Engraving Abstract Prints

Vicente Rojo (Mexico, 1932-2021) 'Volcán Verde', 2016 engraving, sugarlift, embossed on paper Guarro Biblos 250g. 17 x 13.8 in. (43 x 35 cm.) Edition of 40 Ref: ROJ-155

Vicente Rojo (Mexico, 1932-2021) 'Volcán Sepia', 2016 engraving, sugarlift, embossed on paper Guarro Biblos 250g. 17 x 13.8 in. (43 x 35 cm.) Edition of 40 Ref: ROJ-160

Vicente Rojo (Mexico, 1932-2021) 'Volcán Violeta', 2016 engraving, sugarlift, embossed on paper Guarro Biblos 250g. 17 x 13.8 in. (43 x 35 cm.) Edition of 40 Ref: ROJ-156

Vicente Rojo (Mexico, 1932-2021) 'Volcán Magenta', 2016 engraving, sugarlift, embossed on paper Guarro Biblos 250g. 17 x 13.8 in. (43 x 35 cm.) Edition of 40 Ref: ROJ-159

Publisher GKM. Edition of 40 ex. Unframed. Carborundum engraving. Moulin de Larroque handmade paper. Free shipment worldwide. “With just a few strokes of his brush he conjures up an entire world. James Coignard extends the boundaries between concrete and abstract. He knows how to create chromatic melodies that shift in timbre from cobalt blue to blood red. His pictures are an artistic epicentre where lines, letters and numbers meld with vigorous swashes of colour.” That is how the writer Johan Persson has described the artist’s paintings. With this exhibition we honour James Coignard, showing some of his last carborundum engravings and paintings as well as presenting the book “L’œuvre gravé de James Coignard” volume VI. In this edition, we have gathered together all the engravings that James Coignard produced between June 2005 and his decease, on 7 March 2008. Behind him he left many fond memories and a life’s work as a great artist. James Coignard’s principal modes of expression were oil on canvas and gravure au carborundum, but also in bronze and glass sculptures as well as in ceramics. His work has been shown on more than 400 exhibitions, primarily in Central Europe and Scandinavia, but also in Canada and the USA. His first Swedish exhibition was at Malmö Museum in 1956. The early 1970s saw the start of a long-term liaison with Galleri Östermalm in Stockholm, owned by Editions Sonet. They came to represent him in Scandinavia and edited several volumes of his graphic works. It was not until 2003 that we at Galleri GKM Siwert Bergström...

Combination-Cross No. 3 Mezzotint, 1979 Signed, titled and numbered in pencil Edition: 30 (9/30) Provenance: Ninion and Sheldon Landy, Chicago The Landy's donated a large collection of Hamanishi to the Art Institute of Chicago in 2013, which formed the core of the exhibitions of his works at AIC in 2014 and again in 2019. Condition: Excellent Image size: 13 5/8 x 14 1/8 inches HAMANISHI Katsunori...

Publisher GKM. Edition of 40 ex. Unframed. Carborundum engraving. Moulin de Larroque handmade paper. Free shipment worldwide. “With just a few strokes of his brush he conjures up an entire world. James Coignard extends the boundaries between concrete and abstract. He knows how to create chromatic melodies that shift in timbre from cobalt blue to blood red. His pictures are an artistic epicentre where lines, letters and numbers meld with vigorous swashes of colour.” That is how the writer Johan Persson has described the artist’s paintings. With this exhibition we honour James Coignard, showing some of his last carborundum engravings and paintings as well as presenting the book “L’œuvre gravé de James Coignard” volume VI. In this edition, we have gathered together all the engravings that James Coignard produced between June 2005 and his decease, on 7 March 2008. Behind him he left many fond memories and a life’s work as a great artist. James Coignard’s principal modes of expression were oil on canvas and gravure au carborundum, but also in bronze and glass sculptures as well as in ceramics. His work has been shown on more than 400 exhibitions, primarily in Central Europe and Scandinavia, but also in Canada and the USA. His first Swedish exhibition was at Malmö Museum in 1956. The early 1970s saw the start of a long-term liaison with Galleri Östermalm in Stockholm, owned by Editions Sonet. They came to represent him in Scandinavia and edited several volumes of his graphic works. It was not until 2003 that we at Galleri GKM Siwert Bergström...

Etching and drypoint realized by an italian artist in the 1970s. Edition of 12/25. Good condition.

Publisher GKM. Edition of 40 ex. Unframed. Carborundum engraving. Moulin de Larroque handmade paper. Free shipment worldwide. Catalogue raisonné Volume V #1195. “With just a few str...

Publisher GKM. Edition of 40 ex. Unframed. Carborundum engraving. Moulin de Larroque handmade paper. Free shipment worldwide. “With just a few strokes of his brush he conjures up an entire world. James Coignard extends the boundaries between concrete and abstract. He knows how to create chromatic melodies that shift in timbre from cobalt blue to blood red. His pictures are an artistic epicentre where lines, letters and numbers meld with vigorous swashes of colour.” That is how the writer Johan Persson has described the artist’s paintings. With this exhibition we honour James Coignard, showing some of his last carborundum engravings and paintings as well as presenting the book “L’œuvre gravé de James Coignard” volume VI. In this edition, we have gathered together all the engravings that James Coignard produced between June 2005 and his decease, on 7 March 2008. Behind him he left many fond memories and a life’s work as a great artist. James Coignard’s principal modes of expression were oil on canvas and gravure au carborundum, but also in bronze and glass sculptures as well as in ceramics. His work has been shown on more than 400 exhibitions, primarily in Central Europe and Scandinavia, but also in Canada and the USA. His first Swedish exhibition was at Malmö Museum in 1956. The early 1970s saw the start of a long-term liaison with Galleri Östermalm in Stockholm, owned by Editions Sonet. They came to represent him in Scandinavia and edited several volumes of his graphic works. It was not until 2003 that we at Galleri GKM Siwert Bergström...

Wonderful and evocative abstracted dry point etching of the sea, a maddox. random fishing buoys and crab claw titled "Back to the Sea by Tomoya Uchida (Japanese, b. 1947). Presented in new custom cut mat. Unframed. Image size: 9"H x 15"W Titled "Back to the Sea" along the bottom edge. Signed and dated "T. Uchida '89" in the lower right corner. Presented in a new custom-cut mat with foam core backing. Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...

LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts) in the studios of professors Władysław Strzemiński, Adam Rychtarski, Stefan Wegner and Ludwik Tyrowicz. He graduated with special award from the Academy of Fine Arts in Krakow in 1954. In 1958 he became a member of the Piąte Koło association ("Fifth Wheel...

Peruvian Stream is a contemporary blue toned artwork computationally engraved on aluminium. It is part of a pair, and each can be sold separately. Artist Matteo Mauro...

Nicolás Guzmán shows us a selection of pieces taken from his new pictorial research, in which traditional techniques are mixed with industrial materials...