Mark Francis

Universe III by Mark Francis, 2015

2015

Universe I by Mark Francis, 2015 Additional information: Medium: archival inkjet 106 x 88 cm 41 3/4 x 34 5/8 in signed, titled, dated and numbered in pencil

Universe IV (Blue) by Mark Francis, 2015 Additional information: Medium: archival inkjet 106 x 88 cm 41 3/4 x 34 5/8 in

Untitled by Mark Lancaster, 1967 Additional information: Medium: lithograph 73 x 63.5 cm 28 3/4 x 25 in signed Mark Lancaster was born Christopher Ronald Mark Lancaster, but early in life he decided that "Mark" was his favorite of the three names. Educated at Holme Valley Grammar School, 1949–52, and Bootham School, York, from 1952 to 55, after which he worked in a family textile business and studied textile technology for six years, painting in his own time, before going to King's College, Newcastle in 1961 to study Fine Art. From 1961 to 1965 Mark Lancaster studied under Richard Hamilton at the University of Newcastle upon Tyne, where he also taught from 1965–66, and then at the Bath Academy of Art, Corsham, Wiltshire, 1966–68, while living in London. He first visited New York City in 1964, where he worked briefly as an assistant to Andy Warhol, appeared in several Warhol movies, and met Jasper Johns, Ray Johnson, Ellsworth Kelly, Roy Lichtenstein, Frank Stella, James Rosenquist, Larry Rivers, Frank O'Hara, Robert Motherwell, Helen Frankenthaler, Norman Mailer and many others. In New York he photographed extensively, and started a series of paintings related to the imagery of the Howard Johnson...

III by Kim Lim, 1991 Additional information: Medium: woodcut on paper 36 x 32.5 cm 14 1/8 x 12 3/4 in signed and dated in pencil verso Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making. On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...

Untitled 743 (Abstract Painting) Watercolour on paper - Unframed. Artwork exclusive to IdeelArt. French abstract artist Jérémie Iordanoff blends the visual languages of Western Mo...

Untitled 743 (Abstract Painting) Watercolour on paper - Unframed. Artwork exclusive to IdeelArt. French abstract artist Jérémie Iordanoff blends the visual languages of Western Mo...

Untitled 743 (Abstract Painting) Watercolour on paper - Unframed. Artwork exclusive to IdeelArt. French abstract artist Jérémie Iordanoff blends the visual languages of Western Mo...

XXII 41 074 (Abstract Print) Carborundum on printed zinc on BFK Rives paper 250 g/m2 Edition 1/15 Pierre Muckensturm added printmaking to his oeuvre in 2010. The engraving and pr...