Aquatint Abstract Prints

Ernst Fuchs (Austrian, 1930 - 2015) The Sphinx Mystagogo Sheet Nr. 6 from the Folio “Die Sieben Bilder und Sprüche der Sphinx”, published in Autumn of 1967 by Galerie Sydow in Frankfurt, Germany. • Aquatint Etching • Ed. 79/99 • Sheet ca. 59 x 41.5 cm • Plate signed • Signed & numbered by the artist in pencil Worldwide shipping is complimentary - There are no additional charges for handling & delivery. Ernst Fuchs was an Austrian painter, draftsman, printmaker, sculptor, architect, stage designer, composer, poet, and one of the founders of the Vienna School of Fantastic Realism. I discovered him through H.R. Giger ‘s work, who himself was greatly inspired by the creations of Fuchs and on several occasions exhibited his friend ‘s art in his museum, the Château St-Germain, Gruyères, Switzerland. I actually own the original folio box...

Conrad Marca Relli - Composition VI Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition: 75 + AP + HC Size: 56 x 76 cm Condition: In very good conditions and ...

Amsterdam II is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade is both ...

Amsterdam VIII is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade is bot...

Vicente Rojo (Mexico, 1932-2021) 'Suite Nubes de fuego V', 2006 aquatint, silkscreen on paper Guarro Super Alpha 250g. 18.9 x 26.8 in. (48 x 68 cm.) Edition of 50 ID: ROJ-122 Unframed

Amsterdam IX is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade is both ...

Amsterdam III is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade is both...

Amsterdam V is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade is both a...

"Irregular Arcs from Four Sides" colorful, geometric abstract etching with aquatint in colors on Somerset paper with full margins. Signed and numbered PP 2/3 in pencil on front lower...

Abstract composition is an artwork realized by Mark Tobey in 1970. Mixed colored aquatint and etching on paper paper. Hand signed and dated on the Lower right Numbered on the lowe...

Size includes frame. There is a plate impression at the image that leads me to believe this is an aquatint. Antoni Tàpies i Puig, 1st Marquis of Tàpies (Catalan: 13 December 1923 – ...

Sigismond Kolos-Vari, 'Nets', color etching with soft-ground and aquatint, edition 200—1 of 60 artist's proofs, 1952. Signed and dated in pencil. Numbered L/LX in pencil. Image size 11 3/4 x 15 5/8 inches (298 x 397 mm); sheet size 15 x 22 1/4 inches (381 x 565 mm). A superb, richly-inked impression, on heavy, off-white, Arches wove paper; the full sheet with margins (1 3/8 to 3 1/2 inches), in excellent condition. Published by the Guide de la Gravure, Switzerland, with their blindstamp in the bottom left sheet corner. Matted to museum standards, unframed. ABOUT THE ARTIST Sigismond Kolos-Vari (1899-1983) was born in Hungary and attended the School of Applied Arts in Budapest from 1915-1918, and then the School of Decorative Arts until 1925. The artist settled in Paris and his first one-man show in 1928 at Galerie Miromesnil, which was highly successful, led to numerous subsequent exhibitions including the prestigious Galerie Bonaparte in 1929, and Galerie Povolosky in 1930. Kolos-Vari’s early success was abruptly interrupted by the outbreak of WWII. Imprisoned in a German concentration camp, he managed to escape after two years, crossing the border into Switzerland. After the war he returned to Paris and dedicated himself to his painting, producing increasingly powerful compositions. His work was highly acclaimed when shown at the important 1946 exhibition at the Musée National d’Art Moderne de Paris, organized by Jean Cassou. The artist was subsequently approached by the eminent art dealer Jean Bucher who gave Kolos-Vary a major one-man show at his gallery in 1948. During this post-war period Kolos-Vary participated in the avant garde exhibitions the Salon de Mai, 1949-1958, the Salon des Réalités Nouvelles, 1956-1961, and the Salon des Comparaisons, 1960-1962. Supported by his association with Stanley William Hayter and the landmark printmaking workshop, Atelier 17...