Metal Abstract Prints

Own technique of tingraphy in which the composition is embossed on mixture of tin and steel WALDEMAR REGUCKI (born in 1957) Graphic artist, designer and typographer, master calligra...

Copperplate printing on BFK Rives paper 250g - Unframed. This artwork is sold as a triptych. Each print's dimensions are 65 x 50 cm/25,5 x 19,6 inches. Edition: 12/16 Pierre Mucke...

Katie Edwards Best Mates Original Silkscreen print with hand painted layers Mounted Size: H 40.5cm x W 50.8cm Free Shipping Please note that in situ images are purely an indication o...

Copperplate printing on BFK Rives paper 250g - Unframed. This artwork is sold as a triptych. Each print's dimensions are 65 x 50 cm/25,5 x 19,6 inches. Edition: 14/16 Pierre Mucke...

Copperplate printing on BFK Rives paper 250g - Unframed. This artwork is sold as a triptych. Each print's dimensions are 65 x 50 cm/25,5 x 19,6 inches. Edition: 10/16 Pierre Mucke...

Allan Forsyth Astral Plane 228x76cm (Bespoke sizes available) Archival Chromagenic Photographic Print Diasec Framed Edition 6 + 2 APs Astral Plane is a limited edition abstract prin...

Katie Hallam St Andrews Limited Edition Digital Photograph Edition of 75 Size of Work: H 60cm x W 45cm x D 1cm Sold Unframed Ready to Hang Please note that insitu images are purely a...

Katie Hallam Shard London Limited Edition Digital Photograph on a metal backing and does not need framing. It is mounted securely and ready to hang on a wall. Edition of 75 Image S...

Allan Forsyth FLORA ROYAL 3 Limited Edition Archival Chromagenic Photographic Print Edition 12 Size: H 100cm x W 100cm x D 2cm Diasec Framed

Michael Wallner Little London: Houses of Parliament Limited Edition Print Edition of 30 Image Size: H 11cm x W 18cm Framed Size: H 18cm x W 25cm x D 5cm Sold Framed in a White Box F...

Carborundum on copper. Printing on BFK Rives Paper 250 G. Unframed - Polyptych made with 5 elements. Each element's dimensions:65x50 cm/ 25.5x 19.6'' Edition: 6/6 Pierre Muckenstu...

Edition 3/11. Aquatint copperplate printing on BFK Rives paper 250 g. This artwork is sold as a triptych. Each image size is 26 x 26 cm/10.2 x 10.2 inches, full paper is 65 x 50 cm/25,5 x 19,6 inches Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and printing process allows him to further explore notions of time and perspective. Muckensturm is inspired by the concepts of calmness, constancy and temporality. His work visually expresses a sense of harmony with time. In his prints, he begins with gestural marks, examining them in detail, transforming them gradually, exploring how they communicate differently as he alters their size, shape, depth, magnitude and orientation over time. Pierre Muckensturm is a French abstract painter and print maker. His visual language is one of harmony, calm and timelessness built around softly textured surfaces and a muted, black and white palette. Born in Strasbourg, France, he currently lives and works in Colmar. In his prints, he begins with gestural marks, examining them in detail, transforming them gradually, exploring how they communicate differently as he alters their size, shape, depth, magnitude, and orientation over time. In 2004, Muckensturm began working with oil on large-scale canvases. He isolates gestural elements, enlarging them on the picture plane to explore their presence in relation to the surrounding emptiness. He develops the paintings methodically, exploring the process of transformation the canvas undergoes in the painting process. Working the surface into a texture that belies its age, Muckensturm achieves a balance of intensity and tranquility. INSPIRATION Muckensturm is inspired by the concepts of calmness, constancy, and temporality. His work visually expresses a sense of harmony with time. Initially a figurative painter, he discovered abstraction in 2004 on a visit to Notre Dame du Haut, a Modernist chapel in Ronchamp, France, designed by Charles-Edouard Jeanneret-Gris, otherwise known as Le Corbusier. The simplicity of its forms brought Muckensturm a feeling of tranquility. He began seeking ways to directly express how felt that day. His search brought him into contact with the work of Julius Bissier, whose simple, organic, gestural brushstrokes, evocative of Taoist painting...

Aquatint copperplate printing on BFK Rives paper 250 g. Edition 14/16. This artwork is sold as a triptych. Each image size is 26 x 26 cm/10.2 x 10.2 inches, full paper is 65 x 50 cm/25,5 x 19,6 inches Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and printing process allows him to further explore notions of time and perspective. Muckensturm is inspired by the concepts of calmness, constancy and temporality. His work visually expresses a sense of harmony with time. In his prints, he begins with gestural marks, examining them in detail, transforming them gradually, exploring how they communicate differently as he alters their size, shape, depth, magnitude and orientation over time. Pierre Muckensturm is a French abstract painter and print maker. His visual language is one of harmony, calm and timelessness built around softly textured surfaces and a muted, black and white palette. Born in Strasbourg, France, he currently lives and works in Colmar. In his prints, he begins with gestural marks, examining them in detail, transforming them gradually, exploring how they communicate differently as he alters their size, shape, depth, magnitude, and orientation over time. In 2004, Muckensturm began working with oil on large-scale canvases. He isolates gestural elements, enlarging them on the picture plane to explore their presence in relation to the surrounding emptiness. He develops the paintings methodically, exploring the process of transformation the canvas undergoes in the painting process. Working the surface into a texture that belies its age, Muckensturm achieves a balance of intensity and tranquility. INSPIRATION Muckensturm is inspired by the concepts of calmness, constancy, and temporality. His work visually expresses a sense of harmony with time. Initially a figurative painter, he discovered abstraction in 2004 on a visit to Notre Dame du Haut, a Modernist chapel in Ronchamp, France, designed by Charles-Edouard Jeanneret-Gris, otherwise known as Le Corbusier. The simplicity of its forms brought Muckensturm a feeling of tranquility. He began seeking ways to directly express how felt that day. His search brought him into contact with the work of Julius Bissier, whose simple, organic, gestural brushstrokes, evocative of Taoist painting...

El Anatsui uses typically discarded resources such as liquor bottle caps, cassava graters and newspaper printing plates, to create both floor-based sculptures and shimmering wall pie...

The painting captures the major spring tree in the artist’s garden, painted plein-air in the garden. The language of Cherry Prunus blooms in early Spring when the weather is still ve...