 1970s saw the start of a long-term liaison with Galleri Östermalm in Stockholm, owned by Editions Sonet. They came to represent him in Scandinavia and edited several volumes of his graphic works. It was not until 2003 that we at Galleri GKM Siwert Bergström...