Pablo Picasso

Deux Masques #1 (Two Masks #1)

1964

This piece is from my private collection and is a limited edition numbered and signed by the artist. This artist is also very much known for sculpture, he followed the teachings of A...

’St Francis in the Wood’ By Arthur Boyd Medium - Lithograph Signed - Yes Edition - Artist Proof Size - 740mm x 500mm Date - 1979 Condition - 9 Colour of pr...

’Eugene Onegin’ By Arthur Boyd Medium - Lithograph Signed - Yes Edition - 27/60 Size - 515mm x 610mm Date - 1996 Colour of print may not be accurate when...

Donald Baechler The Accordion Player #1, 1995 Lithograph with silkscreen 30 x 22 1/4 inches Edition 32 of 49 Signed In 1995 five well-known Ameri...

“Woman on Arm of Sofa” is an extraordinary lithograph by Arnold Singer. You could say it is representative of his interests in several art styles that ar...

An early and scarce impression of this color lithograph, printed in black and light beige on white wove Zerkall paper. This print has full margins and is signed and dated in pencil b...

Tracey Emin Every Bodies Been There (signed twice), 1998 Lithograph on paper Underneath that existing plate signature, Tracey Emin has, exceptionally hand signed and dated the work f...

David Salle HOW TO SEE Looking, Talking and Thinking about Art (hand signed, dated and inscribed), 2016 Hardback monograph with dust jacket (hand signed and inscribed to Kevin) Hand ...

Jennifer Losch Bartlett American Dance Festival 1978, 1978 Lithograph on wove paper Pencil signed and numbered 163/150 31 × 23 inches Unframed This limited edition print was designed by Jennifer Bartlett for the American Dance Festival in 1978. It is ; this is the hand signed and numbered limited edition lithograph - not to be confused with the separate poster edition which was not on the same lithographic paper. About Jennifer Bartlett: Jennifer Bartlett (b. 1941, d. 2022) was known for her room-sized installations ranging in medium, that explored her immediate environments including houses, mountains, trees, gardens, and the ocean. Inspired by Minimalism, she started working on square steel enameled plates in 1968 on which she went on to create her most notable works. Rhapsody (1975–1976), a polyptych first installed at Paula Cooper Gallery filling the entirety of the gallery, included hundreds of these painted steel plates. That work is now part of the permanent collection of the Museum of Modern Art, New York. Her work moved from Abstract Expressionism to Minimalism to Conceptualism with some works touching on all at once. Working in two dimensions and occasionally moving to three, her works often started in a controlled, mathematical abstraction and moved to more painterly realism. Bartlett’s first survey exhibition was held in 1985 and traveled to the Walker Art Center, the Brooklyn Museum, and the Museum of Art, Carnegie Institute. In 2006, her early enameled steel plate paintings were surveyed at the Addison Gallery of American Art. Klaus Ottman curated her second traveling survey exhibition in 2013­–14, Jennifer Bartlett: History of the Universe—Works 1970–2011, which traveled to the Pennsylvania Academy of the Fine Arts and the Parrish Art Museum. In 2014, the Cleveland Museum of Art exhibited all three of her monumental plate...

Mark Ryden Dodecahedron (Hand Signed by Mark Ryden), 2015 Offset Lithograph poster (hand signed by Mark Ryden) Hand signed by artist on lower right front for the present owner. 20 × 16 inches Unframed This Mark Ryden offset lithograph poster was published on the occasion of his exhibition at the Paul Kasmin...