Etching Abstract Prints

Artist: Roberto Matta Title: The Eld of The World Medium: Color Etching and Carborundum on Handmade Paper Signed: Hand Signed Edition Number: 81/125 Measurements: 47.12" x 40" F...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

At Five O'Clock In The Afternoon by Sir Terry Frost Signed and numbered 5/25 Image 55 x 37.7 cm Published by the artist 1990 On Somerset Satin Paper Contemporary black frame, behind...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Robert Indiana American Dream (EAT / DIE / HUG / ERR) (Sheehan, 136), 1986 Hard and soft-ground etching, aquatint, drypoint and stencil on white Arches paper 37 inches × 21 inches ...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Ana Rosa de Ycaza’s’s Copper Etching IV is a black and white engraving copper minimalist abstract mixed media with a french oak frame measuring 14 x 14 priced at $1000. Ana Rosa de Ycaza an artist born in 1915 was affiliated with Atelier 17 a studio that attracted the likes of Mark Rothko, Joan Míro, William de Kooning...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

This is from a portfolio Hommage A Rodin. It included a lithograph by Henry Moore, Ossip Zadkine, Berto Lardera, an etching by Robert Couturier and an etching...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Uprising is a  contemporary artwork realized by Arthur Secunda in 1979. Mixed colored etching. Hand signed on the lower margin. Numbered and titled on the lower left margin. Edit...

Artist: James Rosenquist, American (1933 - ) Title: Hot Lake (2nd State) Year: 1978 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 78 Size: 23 in. x 40 in. (58.42 c...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Carborundum Etching, artist signed edition 10/30, 60"hx40"w (with or with out the frame). Pierre Marie Brisson French b. 1955 - one of the most talented contemporary artists. Bris...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

Etching on wove paper. Inscription: Unsigned and unnumbered, as issued; publisher’s imprint, verso, as issued. Good Condition; never framed or matted. Notes: From the folio, The Prin...

For Gene Swenson by James Rosenquist, American (1933–2017) Date: 1978 Etching/Aquatint with Embossing on Pescia Italia Edition of 37/78 Size: 23 x 40 in. (58.42 x 101.6 cm) Frame Siz...

Etching and aquatint, 1975 Edition : 62/75 Publisher : O. Lazar-Vernet, Paris Printer : Georges Leblanc et Morsang, Paris Catalog : Dupin 827 38.00 cm. x 27.70 cm. 14.96 in. x 10.91...

Sunrise. 1965, paper, etching, 53x52 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947, she began her studies at the ...

Serge Poliakoff (French-Russian, 1900–1969) Composition Bleu, Noire, Rouge et Verte (from Werke Poliakoffs), 1964 Medium: Etching and aquatint on paper Dimensions: 25.5 x 37.7 cm Ed...

Etching, 1975 Handsigned by the artist in pencil and numbered 62/75 Publisher : O. Lazar-Vernet, Paris Printer : Georges Leblanc et Morsang, Paris 38.00 cm. x 28.50 cm. 14.96 in. x ...

Etching in colours, on Hahnemühle etching paper,2007. Signed in pencil, inscribed 'AP' on the reverse. (an artist's proof, the edition was 75), published by The Paragon Press, Londo...

Ben Nicholson (British, 1894-1982) Fragment of Tuscan Cathedral, 1966 Medium: Etching on BFK Rives paper (loose within the original paper justification sleeve) Dimensions: 12 4/5 × 1...

’Les Oiseaux De Feu’ By Lars Bo Medium - Etching on BFK Rives paper Signed - Yes Edition - 61/120 Date - 1964 Size - 650mm x 500mm Condition - 9 Colour of print may not be ac...

Aquatint, 1979 Handsigned by the artist in pencil and numbered 38/50 Publisher : Maeght (Barcelone) Printer : Joan Barbarà (Barcelone) Catalog : Dupin 1092 A large-format aquatint e...

Dan Flavin (American, 1933-1996) Untitled (Triptych), 1996-98 Medium: Set of three aquatints on handmade rag paper Dimensions: each 50 x 40 cm (19.75 x 15.75 in) Edition of 60: Each ...

Signed, inscribed and dated number 27/30 1998 Originally distrbuted by Alan Cristea Gallery London Each Frame 11.5" x 9.75" Gordon House produced many of his own prints first at K...

Anish Kapoor, born in Mumbai, India, in 1954, is a globally renowned contemporary artist known for his groundbreaking sculptural works that explore form, color, and the manipulation ...

A superb, richly-inked impression of this iconic etching. Edition of approximately 500. Signed in pencil by Hopper, lower right. Published by The New Republic, New York. Catalogue ...

"Requiem" is an original etching and aquatint by Joan Snyder. The artist signed the piece, and the edition is of 120. This piece features abstract, expressionist text and an striking portrait of a woman with red lipstick on a pink background. 25 5/8" x 20" art 32" x 26" frame Joan Snyder was born on April 16, 1940, in Highland Park, New Jersey. She received her AB from Douglass College in New Brunswick, New Jersey (1962), and an MFA from Rutgers University in New Brunswick, New Jersey (1966). She was the recipient of a National Endowment for the Arts Fellowship (1974) and a John Simon Guggenheim Memorial Fellowship (1983). Snyder lives in Brooklyn and Woodstock, New York. Although Snyder’s paintings are often placed under various art-movement umbrellas—Abstract...

This artwork titled "Color and Black #3" 1991 is a colors etching with spit bit aquatint on Somerset textured white paper by renown artist Sol (Solomon) Le Witt, 1928-2007. It is and signed and numbered 11/15 in pencil by the artist. Whit the blind stamp of the publisher/printer at the lower right corner. The image size is 22.75 x 22.75 inches, paper sheet is 40.75 x 39.75 inches, Framed size is 43.25 x 42,5 inches. Published by Crown Point Press, San Francisco. Printed by Lawrence Hamin, Lothar Osterburg, Paul Mullowney and Pamela Paulson at Crown Point Press, San Francisco. Referenced and pictured in the artist's catalogue raisonne #1991.07, plate #03. Custom Framed in a wooden black frame, floated on a white backing, with white spacer. It is in excellent condition. About the artist: Known for his modular white cube sculpture, geometric drawings and abstract design paintings including many wall paintings that took teams of people to execute, Sol LeWitt was a major promoter of dominant post World War II Conceptualism and Minimalism. He used geometric shapes and lines to challenge his viewers, and sometimes they seemed logical and other times they seemed to have no basis in either reason or reality. Although he was highly active in New York City, he shied away from any semblance of art celebrity life style and spent much of his later life working from his home and studio in Chester, Connecticut. At the beginning of his career when he was gaining notoriety, conservative critics panned him fiercely. Seeking to get away from the frenetic activity of the New York art scene, he went to Spoleto, Italy in the 1980s and remained there for many years. The influence of Italian culture seemed to lend a new opulent quality to his work, and also the launching of his wall paintings, which he called drawings even though they were done with acrylic paint. "He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year's Eve, often as enormous decorations for buildings around the world. It was if he had devised a latter-day kind of Abstract Expressionism . . ." (Kimmelman) Of his personal modesty it was written: "He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper." (Kimmelman) Sol LeWitt was born in Hartford, Connecticut to Russian immigrant parents. His father, a doctor, died when Sol was age six, and he and his mother then went to live with an aunt in New Britain, Connecticut. His mother encouraged his art talent, and enrolled him in classes at the Wadsworth Atheneum. LeWitt's subsequent residence in Chester, after he was a well-known artist, was near the Atheneum, and he became a strong supporter of that institution including the securing of a long time loan to it of a highly prestigious private collection of modern art. LeWitt earned a B.F.A. degree from Syracuse University in 1949, and then was drafted in the Korean War. His special assignment was making posters for the Special Services. From 1955 to 1956, he worked as a graphic designer for architect I.M. Pei, who was beginning his career. He also did pasteups for Seventeen magazine...

This artwork titled "Curvy Brushstrokes" 1997 is a colors etching with sugar lift aquatint on Somerset textured white paper by renown artist Sol (Solomon) LeWitt, 1928-2007. It is hand signed and numbered 1/15 in pencil by the artist. The image size is 29.90 x 39.90 inches, paper sheet size is 40.5 x 49.80 inches, framed size is 43.75 x 53 inches. Published by Crown Point Press, San Francisco, printed by Dana Sywulak, assisted by Dena Schneleit, Mary Andrews and Case Hudson at Crown Press, San Francisco. Referenced and pictured in the artist's catalogue raisonne, plate #1997.07. Custom framed in a wooden black frame, floated on white backing, with white spacer. It is in excellent condition, the frame has minor very small restorations, practically invisible. About the artist: Known for his modular white cube sculpture, geometric drawings and abstract design paintings including many wall paintings that took teams of people to execute, Sol LeWitt was a major promoter of dominant post World War II Conceptualism and Minimalism. He used geometric shapes and lines to challenge his viewers, and sometimes they seemed logical and other times they seemed to have no basis in either reason or reality. Although he was highly active in New York City, he shied away from any semblance of art celebrity life style and spent much of his later life working from his home and studio in Chester, Connecticut. At the beginning of his career when he was gaining notoriety, conservative critics panned him fiercely. Seeking to get away from the frenetic activity of the New York art scene, he went to Spoleto, Italy in the 1980s and remained there for many years. The influence of Italian culture seemed to lend a new opulent quality to his work, and also the launching of his wall paintings, which he called drawings even though they were done with acrylic paint. "He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year's Eve, often as enormous decorations for buildings around the world. It was if he had devised a latter-day kind of Abstract Expressionism . . ." (Kimmelman) Of his personal modesty it was written: "He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper." (Kimmelman) Sol LeWitt was born in Hartford, Connecticut to Russian immigrant parents. His father, a doctor, died when Sol was age six, and he and his mother then went to live with an aunt in New Britain, Connecticut. His mother encouraged his art talent, and enrolled him in classes at the Wadsworth Atheneum. LeWitt's subsequent residence in Chester, after he was a well-known artist, was near the Atheneum, and he became a strong supporter of that institution including the securing of a long time loan to it of a highly prestigious private collection of modern art. LeWitt earned a B.F.A. degree from Syracuse University in 1949, and then was drafted in the Korean War. His special assignment was making posters for the Special Services. From 1955 to 1956, he worked as a graphic designer for architect I.M. Pei, who was beginning his career. He also did pasteups for Seventeen magazine...