Digital Abstract Prints

This piece titled "Crush me (framed)" is an original artwork by Roxana Azar made of a digital c print. The piece measures 21.5”h x 17.5”w framed. Roxana Azar’s work utilizes photog...

Justin Pollmann "Change Your Mind, Change Your Experience" 2023 Inkjet Transfer Collage, Monotype 27.5"x24" inches The inkjet transfer images are made by collaging transfers of in...

Patty deGrandpre’s “Are We There Yet? (Southwest)” is a 5.5 x 14.5 inch unique abstract inkjet print represented on 11 x 16.5 inch Awagami Bamboo Japanese paper embracing both the art of digital printmaking, minimalism, and creative photography. Four vividly distinct images depicting the United States Southwest become the focal point of this refined abstract landscape including a mesa in orange, a leafless desert tree...

Anne Imhof (German, b. 1978) YOUTH, 2023 Medium: Complete set of 4 giclèe prints with screenprinted elements Dimensions: Each 25.4 × 30.46 cm (10 x 12 in) Edition of 250: Each signed...

Digital print in colors with screenprint and puff additive ink, on German Etching paper, with full margins. Signed, dated and numbered '1/2 PP' in pencil (a printer's proof, the edi...

Patty deGrandpre’s “Leave the Flowers by the Back Door” is a 16 x 13 inch mixed media unique print represented on 19 x 16 inch Awagami Bamboo paper embracing both traditional printma...

Halloween 40th Anniversary Screen Print by Bob Gleason: To celebrate one of our favorite film franchise’s 40th anniversary, a phenomenal looking new...

Patty deGrandpre’s “Astronomy” is #2 of 2 limited edition black and white 11 x14 inch prints on 12.5 x 15 inch paper. Layers of delicate white circles and undulating lines contrast t...

Patty deGrandpre’s “Santa Fe, Color and Reflection” is a 9.25 x 15.25 inch unique abstract print represented on 12 x 16.5 inch Awagami Kozo thin white paper embracing both digital printmaking and creative photography. Two distinct New Mexico landscapes are placed on the bottom half of this vivid print. Desert...

Patty deGrandpre’s “Are We There Yet? (Colorado)” is a 5.5 x 14 inch unique abstract inkjet print represented on 11 x 16.5 inch Awagami Bamboo Japanese paper embracing both the art o...

Anne Sager (American, 1930-2024), Abstraction in Green, Digital Composition, Chromogenic Print, signed lower right, in mat, unframed. Image: 17.75" H x 17.75" W; sheet; 24" H x 20" W...

Valentine Love (number 10 white) R By Agent X [2021] limited_edition Mixed Media Edition number 100 Image size: H:55 cm x W:55 cm Complete Size of Unframed Work: H:55 cm x W:55 c...

Justin Pollmann "A Light in the Attic" 2022 Inkjet Transfer Collage, Monotype 33"X24" inches The inkjet transfer images are made by collaging transfers of inkjet prints to the pap...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the bo...

This abstract contemporary painting by Roger Mudre features a cool-toned palette with an iridescent quality. Circles with light outlines overlap one another in varying blue, green, white shades to create a larger blue circular form at the center of the composition. The painting, which is 36" x 36" (37.5" x 37.5" framed), transforms and shimmers in changing light due to hand-applied metal-leaf under-layer. It is framed in a gold-hued floater frame. It is wired and ready to hang. The focus of Roger Mudre’s work is the circle. This Connecticut-based artist finds inspiration in the colors and patterns of nature. Painting in jewel toned acrylics, he builds sheer layers of color on a subtly reflective metal leaf surface to create a picture plane that changes with the viewer’s perspective. Roger's work is part of many corporate and private collections including Hotel Zero Degrees in Norwalk, Connecticut, Frontier Communications, and the Energizer Corporation in Shelton, Connecticut. Roger is influenced by Joesph Albers...

Patty deGrandpre’s “Kauai, Subtle and Select” is an 8 x 10 inch unique abstract inkjet print represented on 16.5 x 11.5 inch Awagami Washi paper and is part of her “Pieces and Pictur...

Long exposure light drawing using motion graphics of scientific data to capture eerily supernatural shapes of ghostly human form Project 12:31 by Frank Schott 28 x 40 inches / 71...

Patty deGrandpre’s “Rum & Pineapple (Lanai)” is a 12.5 x 10.25 inch unique abstract inkjet print represented on 14 x 11 inch Awagami Washi paper embracing both digital printmaking and creative photography. Vibrating layers of yellows and greens are used to create two distinct impressions of a glass of water and a Mai Tai cocktail and are the central focus of this vivid colorful print. A simple black bar interrupts a field of brown and sepia flowers...

Patty deGrandpre’s “Rum & Pineapple (Hurricane Party)” is a 13.25 x 10.5 inch unique abstract inkjet print represented on 16.5 x 11.5 inch Awagami Washi paper embracing both digital ...

Patty deGrandpre’s “Juice & Coffee” is a 13.5 x 10.75 inch unique abstract inkjet print represented on 17 x 11 inch Awagami Washi paper embracing both digital printmaking and creativ...

Patty deGrandpre’s “Outside In” is an 6.25 x 12.5 inch unique abstract inkjet print represented on 11 x 15.75 inch Awagami Bamboo paper. The mirror image of this double exposed photo...

Patty deGrandpre’s “It’s Right There in Front of You” is a 11 x 14 inch predominately black, light chestnut, and light pink mixed media unique inkjet print on Red River 60lb. Polar M...

Patty deGrandpre’s “Church Supper 2” is one of a series of dynamic abstract unique digital inkjet prints composed of multiple layers of digitally manipulated photographs of architect...

Patty deGrandpre’s “Fresh Cut Flowers” is a dynamic unique inkjet digital print composed of multiple layers of scanned images. Vibrant striations and a pair of cobalt blue scissors a...

This abstract contemporary painting by Roger Mudre features a cool-toned palette with an iridescent quality. Circles with light outlines overlap one another in varying blue, green, white shades to create a larger blue circular form at the center of the composition. The painting, which is 36" x 36" (37.5" x 37.5" framed), transforms and shimmers in changing light due to hand-applied metal-leaf under-layer. It is framed in a gold-hued floater frame. It is wired and ready to hang. The focus of Roger Mudre’s work is the circle. This Connecticut-based artist finds inspiration in the colors and patterns of nature. Painting in jewel toned acrylics, he builds sheer layers of color on a subtly reflective metal leaf surface to create a picture plane that changes with the viewer’s perspective. Roger's work is part of many corporate and private collections including Hotel Zero Degrees in Norwalk, Connecticut, Frontier Communications, and the Energizer Corporation in Shelton, Connecticut. Roger is influenced by Joesph Albers...

This abstract contemporary painting by Roger Mudre features a cool-toned palette with an iridescent quality. Circles with light outlines overlap one another in varying blue, green, w...

This abstract contemporary painting by Roger Mudre features a cool-toned palette with an iridescent quality. Circles with light outlines overlap one another in varying blue, green, white shades to create a larger blue circular form at the center of the composition. The painting, which is 36" x 36" (37.5" x 37.5" framed), transforms and shimmers in changing light due to hand-applied metal-leaf under-layer. It is framed in a gold-hued floater frame. It is wired and ready to hang. The focus of Roger Mudre’s work is the circle. This Connecticut-based artist finds inspiration in the colors and patterns of nature. Painting in jewel toned acrylics, he builds sheer layers of color on a subtly reflective metal leaf surface to create a picture plane that changes with the viewer’s perspective. Roger's work is part of many corporate and private collections including Hotel Zero Degrees in Norwalk, Connecticut, Frontier Communications, and the Energizer Corporation in Shelton, Connecticut. Roger is influenced by Joesph Albers...

This abstract contemporary painting by Roger Mudre features a cool-toned palette with an iridescent quality. Circles with light outlines overlap one another in varying blue, green, white shades to create a larger blue circular form at the center of the composition. The painting, which is 36" x 36" (37.5" x 37.5" framed), transforms and shimmers in changing light due to hand-applied metal-leaf under-layer. It is framed in a gold-hued floater frame. It is wired and ready to hang. The focus of Roger Mudre’s work is the circle. This Connecticut-based artist finds inspiration in the colors and patterns of nature. Painting in jewel toned acrylics, he builds sheer layers of color on a subtly reflective metal leaf surface to create a picture plane that changes with the viewer’s perspective. Roger's work is part of many corporate and private collections including Hotel Zero Degrees in Norwalk, Connecticut, Frontier Communications, and the Energizer Corporation in Shelton, Connecticut. Roger is influenced by Joesph Albers...

This abstract portrait limited edition print by Ned Martin is part of the artist's Spirits Through Time series. It features a warm and earthy palette. It depicts a portrait of a woma...

This abstract portrait limited edition print by Ned Martin is part of the artist's Spirits Through Time series. It features a warm and earthy palette. It depicts a portrait of a woma...

Overlap by Katie Hallam Hand signed by the artist Limited Edition Digital Photograph Edition of 75 Size of Work: H 70cm x W 70cm x D 1cm Sold Unframed Ready to Hang Please note that...

Justin Pollmann "Merging Egality" 2023 Inkjet Transfer Collage, Monotype 38.5"x36" inches The inkjet transfer images are made by collaging transfers of inkjet prints to the paper’...

This abstract contemporary painting by Roger Mudre features a cool-toned palette with an iridescent quality. Circles with light outlines overlap one another in varying blue, green, w...

This abstract contemporary painting by Roger Mudre features a cool-toned palette with an iridescent quality. Circles with light outlines overlap one another in varying blue, green, w...

Justin Pollmann "Valis, Edge of Aspen" 2022 Inkjet Transfer Collage, Monotype 36"x27" inches The inkjet transfer images are made by collaging transfers of inkjet prints to the pap...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Giclée print on Archival Matte Paper with Archival Pigment Ink. In 2017 she was award...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper w...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper w...

Giclée print on Archival Matte Paper with Archival Pigment Ink. In 2017 she was awarded the New York State Council for the Arts/New York Foundation for the Arts Fellowship grant for...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper w...

Giclée print on Archival Matte Paper with Archival Pigment Ink. Based in New York, American illustrator and collagist Johanna Goodman studied at Bosto...

This abstract contemporary painting by Roger Mudre features a cool-toned palette with an iridescent quality. Circles with light outlines overlap one another in varying blue, green, w...

This abstract contemporary painting by Roger Mudre features a cool-toned palette with an iridescent quality. Circles with light outlines overlap one another in varying blue, green, w...

Mesmerizing large scale photograph from the artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes SEASCA...

Justin Pollmann "More Door" 2022 Inkjet Transfer Collage, Monotype 31"x32" inches The inkjet transfer images are made by collaging transfers of inkjet prints to the paper’s surfac...

Monochromatic #02 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Justine Smith Please note that in situ images are purely an indication of how a piece may look. A Bigger Bang Black is a surrealist limited edition prin...

Justin Pollmann "Hang It Up" 2022 Inkjet Transfer Collage, Monotype 28"x22" inches The inkjet transfer images are made by collaging transfers of inkjet prints to the paper’s surfa...

Thomas Struth (German, b. 1954) Sao Francisco de Xavier (from Paradies), 2004 Medium: Pigmented inkjet print Dimensions: 48.2 × 32.7 cm (19 × 12 9/10 in) Edition size: undisclosed Co...

Justin Pollmann "Be A Good Guest" 2023 Inkjet Transfer Collage, Monotype 26"x28.5" inches The inkjet transfer images are made by collaging transfers of inkjet prints to the paper’...

Outer Edges 7 (2020) by Kristiina Lahde. Edition of 5. Inkjet print on Hahnemühle Agave.

Composition Homage to Laurin is a Digital Print and hand-retouched realized by Martine Goyens in 2023. Hand-signed on the lower right. With the certification on the rear. Good con...

Agent X Liavis (Abstract, Round, Disc, Circle, Warm) Archival Pigment Print with Archival Inks on 240 gsm Hahnemühle Paper 2024 Size: 19x19in Edition: 75 Signed, dated and numbered ...

Agent X Trosie (Abstract, Round, Disc, Circle, Warm) Archival Pigment Print with Archival Inks on 240 gsm Hahnemühle Paper 2024 Size: 19x19in Edition: 75 Signed, dated and numbered ...

Justin Pollmann "The Show Must Go On" 2022 Inkjet Transfer Collage, Monotype 22"x19" inches The inkjet transfer images are made by collaging transfers of inkjet prints to the pape...

Michael Wallner Little London: Houses of Parliament Limited Edition Print Edition of 30 Image Size: H 11cm x W 18cm Framed Size: H 18cm x W 25cm x...

Harriet Hoult Ferry Road by Harriet Hoult is a Limited Edition Giclée print. The work by Harriet Hoult is a colourful piece with many light colours that stand out significantly. Ferr...

Artist: Sandro Martini, Italian (1941 - ) Title: Abecedario (Yellow) Year: 2009 Medium: Digital Print and Etching, signed and numbered in pencil Edition: PA Size: 23.5 in. x 31.5 in....