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Max Papart
Mirage - Original Etching Handsigned - 45 copies

$333.84List Price

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Lettrism: Codex of the Unknown - Original etching, Handsigned and Numbered /20
Located in Paris, IDF
Isidore ISOU (1925-2007) Lettrism: Codex of the Unknown, c. 1980 Original etching Signed in pencil Numbered / 20 copies On Arches vellum, 53 x 38.5 cm Very good condition, minor wa...
Category

1980s Abstract Abstract Prints

Materials

Etching

Lettrism: Mysterious Writing - Original etching, Handsigned and Numbered /20
Located in Paris, IDF
Isidore ISOU (1925-2007) Lettrism: Mysterious Writing, c. 1980 Original etching Signed in pencil Numbered / 20 copies On Arches vellum, 53 x 38.5 cm (c. 21 x 15 in) Very good condi...
Category

1980s Abstract Abstract Prints

Materials

Etching

Op Art : Geometrical Abstraction - Original etching with aquatint
By Francois Morellet
Located in Paris, IDF
François MORELLET Op Art : Geometrical Abstraction Original etching with aquatint Unsigned as issued On vellum 46 x 46 cm (c. 18 x 18 in) Authenticated with the Chalcographie du Louvre...
Category

Early 2000s Abstract Geometric Abstract Prints

Materials

Etching, Aquatint

The Lawyer - Original color Etching and Aquatint - 1967
By Jorge Perez-Roman
Located in Paris, IDF
Jorge PEREZ-ROMAN The Lawyer Original etching and aquatint On Johannot vellum 37.5 x 28 cm (c. 15 x 11 inch) From the illustrated book PAROLES PEINTES III...
Category

1960s Abstract Abstract Prints

Materials

Etching, Aquatint

Abstract Composition - Original color Etching and Aquatint - 1967
By Robert Motherwell
Located in Paris, IDF
Robert MOTHERWELL Abstract Composition Original etching and aquatint Unsigned On Johannot vellum 37.5 x 28 cm (c. 15 x 11 inch) Published by Lazar Vernet in 1967 and limited to 200 ...
Category

1960s Abstract Abstract Prints

Materials

Etching, Aquatint

Gravures Pour Une Exposition - Original Etching Hand Signed & Num #Dupin 609
By Joan Miró
Located in Paris, IDF
Joan Miro Gravures pour une exposition, 1973 Original etching (aquatint) Hand signed in pencil (monogramme) Numbered /75 copies On Arches vellum size 63 x 91 cm (c. 25 x 36 in) Good condition : fresh colors but a light traces of a previous framing at margins REFERENCE : catalog raisonné Dupin 609 INFORMATIONS : This etching comes from the serie of 4 etchings "Gravures pour une exposition". They were executed in 1973 on the occasion of the exhibition "Miro paintings...
Category

1970s Abstract Abstract Prints

Materials

Etching

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"Haarlem" Aquatint Etching on Paper
By Johnny Friedlaender
Located in Soquel, CA
Bold abstract aquatint by Johnny Friedlaender (Polish-French, 1912-1992). Comprised of two main sections, this piece is full of detail and texture. The upper layer is a reddish tan, whereas the bottom layer is a rich brown. Geometrical shapes are arranged such that they almost form mirror images of each other, but vary enough to create interest and a sense of movement. Signed in the lower right corner. Numbered 56/350 in the lower left corner. Includes original certificate of authenticity. Presented in a new cream mat with foamcore backing. Mat size: 42"H x 32"W Paper size: 33.75"H x 24.5"W Johnny Friedlaender was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Johnny Gotthard Friedlaender was born in Pless (Silesia) and his early studies were in Breslau under Otto Mueller. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L 'Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947, he produced the work Reves Cosmiques, and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Stael and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951, and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968, Friedlaender was travelling to Puerto Rico, New York and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain, Rene Carcan...
Category

1970s Abstract Geometric Abstract Prints

Materials

Paper, Etching, Aquatint

"Insignia" #1 Hand Made Paper Aquatint Abstract
Located in Soquel, CA
"Insignia" #1 Hand Made Paper Aquatint Abstract Tactile Abstract on handmade paper by David Dodsworth (English, b-1952) David’s work is typified by his...
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1980s Abstract Expressionist Abstract Prints

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Gold Leaf

Abstract portrait of a Woman Finely Detailed Collotype on paper
Located in Soquel, CA
Abstract portrait of a Woman Finely Detailed Collotype on paper Finely detailed abstract collotype of a woman by Heather Speck a San Francisco. Californi...
Category

1990s Abstract Expressionist Abstract Prints

Materials

Paper, Ink, Etching, Oil, Gouache

Union
By Tony Bass
Located in Paonia, CO
Union IV is one of a series of original etching by American artist Tony Bass. Two abstract figures seem to be reaching for each other one on the left being pulled back but tryin...
Category

20th Century Abstract Abstract Prints

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Banana Girl by Julian Trevelyan original limited edition aquatint etching 1966
By Julian Trevelyan
Located in Paonia, CO
Banana Girl by British artist and poet Julian Trevelyan is a tropical scene with the Banana Girl in the forefront in a pink and white dress ...
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1960s Abstract Expressionist Figurative Prints

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Surreal Fantasy original 1967 etching by Alberto Longoni
Located in Paonia, CO
Surreal Fantasy is a 1967 original limited edition ( 18/30 ) black and white signed etching by Italian artist Alberto Longoni in good condition. ...
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