Femme nue devant une Statue
View Similar Items
Pablo PicassoFemme nue devant une Statue1931
1931
About the Item
- Creator:Pablo Picasso (1881-1973, Spanish)
- Creation Year:1931
- Dimensions:Height: 12.5 in (31.75 cm)Width: 8.75 in (22.23 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1477213638452
Pablo Picasso
One of the most prolific and revolutionary artists the world has ever seen, Pablo Picasso had a tremendous impact on the development of 20th-century modern art. Although he is best known for his association with the Cubist movement, which he founded with Georges Braque, Picasso’s influence extends to Surrealism, neoclassicism and Expressionism.
“Every act of creation is, first of all, an act of destruction,” the Spanish artist proclaimed. In Picasso's Cubist paintings, he emphasizes the two-dimensionality of the canvas, breaking with conventions regarding perspective, foreshortening and proportion. Picasso was inspired by Iberian and African tribal art. One of his most famous pre-Cubist works is Les Demoiselles d’Avignon (1907), a painting considered immoral and shocking at the time for its depiction of nude women whose faces resemble Iberian tribal masks.
Picasso made many portraits in this style, most often of the women in his life, their expressively colored faces composed of geometric shards of surface planes. In Woman in a Hat (Olga), 1935, he painted his first wife as an assemblage of abstract forms, leaving the viewer to decipher the subject through the contrasting colors and shapes. Picasso was a tireless artist, creating more than 20,000 paintings, drawings, prints, ceramics and sculptures. Tracing his life’s work reveals the progression of modern art, on which he had an unparalleled influence.
Browse an expansive collection of Pablo Picasso's art on 1stDibs.
- SoniaBy Man RayLocated in New York, NYA very good impression of this color etching with aquatint. Signed and numbered 29/75 in pencil. Printed by Jacques David, Paris. Co-published by Leon Am...Category
1970s Modern Nude Prints
MaterialsColor, Etching, Aquatint
$1,500 - AphroditeBy Salvador DalíLocated in New York, NYA very good, richly-inked impression of this Drypoint and aquatint printed in gray and black on cream wove paper. Signed, dated and numbered 20/150 by Dali. Printed by Robbe, Paris. ...Category
1960s Surrealist Abstract Prints
MaterialsDrypoint
- Nudes em 08By Thomas RuffLocated in New York, NYA very good impression of this Iris print. Signed and numbered 23/50 on verso by Ruff.Category
Early 2000s Contemporary Nude Prints
MaterialsColor
- Der Mord II (Liebespaar II)By Otto MuellerLocated in New York, NYA superb, richly-inked impression of this very scarce, important German Expressionist lithograph on smooth, cream wove paper. Edition of approximately only 20. Signed in pencil. Publ...Category
1910s Expressionist Abstract Prints
MaterialsLithograph
- De l'Origine des Espèces par Voie de Sélection Irrationelle: Buste de femmeBy Man RayLocated in New York, NYA very good impression of this color lithograph. Signed and numbered 51/180 in pencil. Printed by Mourlot, Paris. Published by Leon Amiel, New York, and XXe Siècle, Paris. From the s...Category
1970s Modern Abstract Prints
MaterialsColor, Lithograph
- VenusBy James Abbott McNeill WhistlerLocated in New York, NYA brilliant, richly-inked impression of this etching and drypoint printed in dark brownish black on antique cream laid paper with very strong contrasts....Category
1850s Impressionist Nude Prints
MaterialsDrypoint, Etching
- Le peintre et son modele, Cubist Lithograph by Pablo PicassoBy Pablo PicassoLocated in Long Island City, NYPablo Picasso's print features a painter in his studio capturing the likeness of a nude woman posing on a setee or chaise lounge. Sitting at his easel, the painter uses blue paint on...Category
Late 20th Century Cubist Abstract Prints
MaterialsLithograph
- Le peintre et son modele, Cubist Lithograph by Pablo PicassoBy Pablo PicassoLocated in Long Island City, NYIn this bustling print, Pablo Picasso creates an energetic and complex scene featuring a female nude in the background with a small white-painted face beside it on the right, while a...Category
Late 20th Century Cubist Abstract Prints
MaterialsLithograph
- Le peintre et son modele, Cubist Lithograph by Pablo PicassoBy Pablo PicassoLocated in Long Island City, NYReclining on a sofa, the nude female model looks backward toward her raised feet as the painter renders her portrait. Comprised of short, wavy lines, this scene by Pablo Picasso focu...Category
Late 20th Century Cubist Abstract Prints
MaterialsLithograph
- Le peintre et son modele, Cubist Lithograph by Pablo PicassoBy Pablo PicassoLocated in Long Island City, NYSeated beside her likeness, the nude model in this Pablo Picasso print stares at the painter while he contemplates the portrait he has rendered on the canvas. Both nude, the figures ...Category
Late 20th Century Cubist Abstract Prints
MaterialsLithograph
- Femme Couchee, Cubist Lithograph by Pablo PicassoBy Pablo PicassoLocated in Long Island City, NYShaded in soft hues of grey and yellow, the woman represented in Pablo Picasso's print is rendered in a Cubist style with flowing lines and forms. With her arms stretched over her head as she rests, the woman's top has fallen and her chest is exposed. A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso drawing "Femme Couchee...Category
Late 20th Century Cubist Abstract Prints
MaterialsLithograph
- American Modernist Cubist Lithograph Screenprint "Reclining Woman" Max WeberBy Max WeberLocated in Surfside, FLReclining Cubist Nude Woman Max Weber (April 18, 1881 – October 4, 1961) was a Jewish-American painter and one of the first American Cubist painters who, in later life, turned to more figurative Jewish themes in his art. He is best known today for Chinese Restaurant (1915), in the collection of the Whitney Museum of American Art, "the finest canvas of his Cubist phase," in the words of art historian Avis Berman. Born in the Polish city of Białystok, then part of the Russian Empire, Weber emigrated to the United States and settled in Brooklyn with his Orthodox Jewish parents at the age of ten. He studied art at the Pratt Institute in Brooklyn under Arthur Wesley Dow. Dow was a fortunate early influence on Weber as he was an "enlightened and vital teacher" in a time of conservative art instruction, a man who was interested in new approaches to creating art. Dow had met Paul Gauguin in Pont-Aven, was a devoted student of Japanese art, and defended the advanced modernist painting and sculpture he saw at the Armory Show in New York in 1913. In 1905, after teaching in Virginia and Minnesota, Weber had saved enough money to travel to Europe, where he studied at the Académie Julian in Paris and acquainted himself with the work of such modernists as Henri Rousseau (who became a good friend), Henri Matisse, Pablo Picasso, and other members of the School of Paris. His friends among fellow Americans included some equally adventurous young painters, such as Abraham Walkowitz, H. Lyman Sayen, and Patrick Henry Bruce. Avant-garde France in the years immediately before World War I was fertile and welcoming territory for Weber, then in his early twenties. He arrived in Paris in time to see a major Cézanne exhibition, meet the poet Guillaume Apollinaire, frequent Gertrude Stein's salon, and enroll in classes in Matisse's private "Academie." Rousseau gave him some of his works; others, Weber purchased. He was responsible for Rousseau's first exhibition in the United States. In 1909 he returned to New York and helped to introduce Cubism to America. He is now considered one of the most significant early American Cubists, but the reception his work received in New York at the time was profoundly discouraging. Critical response to his paintings in a 1911 show at the 291 gallery, run by Alfred Stieglitz, was an occasion for "one of the most merciless critical whippings that any artist has received in America." The reviews were "of an almost hysterical violence." He was attacked for his "brutal, vulgar, and unnecessary art license." Even a critic who usually tried to be sympathetic to new art, James Gibbons Huneker, protested that the artist's clever technique had left viewers with no real picture and made use of the adage, "The operation was successful, but the patient died."[8] As art historian Sam Hunter wrote, "Weber's wistful, tentative Cubism provided the philistine press with their first solid target prior to the Armory Show." The Cellist...Category
Mid-20th Century Cubist Abstract Prints
MaterialsScreen
Recently Viewed
View AllRead More
Science Uncovers Hidden Truths behind Young Pablo Picasso’s Blue Period
From 1901 to 1904, Picasso limited his palette to bluish hues in producing some of his most famous early works. A new show looks at the recycled materials, hidden underpaintings, surprising influences and bohemian lifestyle that led to their creation.
Who Are the Most Popular Artists on 1stdibs?
Learn the stories of some of the world's most recognizable artworks and their makers.