Carbon Pigment Abstract Prints

Francesco Clemente (Italian b. 1952), 'This side up / Telemone #2, 1981 Medium: Intaglio hard ground etching, color aquatint, drypoint, and soft-ground etching with chine collé (ha...

Signed, titled and numbered in pencil by the artist. Edition size 50. Christian Bozon was born in Lons-le-Saunier, France in 1969. He was trained at the Art School of Besancon and t...

Alexandre Arrechea´s work remains caught in an endless uphill climb towards a new representational framework. The pieces he produces serve as a warning of our own limits and how pret...

Image dimensions: 5.5 x 18 cm. Abstrahierte Landschaft is a black and white etching on paper realized the 1970's by an artist whose signature is not completely readable. Signed "Y...

Lauren Steinert Trace #3 Drypoint etching, mulberry chine colle on Rives BFK paper Year: 2022 Size: 7 x 7 inches Unique Signed by hand, titled and numbered by hand COA provided Ref.: 924802-1033 Tags: abstract, mark, archive, printmaking, drypoint, etching, intaglio, cartography, community, memory, observation Lauren C. Steinert received a Master of Fine Art in Printmaking from the University of Arizona. She received her Bachelor of Science and Arts from the University of Wisconsin-Madison in Printmaking and Glass-working along with Bachelor degrees in Environmental Science and German. She worked as the Printmaking Technician as well as the Relief Printmaking Instructor for the University of Arizona throughout her time as a graduate student. Steinert is currently the Printmaking Instructor for Pima Community College, a Glassblowing Instructor/Assistant at the Sonoran Glass School, and she works as an Artist Assistant. I believe objects hold memory more distinctly than people do. Spending immersive time with different objects around my home, studio, and the communal spaces I occupy, I attempt to visually translate the stories people...

Spiral is an original, splendid etching and drypoint realized by Edo Janich in 1990. The state of preservation of the artwork is excellent. hand-signed n...

Alexandre Arrechea´s work remains caught in an endless uphill climb towards a new representational framework. The pieces he produces serve as a warning of our own limits and how pret...

Lauren Steinert Trace #4 Drypoint etching, mulberry chine colle on Rives BFK paper Year: 2022 Size: 7 x 7 inches Unique Signed by hand, titled and numbered by hand COA provided Ref.: 924802-1034 Tags: abstract, mark, archive, printmaking, drypoint, etching, intaglio, cartography, community, memory, observation Lauren C...

Lauren Steinert Trace #2 Drypoint etching, mulberry chine colle on Rives BFK paper Year: 2022 Size: 7 x 7 inches Unique Signed by hand, titled and numbered by hand COA provided Ref.: 924802-1032 Tags: abstract, mark, archive, printmaking, drypoint, etching, intaglio, cartography, community, memory, observation Lauren C. Steinert received a Master of Fine Art in Printmaking from the University of Arizona. She received her Bachelor of Science and Arts from the University of Wisconsin-Madison in Printmaking and Glass-working along with Bachelor degrees in Environmental Science and German. She worked as the Printmaking Technician as well as the Relief Printmaking Instructor for the University of Arizona throughout her time as a graduate student. Steinert is currently the Printmaking Instructor for Pima Community College, a Glassblowing Instructor/Assistant at the Sonoran Glass School, and she works as an Artist Assistant. I believe objects hold memory more distinctly than people do. Spending immersive time with different objects around my home, studio, and the communal spaces I occupy, I attempt to visually translate the stories people...

A set of three monumental etchings by Italian contemporary artist, Mimmo Paladino. Each nicely framed in black. Artist: Mimmo Paladino Title: Si...

Signed, titled and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect t...

Eduardo Chillida (Spain, 1924-2002) 'Korapillo II', 1982 chine colle, dry point on japanese paper 25.6 x 19.7 in. (65 x 50 cm.) Edition of 50. Original 63 of which 50 belong to the regular edition. P/A: 8, H.C.: 5 Unframed ID: CHI1038-013 Hand-signed by author It is documented in Chillida, E. (1999). Eduardo Chillida – Opus P. II 1973-1985. Chorus – Verlag, pp 290 – 291. Nr 82003. ____________________________________________________ He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements. Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes. Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own. His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production. The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999). Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...