Metal Abstract Prints

"Taken on Hikkaduwa Beach, Sri Lanka as the sun was setting; casting its golden rays along the beach... The image endeavours to celebrate the noble presence and elegant sway of the ubiquitous palm tree. The palm tree has many symbolic meanings and in this image I have tried to highlight its association with immortality and regeneration with the addition of gold leaf." - Valda Bailey...

Jorinde Voigt (German, b. 1977) Grüne Treppe (II), 2015 Medium: Digital print, gold leaf applied by hand, on 320g cotton paper Dimensions: 80 x 51.8 cm Edition of 35: Hand-signed, nu...

Print on metal. Hand signed and numbered. In Indonesia's expansive landscape, a woman, larger than life, confidently sniffs the shore with a hundred dollar bill, challenging norms w...

Print on metal. Limited edition, hand signed and numbered. Atop an Indonesian mountain, a woman, three times the scale of her surroundings, reclines under the benevolent gaze of the...

A rare chance to collect a signed and numbered limited Edition by Shizico Yi at the best price possible with highest quality! Take the change, start your collection with an Edition!...

Edition of 125 40 colour screenprint with hand applied 24-carat gold leaf on Somerset Tub Sized Satin White 410gsm. 76 x 60 cm (29.9 x 23.6 in) Signed and dated by the artist Chris...

Santiago Sierra (Spanish, b. 1966) Door Plate, 2006 Medium: Cast aluminium relief sign with black enamel paint Dimensions: 59 x 69 x 2 cm Edition of 15: Hand-signed and numbered on a...

Lorna Simpson (b. 1960) III (Wish #1, Wish #2, Wish #3), 1994 Medium: Complete set of three ceramic, rubber and bronze wishbones within molded felt printed with waterless lithography...

Poetics Country, a collaborative work by Mike Kelley and Tony Oursler, was published on the occasion of Documenta X in 1997. Mike Kelley (1954-2012) and Tony Oursler (b. 1957) Poeti...

The painting captures the major spring tree in the artist’s garden, painted plein-air in the garden. The language of Cherry Prunus blooms in early Spring when the weather is still ve...

Monochromatic #02 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Oil on aluminium bespoke commission. A statment floral piece to be the focal point of any large wall. Helen Brough paintings available at Wychwood Art online and in the gallery. Hel...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known artist Bruno Chersicla. All the pieces are numbered and signed by the artist and completed by the Certif...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known artist Bruno Chersicla. All the pieces are numbered and signed by the artist and completed by the Certif...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known artist Bruno Chersicla. All the pieces are numbered and signed by the artist and completed by the Certif...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known artist Bruno Chersicla. All the pieces are numbered and signed by the artist and completed by the Certificate of the artist and the Editor who made the artworks. The white painted metal sculpture...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known international artist Riccardo Dalisi. All the pieces are numbered and signed by the artist and completed by the Certificate of the artist and the Editor who made the artworks. The white painted metal sculpture...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known international artist Riccardo Dalisi. All the pieces are numbered and signed by the artist and complete...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known international artist Riccardo Dalisi. All the pieces are numbered and signed by the artist and completed...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known artist Bruno Chersicla. All the pieces are numbered and signed by the artist and completed by the Certif...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known international artist Riccardo Dalisi. All the pieces are numbered and signed by the artist and complete...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known artist Bruno Chersicla. All the pieces are numbered and signed by the artist and completed by the Certificate of the artist and the Editor who made the artworks. The white painted metal sculpture...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the wellknown International artist Riccardo Dalisi. All the pieces are numbered and signed by the artist and completed ...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known international artist Riccardo Dalisi. All the pieces are numbered and signed by the artist and completed...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the well known international artist Riccardo Dalisi. All the pieces are numbered and signed by the artist and completed...

"The bottomless depths of a private koi pond in a Sussex garden. Dancing light, rhythmic flow and a coloured whirl of so many flashing fins, all help to convey the dark mystery of a life below the surface" ETERNAL FLAME III, 2017 Printed on museum glass, hand finished with White Gold and Silver leaf 30 x 30 cm image glass size/ 31 x 31 cm/ 12.2 x 12.2 inches (Framed) From edition of 5 Series: Southern Song Each piece is individually hand finished by the artist with White Gold and Silver leaf giving the piece its own unique style. Larger dimensions available from limited edition of 5 also available and made upon order. The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print. "I am primarily driven by an exploration of colour and form. My objective is to bring an emotional element and aesthetic balance to my work. I try to depict the subtleties of the landscape and am happiest making images from the smallest, most insignificant detail - the challenge being to portray the essence of what is about my subject matter that has taken my eye." - Valda Bailey...

Truth, 2017 Print on Museum Glass, Hand gilded with Lemon and Moon Gold 31 x 31 cm/ 12.2 x 12.2 in (custom framed) Edition of 5 This print is from a series of images made from a collection of honesty seeds gathered at the end of baking hot summer... The papery enclosures are like parchment through which the light filters with a pale gold delicacy." The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print. "My fascination with colour goes back a long way. One of my earliest creative recollections has me sitting at a table endlessly mixing paints in a valiant but ultimately futile attempt to 'invent a new colour'. It was an imperative that kept me occupied for some time as I recall. The result was always the same - and unedifying fudge of pale peach and silver." - Valda Bailey...

“Far from being an exercise in nostalgia, this analogue technique offers Jackson, as it does other artists at the cutting edge of this art movement, a path to the future.” – The Financial Times “Mike...

"The play of water and light has fascinated me for years. From childhood I have found sunlight underwater mesmerising - be it a Cornish rock pool or The Red Sea, the movement and diffraction of light excites me. Add to that the thrill of schools of fish - specifically Akule, which are found in seas off Hawaii. I spent some time wanting to make a series of prints that captured the play of light on these fast moving fish - creating flowing abstract forms and textures." - Mike G Jackson The goal isn't to replicate the real world - it is to show where the real world and the process meet - sometimes pushing towards the real world, sometimes pushing towards the process - but never completely at either extreme. - Michael G Jackson Michael Jackson (b.1966) is an experimental photographer based in North Dorset, England. He studied art at West Dean College in Sussex, then apprenticed under landscape painter Christopher W Baker and later discovered his passion for photography. He moved away from working with traditional camera techniques in 2015 and is currently progressing the Luminogram process into new directions in which he has become regarded as a leading practitioner. His work has been exhibited internationally and is part of various private and museum collections including The National Art Gallery in Washington, USA. Selected Press: “Mike Jackson...

Inflammatory Essays: Shriek When the Pain Hits During Interrogation, 1996 Jenny Holzer Pewter multiple with engraved text With the artist's incised signature and numbering verso Fr...

Oxo Tower, Concrete By Michael Wallner [2020] limited_edition Concrete, steel Edition number 15 Image size: H:95 cm x W:65 cm Complete Size of Unframed Work: H:95 cm x W:65 cm x D:3...

National Theatre, Colours By Michael Wallner [2020] limited_edition Brushed aluminium Edition number 25 Image size: H:68 cm x W:91 cm Complete Size o...

204C1742 (Abstract print) Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. Edition of 7. Pierre Muckensturm added printmaking to his oeuvre since ...

Inflammatory Essays: Shriek When the Pain Hits During Interrogation, 1996 Jenny Holzer Pewter multiple with engraved text With the artist's incised signature and numbering verso Fr...

201C0011 ABC (Abstract print) Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. Triptych made of 3 elements. Each elements' dimensions: 50 x 50 cm /...

202R0671 ABC (Abstract print) Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. Triptych made of 3 elements. Each elements' dimensions: 65 x 50 cm /...

Ten Past Ten, Big Ben By Michael Wallner [2018] limited_edition Brushed aluminium Edition number 15 Image size: H:110 cm x W:110 cm Complete Size of Unframed Work: H:110 cm x W:110 ...

205J1771 (Abstract print) Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. Edition of 12. Pierre Muckensturm added printmaking to his oeuvre since...

151R1034 (Abstract Print) Copperplate printing on BFK Rives paper 250g - Unframed. This artwork is sold as a triptych. Each print's dimensions are 65 x 50 cm/25,5 x 19,6 inches. E...

204C1741 ABCD (Abstract print) Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. This work is made of 4 elements. Each elements' dimensions: 50 x 50...

205J1801 AB (Abstract print) Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. This work is made of 2 elements. Each elements' dimensions: 76 x 56 c...

Into the Space is an original embossing on paper and metal realized by Carlo Scarpa. The artwork is in good condition, on a grey cardboard. Limited edition of 90 specimens hand sig...

204C1742 (Abstract print) Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. Edition of 7. Pierre Muckensturm added printmaking to his oeuvre since ...

Into the Space is an original embossing on paper and metal realized by Carlo Scarpa. The artwork is in good conditions, on a grey cardboard. Limited edition of 90 specimens hand si...

Into the Space is an original embossing and screen print on paper and metal realized by Carlo Scarpa. The artwork is in good conditions, on a grey cardboard. Limited edition of 90 ...

Into the Space is an original screen print and embossing on paper and metal realized by Carlo Scarpa. The artwork is in good condition, on a grey cardboard. Limited edition of 90 s...

Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. This work is made of 2 elements. Each elements' dimensions: 76 x 56 cm / 30 x 22 inches. Edition o...

201R002 ABC (Abstract print) Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. This work is made of 9 elements. Each elements' dimensions: 65 x 50 c...

Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. Triptych made of 3 elements. Each elements' dimensions: 65 x 50 cm / 25.5 x 19.6 inches. Edition o...

Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. Edition of 7. Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and pr...

Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. Triptych made of 3 elements. Each elements' dimensions: 50 x 50 cm / 19.6 x 19.6 inches. Edition o...

Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. This work is made of 9 elements. Each elements' dimensions: 65 x 50 cm / 25.5 x 19.6 inches. Editi...

Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. This work is made of 4 elements. Each elements' dimensions: 50 x 50 cm / 19.6 x 19.6 inches. Editi...

Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. Triptych made of 3 elements. Each elements' dimensions: 65 x 50 cm / 25.5 x 19.6 inches. Edition o...

Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. Edition of 12. Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and p...

Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. Triptych made of 3 elements. Each elements' dimensions: 50 x 50 cm / 19.6 x 19.6 inches. Edition o...

Carborundum and drypoint on copper. Printing on BFK Rives paper 250 g - Unframed. This work is made of 9 elements. Each elements' dimensions: 65 x 50 cm / 25.5 x 19.6 inches. Editi...

Own technique of tingraphy in which the composition is embossed on mixture of tin and steel WALDEMAR REGUCKI (born in 1957) Graphic artist, designer and typographer, master calligra...