Screen Abstract Prints

Yellow Poppies is a natural companion for Red Poppies, March 21, 2012 and is equally strong installed solo. The multi-layered cropped poppies bleed to the paper edge and mimic the su...

Deimos Black by Victor Vasarely, Hungarian (1908–1997) Date: 1981 Screenprint, signed and numbered in pencil Edition of 63/75 Image Size: 12.25 x 11.75 inches Size: 17.25 x 15 in. (4...

Erik Bulatov (born in 1933 Ekaterinburg) “What, Where, When?" 33/100 resp. 22/100. On the reverse of the frame with the edition numbering and two with the edition stamp of the Kestn...

Study/Falling Man (Series I), 1967 By. Ernest Tino Trova (American, 1927-2009) 24 x 24 inches Wrapped to Foam Core Signed Artist Proof Lower Right Ernest Tino Trova (American, 1927-...

This 17-color screen print was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75. Available for local pick up from Mic...

Adolph Gottlieb Black Field, 1972 color silkscreen, ed. of 150 36 x 27 3/4 in. (91.4 x 70.5 cm)

Jesús Rafael Soto Jai-Alai Suite: Screen Print D, 1969 screenprint on plexi, edition of 300 19 1/2 x 24 1/4 in.

TECHNICAL INFORMATION Jesus Rafael Soto Expo 60 - ARC Musee D'Art Moderne Ville De Paris 1969 Screenprint on Cardboard 27 1/2 x 18 1/2 in. Edition of 1000 Signed on bottom right, si...

This is not signed or numbered. it is from a folio of prints. Laura Fiume was born in Urbino, central Italy in 1953. Her education took place in Milan at t...

This silkscreen with enamel inks and flocking on 2-ply museum board was created by the artist in 2012. Signed, dated and numbered in pencil, from the edition of 50. Available for loc...

1999 Screenprint in colors, on wove paper Sheet: 30 x 22 2/5 in. Edition of 100 Signed, titled, dated, and numbered in pencil, lower margin Framed, excellent condition

2017 Screenprint in colors, on Arches Aquarelle paper Sheet size: 25 x 31 in. (63.5 x 78.7 cm) Edition of 40 Signed, dated and numbered in pencil, lower margin Unframed, mint

This is not signed or numbered. it is from a folio of prints. Laura Fiume was born in Urbino, central Italy in 1953. Her education took place in Milan at t...

2020 18-color screenprint on wove paper Sheet: 32 7/10 x 40 in. Edition of 55 Signed, dated and numbered in pencil, lower margin

2017 Screenprint in colors, on Arches Aquarelle paper Sheet size: 25 x 31 in. (63.5 x 78.7 cm) Edition of 40 + 15AP Signed, dated and numbered in pencil, lower margin

Pierre SOULAGES The Color Black, 1999 Original Screen Print (printed in Michel Caza workshop) On heavy paper 119 x 84 cm (c. 47 x 33 in) REFERENCES : Catalog raisonné BNF #117 Edit...

Yaacov Agam "Passage" Agamograph Ed. 19/99 Signed and Numbered Site Size: approx 12 x 16 inches Framed: approx. 24.5 x 28.5 inches An agamograph is a series of images that change a...

Color Grid. Ziggurat form. Hand signed and numbered silkscreen. Tony Bechara, Artist born in Puerto Rico in 1942. Painter, printmaker. Bechara attended Georgetown University in Washington, D.C., and the School of Jurisprudence and Diplomacy at that same university. He spent one year at the Sorbonne in Paris and, finally, entered New York University. Later, he attended the School of Visual Arts in New York City. Since 1977 he has taken part in numerous group and solo exhibits in Puerto Rico, the United States, Europe, and Latin America. An acrylic painter known for pointillism, meaning many vibrant, mulit-colored small dots and grids, Tony Bechara is also an appointee of Mayor Michael Bloomberg of New York City to the City's Latin Media and Entertainment Commission, whose purpose is to promote Latin American media culture. Bechara is also Chairman of the Board of El Museo del Barrio...

Screenprint in colors, on Arches Aquarelle paper Sheet size: 25 x 31 in. (63.5 x 78.7 cm) Edition of 40 + 15AP Signed, dated and numbered in pencil on lower margin Published by Upsil...

Sheet size: 24 1/8 x 24 1/8 inches Frame size: 26 3/4 x 26 3/4 inches Printer: Edition Domberger, Germany Publisher: Edition Domberger, Germany Edition: 125, plus proofs Catalogue r...

This silkscreen with enamel inks and flocking on 2-ply museum board was created by the artist in 2012. Signed, dated and numbered in pencil, from the edition of 50. Available for loc...

Silkscreen on 310 gram Coventry Rag paper (Edition of 100) Signed and numbered in silver, recto This artwork is offered by ClampArt, located in New York City. Born in 1963 in Phoenix, Arizona, Stanley Casselman...

ROBERT COTTINGHAM Art, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and...

ROBERT COTTINGHAM NIte, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' an...

ROBERT COTTINGHAM Rialto, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' ...

ROBERT COTTINGHAM American Signs portfolio, 2009 The complete set of twelve screenprints in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) all signed, dated `2009' and numbered edition of 100 in pencil, published by Exhibit A Fine Art and Editions and American Images Atelier, New York, all in excellent condition, contained in original gray silk-covered box with artist and title embossed with gold foil. Robert Cottingham B. 1935, BROOKLYN, NEW YORK Born in 1935 in Brooklyn, Robert Cottingham is known for his paintings and prints of urban American landscapes, particularly building facades, neon signs, movie marquees, and shop fronts. After serving in the U.S. Army from 1955 through 1958, he earned a BFA at Pratt Institute, Brooklyn, in 1963. Cottingham began his professional artistic career as an art director for the advertising firm Young and Rubicam in the early 1960s. Although he is typically associated with Photorealism, Cottingham never considered himself a Photorealist, but rather a realist painter working in a long tradition of American vernacular scenes. In this respect, his work often draws parallels to a number of American painters such as Stuart Davis, Charles Demuth, Edward Hopper, and Charles Sheeler. Cottingham’s interest in the intersections of art and commerce derive from his career as an adman and the influence of Pop art. Many of his paintings convey an interest in typography and lettering, as well as an awareness of the psychological impact of certain isolated words and letters. In his facades, techniques from advertising, namely cropping and enlarging, often produce words of enigmatic or comical resonance such as “Art,” “Ha,” or “Oh.” Cottingham’s enlarged sense of scale is reminiscent of James Rosenquist’s work, while his interest in text suggests the influence of Robert Indiana and Jasper Johns. In general, Cottingham viewed his work as continuing the legacy of Pop artists such as Andy Warhol, who also had a background in advertising. In 1964, Cottingham relocated to Los Angeles for work. There, inspired by the drastically different environment of the West Coast metropolis, he began to commit seriously to painting. Fascinated by Hollywood’s exaggerated glitz and the downtrodden atmosphere of the downtown, Cottingham saw in Los Angeles the relics of a bygone commercial heyday and desired to capture its kitschy and uncanny atmosphere, bathed in the near perpetual sunlight of Southern California. In 1968, Cottingham ended his advertising career in order to devote all his time to painting. In the late 1960s, he started using photography in his practice, first as an initial reference point for his process. After selecting a photograph, he translates it into black-and-white drawings by projecting the image onto gridded paper...

This 17-color screen print was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75. Available for local pick up from Mic...

This 17-color screen print was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75. Available for local pick up from Mic...