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Maurice EstèveMaurice Esteve, Untitled, from Prints from the Mourlot Press, 19641964
1964
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About the Item
This exquisite lithograph by Maurice Esteve (1904–2001), titled Sans titre (Untitled), from the album Prints from the Mourlot Press, exhibition sponsored by the French Embassy, circulated by the Traveling Exhibition Service of the National Collection of Fine Arts, Smithsonian Institution 1964–1965, originates from the 1964 edition published by Fernand Mourlot, Paris, in collaboration with the Embassy of France, Washington, D.C., and the Smithsonian Institution, Washington D.C., and printed by Mourlot Freres, Paris, October 27, 1964. This vibrant composition exemplifies Esteve’s lyrical abstraction—where color, geometry, and rhythm merge into a radiant harmony of interlocking forms. His mastery of tone and structure transforms abstraction into poetry, capturing the meditative balance between emotion and design that defines his celebrated visual language.
Executed as a lithograph on velin d'Arches paper, this work measures 10 x 7.5 inches. Unsigned and unnumbered as issued. The edition reflects the refined craftsmanship of Mourlot Freres and the artist’s poetic contribution to the evolution of postwar abstraction.
Artwork Details:
Artist: Maurice Esteve (1904–2001)
Title: Sans titre (Untitled), from the album Prints from the Mourlot Press
Medium: Lithograph on velin d'Arches paper
Dimensions: 10 x 7.5 inches (25.4 x 19.05 cm)
Inscription: Unsigned and unnumbered as issued
Date: 1964
Publisher: Fernand Mourlot, Paris, in collaboration with the Embassy of France, Washington, D.C., and the Smithsonian Institution, Washington D.C.
Printer: Mourlot Freres, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the album Prints from the Mourlot Press, published by Fernand Mourlot, Paris, 1964
Notes:
Excerpted from the album, This exhibition is a manifestation of Franco-American friendship and we would be very happy if it is of interest to all those who visit it. I wish to thank Mrs. Annemarie Pope for proposing and organizing this exhibition of the work of the artists who have used our press. We are honored that Mr. Herve Alphand, Ambassador of France to the United States, and Mr. Edouard Morot-Sir, Cultural Counsellor at the French Embassy in New York, will sponsor this exhibition. I express to them my thanks and appreciation. As for the artists themselves, who executed the originals contained in this catalogue, I can only say simply, "Thank you." They are all friends. We would have liked to include not just the twenty-four illustrations in this small book, but many more. During the year 1963, we lost three great artists who were faithful friends of our press. Thanks to Mrs. Georges Braque, Mr. Louis Carre, and Mr. Edouard Dermit, who have been able to pay our respects to Georges Braque, Jacques Villon and Jean Cocteau. The great Henri Matisse is also with us, since Mrs. Du-thuit-Matisse and her brothers have allowed us to use an unpublished original lithograph. Thanks to them all for their generosity. —Fernand Mourlot. The lithography at Mourlot printing press by Jean Adhemar, Curator of prints at the Bibliotheque nationale. Acknowledgments, Fernand Mourlot has long been the acknowledged master printer of France in every field, from lithographs to fine books to posters. The unfailing quality of his work commands the respect of museums, collectors, and most important of all, the artists themselves. Every product of his workshop bears the mark of Mourlot's discipline and craft and can truly be called an ideal collaboration between artist and artisan. The result of years of thoughtful planning, this special exhibition presents an accurate portrait of the Mourlot Press. We are greatly indebted to Fernand Mourlot, who made the selection, supervised the production of the catalogue, and gave endless time and energy to the details of preparation. This album was finished in Paris on 27th October 1964. The original lithographs and the reproductions were printed on the presses of Mourlot. The Imprimerie Nationale, Director Andre Brignole, was responsible for the typography. The edition has been limited to MM examples on Velin d'Arches and CC on Velin de Rives, reserved for the artists, the staff and the friends of the Imprimerie Mourlot.
About the Publication:
Prints from the Mourlot Press, published in Paris by Fernand Mourlot in 1964 in collaboration with the Embassy of France and the Smithsonian Institution, celebrated the profound artistic partnerships that defined 20th-century printmaking. The portfolio accompanied a traveling exhibition organized by the Smithsonian’s National Collection of Fine Arts and presented at major institutions across the United States between 1964 and 1965. Containing twenty-four original lithographs by leading modern artists—including Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, Maurice Esteve, and Jean Cocteau—the publication chronicled the collaborative artistry of Mourlot Freres, whose Paris workshop elevated lithography to a fine art. Each plate demonstrated the mastery of color, composition, and craftsmanship that defined postwar printmaking, while the edition itself stood as a symbol of Franco-American cultural exchange.
About the Artist:
Maurice Esteve (1904–2001) was a French painter, draftsman, and lithographer whose lifelong devotion to color, form, and harmony established him as one of the great masters of postwar abstraction and a central figure of 20th-century French modernism. Born in Culan, France, Esteve was largely self-taught, moving to Paris in the 1920s where he immersed himself in the avant-garde circles of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists whose innovations in abstraction, surrealism, and modern form profoundly shaped his artistic vision. Drawing from the Cubist structure of Picasso and Braque, the lyrical freedom of Miro and Kandinsky, and the humanist warmth of Bonnard and Matisse, Esteve forged a uniquely personal visual language that merged geometric precision with emotional resonance. His mature works—composed of radiant interlocking forms and glowing chromatic harmonies—embody a sense of balance and rhythm that feels both musical and architectural, transforming color into an expressive force of light, energy, and emotion. A leading figure of the Ecole de Paris, alongside Jean Bazaine, Alfred Manessier, and Serge Poliakoff, Esteve helped define the lyrical abstraction movement that bridged the gap between European modernism and American color field painting. His art, celebrated for its refined craftsmanship and spiritual intensity, rejects rigid formalism in favor of a meditative balance between intellect and intuition, order and improvisation. Over his six-decade career, Esteve’s paintings and lithographs were exhibited worldwide, including at the Venice Biennale, the Musee National d’Art Moderne, and the Fondation Maeght, and his work is represented in major collections such as the Centre Pompidou in Paris, the Tate Modern in London, and the Museum of Modern Art in New York. His influence extends to later generations of lyrical abstractionists, color field painters, and contemporary designers who continue to draw inspiration from his synthesis of color and emotion. Collectors prize his work for its timeless elegance, chromatic vitality, and spiritual depth—qualities that link him to the great innovators of his century, including Picasso, Miro, Dali, Kandinsky, Calder, Duchamp, Giacometti, and Man Ray. His highest auction record was achieved by Composition 1955, which sold for 1.6 million USD at Sotheby’s, Paris, on June 6, 2018, confirming Maurice Esteve’s enduring legacy as one of the most poetic, harmonious, and collectible abstract painters of the modern era.
Maurice Esteve Sans titre Untitled Prints from the Mourlot Press Fernand Mourlot Paris 1964 lithograph Lyrical Abstraction Modernism.
- Creator:Maurice Estève (1904 - 2001, French)
- Creation Year:1964
- Dimensions:Height: 10 in (25.4 cm)Width: 7.5 in (19.05 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465216975412
Maurice Estève
Maurice Estève was born May 2, 1904 in Culan in the Cher where he spent his childhood with his grandparents. He joined them in 1913 in Paris, where he discovered the Louvre Museum (he is particularly impressed by the Battle of San Romano by Paolo Ucello). Returning to Culan for the summer, he stayed there during the war years, began painting as early as 1915. He lived in Paris again from 1918. Apprentice to a typographer then to a modern furniture design studio, he followed Drawing evening class, discovers in 1919 the painting of Cézanne. Back in Paris he attended Montparnasse the free workshop of the Academy Colarossi. Marked until then by the painting of the Primitives and the work of Cézanne, it passed temporarily in 1927 the influence of surrealism, including Giorgio de Chirico. He presents his first solo exhibition in 1930 before becoming interested in film and directing. On the advice of Braque who participates, he is asked in 1936 to exhibit in Stockholm with Matisse, Picasso, Juan Gris and Fernand Léger. He participated the following year in the realization of the wall decorations of Robert and Sonia Delaunay for the pavilions of the Aviation and Railways at the Universal Exhibition of Paris. Estève, who works regularly during the summer in Culan, makes lithographs, regularly practices watercolor but also charcoal, monotype, collage. In 1970, he received the Grand Prix National des Arts. From 1981 are organized several retrospectives of his work. The City of Bourges decided to present all the works (more than a hundred) which the painter donated to him in 1985 in the Hotel des Echevins, restored with the assistance of the Historic Monuments and the Direction of the Museums of France to become the "Estève Museum", inaugurated in 1987. Estève moved permanently to Culan in 1995. He died on June 27, 2001.
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