Metal Abstract Prints

Damien Hirst Happiness, from The Secrets, 2024 Laminated giclée print on aluminium composite panel Signed, titled, dated and numbered 247/327 on the authentication label on the back ...

Damien Hirst Pegwell Bay, H13-6, from Where the Land Meets the Sea, 2023 Laminated Giclée print on aluminium composite panel 35 2/5 × 35 2/5 in 89.9 × 89.9 cm Hand-signed on the lab...

Into the Space is an original screen print and embossing on paper and metal realized by Carlo Scarpa. The artwork is in good condition, on a grey cardboard. Limited edition of 90 s...

They were created as an investigation into the beginnings of the current human social conditions with a focus on materiality and evolutionary information gathered from Paul Shepards ...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

Tracey Emin It's A CRIME to Live with The Person You don't LOVE, 2121 Giclée print on Hahnemühle FineArt Pearl 285gsm paper, accompanied by official COA with hologram 16 1/2 × 11 2/5...

Pedro Friedeberg is an artist and designer from Mexico of Italian origin, known for his surreal work full of lines, colors, and ancient religious symbols. His best-known piece is the...

Edition of 125 40 colour screenprint with hand applied 24-carat gold leaf on Somerset Tub Sized Satin White 410gsm. 76 x 60 cm (29.9 x 23.6 in) Signed and dated by the artist Chris...

Robert Smith (United States, 1944) 'Last spring', 1972 engraving and etching on paper 21.7 x 29.6 in. (55 x 75 cm.) Edition of 75 Unframed ID: SMI1158-002-075 Hand-signed by author

Silkscreen in colors with enamel inks and tar-like texture on 2-ply museum board.

Damien Hirst Cannizaro H4-4 Diasec-mounted Giclée print on aluminium panel 920 x 1260 MM Edition size: 75 + 5 AP signed and numbered from an edition of 75 verso, published by HENI Editions; sheet: 92 x 126cm Damien Hirst first came to public attention in London in 1988 when he conceived and curated "Freeze," an exhibition in a disused warehouse that showed his work and that of his friends and fellow students at Goldsmiths College. In the nearly quarter of a century since that pivotal show (which would come to define the Young British Artists), Hirst has become one of the most influential artists of his generation. His groundbreaking works include The Physical Impossibility of Death in the Mind of Someone Living (1991), a shark in formaldehyde; Mother and Child Divided (1993) a four-part sculpture of a bisected cow and calf; and For the Love of God (2007), a human skull studded with 8,601 diamonds. In addition to his installations and sculptures, Hirst’s Spot paintings...

El Anatsui uses typically discarded resources such as liquor bottle caps, cassava graters and newspaper printing plates, to create both floor-based sculptures and shimmering wall pie...

Artist: Lynda Benglis, American (b. 1941) Title: Dual Nature (Blue) Year: 1991 Medium: Lithograph with Gold Leaf on Hand Tinted Paper, signed and numbered verso Edition: 20, AP ...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern la...

Jenny Holzer (American, b. 1950) Inflammatory Essays: Shriek When the Pain Hits During Interrogation, 1996 Multiple: Pewter multiple with engraved text Dimensions: 6.6 × 5 × 1.1 cm (...

Artist: Lynda Benglis, American (b. 1941) Title: Dual Nature (Brown) Year: 1991 Medium: Lithograph with Gold Leaf on Hand Tinted Paper, signed and numbered verso Edition: 20, A.P. Si...

Peruvian Stream is a contemporary blue toned artwork computationally engraved on aluminium. It is part of a pair, and each can be sold separately. Artist Matteo Mauro...

"Cuzco" is a contemporary green and cool toned artwork computationally engraved on aluminium. It is part of a pair, and can each be sold separately. Artist Matteo Mauro...

Digital print on metal; matte finish; signed in verso. Artist Commentary: 2 pieces sold together as a diptych. This figure study features two poses suggesting complexities of the feminine mystique: strength and vulnerability, boldness and subtlety. Words that describe this piece: female, figure, blue, black, white, hall, walking, feminine These are original digital photographic prints; created in Nashville, TN, professional grade dye sublimation print on aluminum panels with a satin semi-matte finish, prints are ready to hang with a metal float frame hanger attached, signed on the back, certificate of authenticity included with original. Artist Biography: Born in Nashville, TN in 1979, American artist Amanda...

Robert Smith (United States, 1944) 'Last spring', 1972 engraving and etching on paper 21.7 x 29.6 in. (55 x 75 cm.) Edition of 75 Unframed ID: SMI1158-002-075 Hand-signed by author

Silkscreen in colors with enamel inks and tar-like texture on 2-ply museum board.

Poetics Country, a collaborative work by Mike Kelley and Tony Oursler, was published on the occasion of Documenta X in 1997. Mike Kelley (1954-2012) and Tony Oursler (b. 1957) Poeti...

Silkscreen in colors with enamel inks and tar-like texture on 2-ply museum board. Edition 35/50. Sold as Lantern Flowers, Feb 10, 2017 suite of four prints for $11,500.

Silkscreen in colors with enamel inks and tar-like texture on 2-ply museum board.

Silkscreen in colors with enamel inks and tar-like texture on 2-ply museum board.

Silkscreen in colors with enamel inks and tar-like texture on 2-ply museum board. Edition 35/50. Sold as Lantern Flowers, Feb 10, 2017 suite of four prints for $11,500.

Yinka Shonibare It's My Party and I'll Cry If I Want To, 2013 24ct gold leaf embellishment, hand applied dutch wax batik fabrics on 225gsm Somerset Enhanced Paper Boldly signed and n...

'Raw Earth' Iris with Silver Leaf is a silkscreen print on paper created in 2023 by Marc Quinn. This signed print is an exclusive edition of only 50 in existence. The custom framed d...

Artist: James Coignard (French, 1925-2008) Title: "Les Voiles (The Sails)" *Signed by Coignard in pencil lower right Year: 1984 Medium: Original Hand-Embellis...

Gary Hume Pink Nicola, Nicola as an Orchid, Brown, Brown, Silver and Brown 2005 Set of three screenprints on silver leaf "Pink Nicola": 49 1/4 x 38 1/8 inches; 125 x 97 cm "Nicola as...

Print on metal. Limited edition, hand signed and numbered. Atop an Indonesian mountain, a woman, three times the scale of her surroundings, reclines under the benevolent gaze of the...

Print on metal. Hand signed and numbered. In Indonesia's expansive landscape, a woman, larger than life, confidently sniffs the shore with a hundred dollar bill, challenging norms w...

Katie Edwards Best Mates Original Silkscreen print with hand painted layers Mounted Size: H 40.5cm x W 50.8cm Free Shipping Please note that in situ images are purely an indication o...

Into the Space is an original embossing on paper and metal realized by Carlo Scarpa. The artwork is in good conditions, on a grey cardboard. Limited edition of 90 specimens hand si...

Artist: Joe Zucker - American (1941- ) Title: Ponce de Leon’s Flagship Year: 1984 Medium: Lithograph with acrylic and collage Size: 36 x 48 inches Signature: Signed, dated lower right Condition: Very good Edition: 18. This one: 10/18 Series: From a series of 5 lithographs on Ponce de Leon and his discovery of Florida Publisher: Solo Press This very fine print with acrylic and collage the collage elements are foil) is by the noted American artist Joe Zucker (1941-). It is in very good condition. I have included below Zucker’s biography and very extensive CV from his website. Biography 1941 Born in Chicago, Illinois Lives and Works in East Hampton, New York Education 1966 MFA, School of the Art Institute of Chicago 1964 BFA, School of the Art Institute of Chicago Selected Solo Exhibitions 2022 Detritus 2020, The Madoo Conservancy, New York 2019 100-Foot-Long Piece, Marlborough, New York Forbidden Motion – Surface, Image and Metaphor, Thomas Brambilla Gallery, Bergamo, Italy 2017 1000 Brushstrokes, Maccarone, Los Angeles Armada, National Arts Club, New York 2015 Life & Times of an Orb Weaver, Parrish Art Museum, Water Mill, NY 2013 Empire Descending a Staircase, Mary Boone Gallery, New York 2011 A Unified Theory, Mary Boone Gallery, New York The Grid Paintings, Corbett vs...

Into the Space is an original embossing on paper and metal realized by Carlo Scarpa. The artwork is in good condition, on a grey cardboard. Limited edition of 90 specimens hand sig...

Collagraph with silver leaf on white BFK Rives Printmaking Paper. Approx image size: 5" x 11" Paper: 11" x 15" Frame: At the core of the dialogue between the artist and the work ...

Allan Forsyth Astral Plane 228x76cm (Bespoke sizes available) Archival Chromagenic Photographic Print Diasec Framed Edition 6 + 2 APs Astral Plane is a limited edition abstract prin...

Limited 2nd edition print. Signed, numbered and hand-embellished by DOES.  Edition size: 60 Size: 50 x 70 cm / 19.69 x 27.56 inch Type: giclée print Characteristics: spraypaint, gol...

Oil on aluminium bespoke commission. A statment floral piece to be the focal point of any large wall. Helen Brough paintings available at Wychwood Art online and in the gallery. Hel...

The Pattern of Denial print is an examination of image versus reality. The image is inspired by the sleek and idealized mid-century architecture of both deluxe homes and deluxe facto...

Monochromatic #02 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Mixed Media on Paper Inked Mylar scorched and fused On white BFK Rives Printmaking Paper w/ Pencil and Metal Leaf Edition : Unique

Collagraph with silver leaf on white BFK Rives Printmaking Paper. Unframed. Approx image size: 5" x 11" Paper: 11" x 15" "These prints are pulled from a Collagraph plate created b...

Mixed Media on Paper Inked Mylar scorched and fused On white BFK Rives Printmaking Paper w/ Pencil and Metal Leaf Edition : Unique

Truth, 2017 Print on Museum Glass, Hand gilded with Lemon and Moon Gold 31 x 31 cm/ 12.2 x 12.2 in (custom framed) Edition of 5 This print is from a series of images made from a collection of honesty seeds gathered at the end of baking hot summer... The papery enclosures are like parchment through which the light filters with a pale gold delicacy." The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print. "My fascination with colour goes back a long way. One of my earliest creative recollections has me sitting at a table endlessly mixing paints in a valiant but ultimately futile attempt to 'invent a new colour'. It was an imperative that kept me occupied for some time as I recall. The result was always the same - and unedifying fudge of pale peach and silver." - Valda Bailey...

Silkscreen in colors with enamel inks and tar-like texture on 2-ply museum board. Edition of 50.

Silkscreen in colors with enamel inks and tar-like texture on 2-ply museum board. Edition 35/50. Sold as Lantern Flowers, Feb 10, 2017 suite of four prints for $11,500.

Silkscreen in colors with enamel inks and tar-like texture on 2-ply museum board. Edition 35/50.

Screenprint on paper with 24 karat gold leaf, collage and tape on board (Edition of 24) Signed, titled, dated, and numbered, verso This artwork is offered by ClampArt, located in Ne...