Michael Challenger

Ends and Bends, Signed Modern Screenprint by Michael Challenger

1979

Full Volume by Michael Challenger, British (1939) Date: 1979 Screenprint, signed and numbered in pencil Edition of 300 Size: 29 x 23.5 in. (73.66 x 59.69 cm)

Artist: Yves Millecamps, French (1930 - ) Title: Untitled I Year: Circa 1979 Medium: Screenprint, signed and numbered in pencil Edition: AP Paper Size: 30.5 x 30.5 in. (77.47 x ...

In this vibrant print by William Schwedler, the artist superimposed geometric shapes with animal prints between converging, angled lines over a tricolor diagonal background composed of electric hues of blue, green, and yellow. Lost Cause...

His Black Eyes Snapped Shut by Michael Challenger, British (1939) Date: 1970 Screenprint, signed, numbered, dated, and titled in pencil Edition of 66/150 Size: 15 x 22.5 in. (38.1 x ...

Jimmy Ernst  Plate I - 1970 Print - Screen Print on Heavy Paper 28'' x 37'' inches Edition: Signed in pencil and numbered 112/125 Jimmy Ernst’s artwork was influenced by a number of powerful talents and vital currents in the art of his time. Son of Max Ernst, Jimmy drew upon the biomorphic and surreal compositions of his father, as well as Arp, Klee, André Breton, and Lyonel Feininger. His mature oil paintings, which emerged in the 1950s and 1960s, reflect the Atomic Age aesthetic of the period. Often, they resemble crystals or webs; many look like vast labyrinths and are interpreted as symbols of the unconscious mind. Ernst was always interested in spirituality and drew inspiration from indigenous American art...

Abstract composition is a beautiful original colored screen print on paper, realized by the Italian artist and pioneer of Abstract art Mario Radice (1898-1987), in 1988. Hand-signe...

Jimmy Ernst  Plate II - 1970 Print - Screen Print on Heavy Paper 28'' x 37'' inches Edition: Signed in pencil and numbered 24/125 Jimmy Ernst’s artwork was influenced by a number of powerful talents and vital currents in the art of his time. Son of Max Ernst, Jimmy drew upon the biomorphic and surreal compositions of his father, as well as Arp, Klee, André Breton, and Lyonel Feininger. His mature oil paintings, which emerged in the 1950s and 1960s, reflect the Atomic Age aesthetic of the period. Often, they resemble crystals or webs; many look like vast labyrinths and are interpreted as symbols of the unconscious mind. Ernst was always interested in spirituality and drew inspiration from indigenous American art...

Structure N.3 is an original artwork realized by Carmelo Cappello in 1986. Colored screen print on paper. The print is Hand-signed and dated in pencil on the lower right. Numbered ...