Archival Paper Abstract Prints
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Style: Abstract
Medium: Archival Paper
Untitled
Located in Montreal, Quebec
Claude Tousignant is one of those very few artists whose lives have been dedicated exclusively to their art. At school, the only classes that interested him were drawing and geometry...
Category
1950s Abstract Archival Paper Abstract Prints
Materials
Watercolor, Archival Paper
Untitled
Located in Montreal, Quebec
Claude Tousignant is one of those very few artists whose lives have been dedicated exclusively to their art. At school, the only classes that interested him were drawing and geometry...
Category
1950s Abstract Archival Paper Abstract Prints
Materials
Watercolor, Archival Paper
Untitled
Located in Montreal, Quebec
Claude Tousignant is one of those very few artists whose lives have been dedicated exclusively to their art. At school, the only classes that interested him were drawing and geometry...
Category
1950s Abstract Archival Paper Abstract Prints
Materials
Watercolor, Archival Paper
Untitled
Located in Montreal, Quebec
Claude Tousignant is one of those very few artists whose lives have been dedicated exclusively to their art. At school, the only classes that interested him were drawing and geometry...
Category
1950s Abstract Archival Paper Abstract Prints
Materials
Watercolor, Archival Paper
Framed Vintage Abstract Monotype with Rectangles in Gray, Blue, Red, and Green
Located in Denver, CO
Abstract monotype on paper featuring red, green, and blue rectangles on a gray background by Wilma Fiori (1929-2019). Presented in a custom frame with all archival materials measurin...
Category
Late 20th Century Abstract Archival Paper Abstract Prints
Materials
Archival Paper, Monotype
Vintage Framed Abstract Red and Beige Composition, Monotype on Paper
Located in Denver, CO
Monotype, ink on paper, featuring an abstract red and beige composition by Wilma Fiori (1929-2019). Presented in a custom frame with all archival materials measuring 20 x 19 1⁄2 x 1 ...
Category
Late 20th Century Abstract Archival Paper Abstract Prints
Materials
Archival Paper, Monotype
Bhutan Abstraction with Red - 1
Located in Los Angeles, CA
This unframed, signed, limited edition pigment print by world renown artist Ricardo Mazal exists in an edition of 30. Paper size is 35 inches h x 30 inches w with an image size of 26...
Category
2010s Abstract Archival Paper Abstract Prints
Materials
Archival Paper, Archival Pigment
Cajas-I
Located in Los Angeles, CA
This unframed, signed, limited edition pigment print by world renown artist Ricardo Mazal exists in an edition of 50. The paper size is 37 inches h x 35 inches w and an image size of...
Category
2010s Abstract Archival Paper Abstract Prints
Materials
Archival Paper, Archival Pigment
Taos II , Framed Abstract Monotype in Blue, Brown and Black
Located in Denver, CO
Abstract monotype in blue, brown and black on paper by Wilma Fiori (1929-2019). Print is presented in a custom frame with all archival materials measuring 20 1⁄2 x 19 1⁄4 x 1 inches....
Category
Late 20th Century Abstract Archival Paper Abstract Prints
Materials
Ink, Archival Paper, Monotype
Abstract Black and White Luminogram Print of Central Park in New York City
Located in London, GB
Central Park is part of a group of prints based on a visit to New York City, Because I live and work in quiet isolation and often don't meet anyone apa...
Category
2010s Abstract Geometric Archival Paper Abstract Prints
Materials
Photogram, Silver Gelatin, Archival Paper, Black and White, Photographic...
untitled
Located in New York, NY
untitled 2023 lithograph by Richard Hunt. Published by Procuniar Workshop, this stone lithograph is signed (lower right recto) and numbered (lower l...
Category
2010s Abstract Archival Paper Abstract Prints
Materials
Archival Ink, Archival Paper, Lithograph
Hannah Wilkinson, Women's World Cup Art, Heart in the Game, Limited Ed. Print
Located in Brooklyn, NY
Hannah Wilkinson is a New Zealand football player, musician, and visual artist. She had a notable collegiate career at the University of Tennessee in the United States and went on to play professionally in Sweden, Portugal, Germany, and Australia. Additionally, she represents the New Zealand Women's National Team, the Football Ferns, participated in three Olympic Games, and three FIFA Women’s World Cup.
Art has always been a significant part of Wilkinson's life, even before she began her soccer journey. She explains: “Born and raised in Whangārei, New Zealand, I began drawing and creating before kicking a ball. My artistic pursuits offer a healthy balance off the pitch, allowing space to mentally offload pressures associated with being an elite athlete, while also enhancing the focus-flow state needed to perform both artistically and athletically.”
Wilkinson's work spans various mediums, including drawing, digital illustrations, painting, and murals. Although sports is a dominant theme in her art, she frequently incorporates symbols related to philosophy, music, and New Zealand's cultural identity, landscapes, and wildlife. She is a proud member of the International Olympic Committee's Olympian Artists program and made significant contributions to the Olympic Agora exhibition held at Tokyo's Mitsokoshimae metro station before, during, and after the 2020 Games (held in 2021). Recently, she was also commissioned to create a mural at Auckland's Eden Park national stadium, celebrating the staging of the three women's World Cups (cricket, football, and rugby) in New Zealand in 2022 and 2023. This stadium will be the venue for the 2023 Women's World Cup, where Wilkinson will be competing.
Hannah Wilkinson created two limited edition prints for the special occasion of the “In the Beginning, there was Football, " exhibition, coinciding with the 2023 Women's World Cup. Through powerful imagery and poetic language, Wilkinson explores the philosophy and emotion surrounding football in two limited edition prints. Her work reveals her deep emotional connection and proximity to the game. In Heart in the...
Category
2010s Abstract Archival Paper Abstract Prints
Materials
Archival Ink, Archival Paper
Abstracts in Blue, Gray, White and Red, Triptych of 3 original Framed Monotypes
Located in Denver, CO
Set of three original abstract artworks by Denver modernist, Wilma Fiori (1929-2019). The abstract compositions were created in colors of blue, gray, red and white and were created ...
Category
20th Century Abstract Archival Paper Abstract Prints
Materials
Archival Paper, Monotype
With Smiles and Tears
Located in Clayton, MO
In With Smiles and Tears color, line, shape, and texture collide on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype illuminates a poetic interior landscape. The ...
Category
2010s Abstract Archival Paper Abstract Prints
Materials
Encaustic, Archival Paper, Rice Paper, Washi Paper
FAENA SIN TORO NI TORERO NI MUERTE Special Edition 022/109 Monotypes
Located in Slovak Republic, SK
Des 109 monotypes aux petales de coquelicot constituant le Cinquieme Theatre de la memoire du Paon de Francois Righi, inaugure a Madrid le 6 novembre 2001 dans le cadre du Salon "Est...
Category
21st Century and Contemporary Abstract Archival Paper Abstract Prints
Materials
Archival Paper
Abstract India Edition 5/8 Linocut Print Nature Orange Black Red Love
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Voted Dyas II, Lino-cut/ chine colle, on German Ivory paper
Edition: 5 of 8, 1999
Image size: 47 x 39 cm / Sheet size: 79 x 55 cm
Unframed
'We belong where love finds us'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Archival Paper Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
E'stelle I
Located in Clayton, MO
In E'stelle I color, line, shape, and texture collide on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype illuminates a poetic interior landscape. The softness of...
Category
2010s Abstract Archival Paper Abstract Prints
Materials
Encaustic, Archival Paper, Rice Paper, Washi Paper
E'stelle II
Located in Clayton, MO
In E'stelle II color, line, shape, and texture collide on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype illuminates a poetic interior landscape. The softness o...
Category
2010s Abstract Archival Paper Abstract Prints
Materials
Encaustic, Archival Paper, Rice Paper, Washi Paper
Just Remember That My Happiness Depends On Yours
Located in Clayton, MO
In Just Remember That My Happiness Depends On Yours color, line, shape, and texture collide on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype illuminates a poet...
Category
2010s Abstract Archival Paper Abstract Prints
Materials
Encaustic, Archival Paper, Rice Paper, Washi Paper
Abstract Landscape India Edition 3/5 Linocut Print Nature Red Navy Primitive
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Frenzy M3, Lino-cut chin-coll’e on German Ivory paper
Edition: 3 of 5, 2005
Image size: 50 x 33 cm / Sheet size: 79 x 55 cm
Unframed
'In this work in particular I feel that a true work of art is the creation of an experience from the interaction between the human self and the outside world'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Archival Paper Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract Print India Artist Proof Linocut Nature Earth Love Red Orange
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Twin Showcase, Lino-cut on German Ivory paper
Edition: AP, 2005
Image size: 47 x 39 cm / Sheet size: 79 x 55 cm
Unframed
'We belong where love finds us'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Archival Paper Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract India Edition 3/5 Linocut Print Nature Love Purple Blue Turquoise
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limite...
Category
Early 2000s Abstract Archival Paper Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract Landscape India Edition 3/5 Linocut Print Nature Red Orange Black
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Celebration “O”, Lino-cut chin-coll’e on German Ivory paper
Edition: 3 of 5, 2005
Image size: 50 x 33 cm / Sheet size: 79 x 55 cm
Unframed
"In this piece I use multiple layering of image, repetition of shape, layered shapes to inform my life celebration and my investigation into Indian culture"
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Archival Paper Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
It was, like, a super long time ago that ppl were here, right?
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...
Category
21st Century and Contemporary Abstract Archival Paper Abstract Prints
Materials
Archival Paper, Digital
Abstract Landscape India Edition 3/5 Linocut Print Nature Ecco of Passion Blue
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Eco of Passion X, Lino-cut chin-coll’e on German Ivory paper
Edition: 3 of 5, 2005
Image size: 47 x 39 cm / Sheet size: 79 x 55 cm
Unframed
'This is life liberated, sometimes ordinary, with small gestures and everyday objects transformed by colour, context and composition and sometimes adorned, wreathed in pomp, pageantry, and glory'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Archival Paper Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract Landscape Indian Art Edition 3/5 Linocut Print Nature Orange Australia
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Jetty 1, Lino-cut chin- coll’e on German Ivory paper
Edition: 3 of 5, 2005
Image size: 50 x 33 cm / Sheet size: 79 x 55 cm
Unframed
''What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me."
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Archival Paper Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract India Edition 3/5 Linocut Print Nature Sea Jetty Yellow Green Australia
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Jetty 2, Lino-cut on German Ivory paper
Edition: 3 of 5, 2005
Image size: 47 x 39 cm / Sheet size: 79 x 55 cm
Unframed
'What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me.'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Archival Paper Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract India Edition 3/5 Linocut Print Nature Australia Aborigine Purple Lilac
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limite...
Category
Early 2000s Abstract Archival Paper Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract Landscape India Edition 3/5 Linocut Print Nature Aubergine Green
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Frenzy M1, Lino-cut chin- coll’e on German Ivory paper
Edition: 3 of 5, 2005
Image size: 45 x 33 cm / Sheet size: 79 x 55 cm
Unframed
'In this work in particular I feel that a true work of art is the creation of an experience from the interaction between the human self and the outside world'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Archival Paper Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract Landscape India Edition 3/5 Linocut Print Nature Green Yellow Leaves
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Untitled, Lino-cut chin- coll’e on German Ivory paper
Edition: 3 of 5, 1999
Image size: 50 x 33 cm / Sheet size: 79 x 55 cm
Unframed
'This work reminds me of my childhood and early youth, growing up in a village that was full of nature, surrounded by lush green. The towering Aravalli hills left a strong impression on me.'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Archival Paper Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Group of Five 1980s Abstract Lithographs Individually Titled, Red & Black
By Dale Chisman
Located in Denver, CO
Group of five abstract lithographs signed and individually titled by artist Dale Chisman from 1987. Titles are: At Midnight, I Breathed A Gentle Fragrance, If You Love for Beauty's S...
Category
1980s Abstract Archival Paper Abstract Prints
Materials
Lithograph, Archival Paper
Florence Arnold Colored Screenprint, Signed
Located in Los Angeles, CA
Florence Arnold (American 1900-1994) hard-edge abstract color square screenprint, pencil signed, 16"x16".
Florence Arnold began painting seriously in 1947. By the late 1950s she associated with a group of painters including Karl Benjamin, Paul Darrow, Doug McCleland, Frederick Hammersley...
Category
1970s Abstract Archival Paper Abstract Prints
Materials
Archival Paper, Screen
Stratus
Located in Kansas City, MO
David Morris
Stratus
Digital Painting on Archival Paper
Year: 2023
Size: 24x24in
Edition: 15
Signed, numbered and dated by hand on label to be attached verso
COA provided
Ref.: 92480...
Category
2010s Abstract Geometric Archival Paper Abstract Prints
Materials
Archival Paper, Archival Pigment
Red Onion
Located in Kansas City, MO
David Morris
Red Onion
Digital Painting on Archival Paper
Year: 2023
Size: 24x24in
Edition: 15
Signed, numbered and dated by hand on label to be attached verso
COA provided
Ref.: 924...
Category
2010s Abstract Geometric Archival Paper Abstract Prints
Materials
Archival Paper, Archival Pigment
Need Your Funk
Located in Kansas City, MO
David Morris
Need Your Funk
Digital Painting on Archival Paper
Year: 2023
Size: 24x24in
Edition: 15
Signed, numbered and dated by hand on label to be attached verso
COA provided
Ref....
Category
2010s Abstract Expressionist Archival Paper Abstract Prints
Materials
Archival Paper, Archival Pigment
Magnetar
Located in Kansas City, MO
David Morris
Magnetar
Digital Painting on Archival Paper
Year: 2023
Size: 24x24in
Edition: 15
Signed, numbered and dated by hand on label to be attached verso
COA provided
Ref.: 9248...
Category
2010s Abstract Expressionist Archival Paper Abstract Prints
Materials
Archival Paper, Archival Pigment
Stream 49, Forest, Stream, Dark Eggplant Purple, Light Blue, Pale Lilac
By Eve Stockton
Located in Kent, CT
This is a unique woodcut print of a forest and stream in dark eggplant purple offset by a light blue and pale grayish lilac background. The monotype brings to mind the tradition of J...
Category
2010s Abstract Archival Paper Abstract Prints
Materials
Ink, Archival Paper, Woodcut
Abstract Landscape Rajasthan Light Viscosity Print Natural Green Turquoise
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...
Category
1990s Abstract Archival Paper Abstract Prints
Materials
Archival Ink, Archival Paper, Archival Pigment
Abstract India Landscape Rajasthan Tarzan Horse Viscosity Print Nature Teracotta
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...
Category
2010s Abstract Archival Paper Abstract Prints
Materials
Archival Ink, Archival Paper, Washi Paper
Abstract Landscape India Geometric Spiral Light Viscosity Print Nature Red
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...
Category
2010s Abstract Archival Paper Abstract Prints
Materials
Archival Ink, Archival Paper
Chicago Song
Located in Kansas City, MO
David Morris
Chicago Song
Digital Painting on Archival Paper
Year: 2023
Size: 24x24in
Edition: 15
Signed, numbered and dated by hand on label to be attached verso
COA provided
Ref.: ...
Category
2010s Abstract Expressionist Archival Paper Abstract Prints
Materials
Archival Paper, Archival Pigment
Flemenco Sketches
Located in Kansas City, MO
David Morris
Flemenco Sketches
Digital Painting on Archival Paper
Year: 2023
Size: 24x24in
Edition: 15
Signed, numbered and dated by hand on label to be attached verso
COA provided
R...
Category
2010s Abstract Archival Paper Abstract Prints
Materials
Archival Paper, Archival Pigment
Aubrey Penny Red and Blue Marker Abstract Drawing
Located in Los Angeles, CA
Original drawing signed and dated in pencil by Aubrey Penny 1972.
Aubrey Penny (American 1917-2000) was an innovative California abstract artist who worked in a variety of mediums. ...
Category
1970s Abstract Archival Paper Abstract Prints
Materials
Archival Paper, Permanent Marker
Sweet Georgia Brown (Oscar Peterson)
Located in Kansas City, MO
David Morris
Sweet Georgia Brown (Oscar Peterson)
Digital Painting on Archival Paper
Year: 2023
Size: 24x24in
Edition: 15
Signed, numbered and dated by hand on label to be attached v...
Category
2010s Abstract Expressionist Archival Paper Abstract Prints
Materials
Archival Paper, Archival Pigment
Minuamo
Located in Kansas City, MO
David Morris
Minuamo
Digital Painting on Archival Paper
Year: 2023
Size: 24x24in
Edition: 15
Signed, numbered and dated by hand on label to be attached verso
COA provided
Ref.: 92480...
Category
2010s Abstract Geometric Archival Paper Abstract Prints
Materials
Archival Paper, Archival Pigment
Ascenseur pour I'echafaud
Located in Kansas City, MO
David Morris
Ascenseur pour I'echafaud
Digital Painting on Archival Paper
Year: 2023
Size: 24x24in
Edition: 15
Signed, numbered and dated by hand on label to be attached verso
COA pr...
Category
2010s Abstract Archival Paper Abstract Prints
Materials
Archival Paper, Archival Pigment
So What
Located in Kansas City, MO
David Morris
So What
Digital Painting on Archival Paper
Year: 2023
Size: 24x24in
Edition: 15
Signed, numbered and dated by hand on label to be attached verso
COA provided
Ref.: 92480...
Category
2010s Abstract Geometric Archival Paper Abstract Prints
Materials
Archival Pigment, Archival Paper
Viva De Funk
Located in Kansas City, MO
David Morris
Viva De Funk
Digital Painting on Archival Paper
Year: 2023
Size: 24x24in
Edition: 15
Signed, numbered and dated by hand on label to be attached verso
COA provided
Ref.: ...
Category
2010s Abstract Expressionist Archival Paper Abstract Prints
Materials
Archival Paper, Archival Pigment
All Blues
Located in Kansas City, MO
David Morris
All Blues
Digital Painting on Archival Paper
Year: 2023
Size: 24x24in
Edition: 15
Signed, numbered and dated by hand on label to be attached ver...
Category
2010s Abstract Geometric Archival Paper Abstract Prints
Materials
Archival Paper, Archival Pigment
Red Baron
Located in Kansas City, MO
David Morris
Red Baron
Digital Painting on Archival Paper
Year: 2023
Size: 24x24in
Edition: 15
Signed, numbered and dated by hand on label to be attached ver...
Category
2010s Abstract Geometric Archival Paper Abstract Prints
Materials
Archival Paper, Archival Pigment
Chicken Lickin'
Located in Kansas City, MO
David Morris
Chicken Lickin'
Digital Painting on Archival Paper
Year: 2023
Size: 24x24in
Edition: 15
Signed, numbered and dated by hand on label to be attached verso
COA provided
Ref...
Category
2010s Abstract Geometric Archival Paper Abstract Prints
Materials
Archival Paper, Archival Pigment
Shofukan
Located in Kansas City, MO
David Morris
Shofukan
Digital Painting on Archival Paper
Year: 2023
Size: 24x24in
Edition: 15
Signed, numbered and dated by hand on label to be attached verso
COA provided
Ref.: 9248...
Category
2010s Abstract Expressionist Archival Paper Abstract Prints
Materials
Archival Paper, Archival Pigment
Dance With Me
Located in Kansas City, MO
David Morris
Dance With Me
Digital Painting on Archival Paper
Year: 2023
Size: 24x24in
Edition: 15
Signed, numbered and dated by hand on label to be attached verso
COA provided
Ref.:...
Category
2010s Abstract Expressionist Archival Paper Abstract Prints
Materials
Archival Paper, Archival Pigment
Take Five
Located in Kansas City, MO
David Morris
Take Five
Digital Painting on Archival Paper
Year: 2023
Size: 24x24in
Edition: 15
Signed, numbered and dated by hand on label to be attached ver...
Category
2010s Abstract Expressionist Archival Paper Abstract Prints
Materials
Archival Paper, Archival Pigment
Freddie Freeloader
Located in Kansas City, MO
David Morris
Freddie Freeloader
Digital Painting on Archival Paper
Year: 2023
Size: 24x24in
Edition: 15
Signed, numbered and dated by hand on label to be attached verso
COA provided
...
Category
2010s Abstract Expressionist Archival Paper Abstract Prints
Materials
Archival Paper, Archival Pigment
So What
Located in Kansas City, MO
David Morris
So What
Digital Painting on Archival Paper
Year: 2023
Size: 24x24in
Edition: 15
Signed, numbered and dated by hand on label to be attached verso
COA provided
Ref.: 92480...
Category
2010s Abstract Expressionist Archival Paper Abstract Prints
Materials
Archival Paper, Archival Pigment
Untitled (Lembark L172)
By Sam Francis
Located in Rancho Santa Fe, CA
1974 Lithograph in colors on Rives BFK paper
22.25 x 39 inches (55.9 x 99.1 cm) (sheet)
Ed. 5/100 (there were also 9 artist's proofs).
Signed and numbered in pencil along lower ed...
Category
1970s Abstract Expressionist Archival Paper Abstract Prints
Materials
Archival Paper, Lithograph
Morning Dance
Located in Kansas City, MO
David Morris
Morning Dance
Digital Painting on Archival Paper
Year: 2023
Size: 24x24in
Edition: 15
Signed, numbered and dated by hand on label to be attached verso
COA provided
Ref.:...
Category
2010s Abstract Expressionist Archival Paper Abstract Prints
Materials
Archival Paper, Archival Pigment
Archival Paper abstract prints for sale on 1stDibs.
Find a wide variety of authentic Archival Paper abstract prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Johanna Goodman, Frank Schott, Christian Stoll, and Frank Arnold. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Archival Paper abstract prints, so small editions measuring 0.02 inches across are also available
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