Marko Spalatin

Prizma IV (Geometric Abstraction)

Hans Jurgen Kleinhammes Untitled Color Serigraph Year: 1977 Size: 21 x 14 in Edition: 1,500 Signed in the plate Publisher: HMK Fine Arts, New York COA provided Ref.: 924802-922 Hans-Jürgen Kleinhammes ( November 16, 1937 in Augsburg – August 2008 there) was a German painter and graphic artist. He studied from 1959 to 1961 at the Academy of Fine Arts in Dresden, from 1961 to 1965 at the State University of Fine Arts in Hamburg with Thiemann, Mavignier and Wunderlich. In 1966 he went to Paris for a year on a grant (“ Cité Internationale des Arts ”). From the mid-1960s he developed his visual language, which was reduced to landscape fragments and signet-like abstraction. (“the representation is strongly objectified, but does not lack a surreal-poetic quality...”). He saw Caspar David Friedrich , René Magritte and Giogio de Chirico as his role models . From 1964 he titled his pictures with the term “New Landscape”, which he determined. At the same time, Werner Nöfer and Jens Lausen were working on a similar artistic program. In 1968 he was a co-founder of the CO-OP artists' cooperative Hamburg , which wanted to switch off the art market with several graphic portfolio editions (members included Bruno Bruni , Dizi, Klaus Geldmacher , Dieter Glasmacher , Ullrich Hohenhaus, Tomislav Laux, Ernst Mitzka, Werner Nöfer, Sigmar Polke , Anna Oppermann...

Friedrich Geiler Concrete Composition (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Silkscreen Year: 1974 Signed, numbered and dated by...

Wolfram Erber Untitled Geometric Abstraction Color silkscreen Year: 1977 Signed and dated by hand Size: 8.3×6.3in on 16.5×11.6in COA provided Ref.: 924802-1174 Wolfram Erber (1939-...

Max Bill Abstract Geometric Composition Silkscreen on wove paper Year: 1971 Size: 13.7x11.82in Edition: 2500 Unsigned as issued COA provided Publisher: Edition Domberger Siebdruck, Filderstadt, Germany Ref.: 924802-1199 ------------------------------ (Geometric Abstraction, Minimalism, Constructivism) Max Bill (22 December 1908 – 9 December 1994) was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer. Bill is widely considered the single most decisive influence on Swiss graphic design beginning in the 1950s with his theoretical writing and progressive work.[3] His connection to the days of the Modern Movement gave him special authority. As an industrial designer, his work is characterized by a clarity of design and precise proportions.[4] Examples are the elegant clocks and watches designed for Junghans, a long-term client. Among Bill's most notable product designs is the "Ulmer Hocker...

Kenneth Noland Untitled Whitney Museum Limited Edition Silk Scarf, 1999 Artist designed scarf in colors on 100% Silk in original Whitney Museum packaging with artist's printed name a...

Anne Youkeles Persian Garden, ca. 1970 3D Color Silkscreen w/ Arches paper backing Hand-signed by artist in pencil, titled and numbered 37/100 on backing sheet of Arches paper. 23 x ...

Anne Youkeles Gemini, ca. 1969 Three-dimensional mixed media silkscreen on folded sheets of thin card Hand-signed by artist in pencil, titled and annotated Artist's Proof I from the ...

Richard Anuszkiewicz Annual Edition, 1970 Silkscreen on Masonite Signed and dated in graphite pencil lower right recto. Edition of 100 8 × 5 1/10 × 1/5 inches Unframed Signed and dat...