Natvar Bhavsar

Cool Tones Color Field

1970

Francesco Clemente (Italian, b. 1952), "Yellow, Red, or Blue", Aquatint in Colors on Fabriano Paper, 1999, published by Solomon R. Guggenheim Museum, signed in pencil lower right, nu...

Gabor Peterdi (Hungarian/American, 1915-2001), "Kadmus", Color Etching on Paper, 1971, numbered edition "5-50" lower left, titled to center, signed and dated in pencil lower right, s...

Norman Ives (American,1923-1978), "Y-I3", Serigraph on Paper, 1970, titled, dated, and numbered edition "46/70" lower left, signed in pencil lower right, silver-tone frame. Image: 20...

John Clem Clarke (American, 1937-2021), Abstract Brush Stroke Composition, Serigraph in Colors on Paper, numbered edition "2/110" lower left and signed in pencil lower right, silver-...

Chris Keegan Blue Gemstone Limited Edition Silkscreen Print Edition of 50 Size: H 42cm x W 30cm x D 0.1cm Sold Unframed (Please note that in situ images are purely an indication of h...

John Hitchcock uses the print medium with its long history of social and political commentary to explore relationships of community, land, and culture. Hitchcock’s works on paper an...

Alan Shields Alice in Grayland, 1979 Mixed media collage: Etching, aquatint, screen print with stitching and collage on hand made paper Hand signed, dated, titled and numbered 1/13 by Alan Shields on the front Unique variant This very unique and imaginative mixed media paper collage with stitching and fabric is floated and framed in a museum quality white wood frame with UV plexiglass. It is hand signed, dated, titled and numbered from the limited edition of 13 - but each is a unique variant. Frame included: Measurements: Frame: 27.75 x 22.5 x 2 inches Artwork: 23.5 x 18 inches Catalogue Raisonne: K. Tyler Tyler Graphics: Catalogue Raisonné, 1974-1985, New York: Abbeville Press, 1987. p. 289. Alan Shields came of age artistically in the late 1960s in New York. Expanding the boundaries of Minimalism, he became known as a master of aesthetic invention through his wide-ranging exploration of materials and techniques. His mixed media works often contain combinations of traditional silkscreen processes combined with found materials. New York Times critic Roberta Smith wrote in her 2005 obituary for the artist: "Mr. Shields's work combined expanses of gorgeous stained color, reminiscent of Helen Frankenthaler's canvases, with the humbler crafts and a Gypsy sense of portability." Critic Robert Hughes has described Shields as a brilliant bricoleur who could, and often did, make art out of just about anything. He became an innovative printmaker, experimenting with handmade paper and turning out editions in which each print was unique. After his passing, Shields was awarded a Judith Rothschild Foundation grant given to recently deceased abstract artists whose work is of the highest quality but merits further recognition. About Alan Shields: Alan Shields (b. 1944, Herington, KS; d. 2005, Shelter Island, NY) created unique, imaginative, and theatrical structures using unconventional materials and vibrant color. His three-dimensional paintings convey a playful, deconstructive impulse through the incorporation of un-stretched hand-dyed canvas, rope, yarn, beads, and wood. Shields moved to New York City in 1968, where he showed with Paula Cooper...

A pair of original hand printed screen prints on paper by American contemporary female artist Kari Achatz.