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Rafael CanogarLos Juegos - Lithograph by Rafael Canogar - 20082008
2008
About the Item
Los Juegos, Olympic Games Beijing 2008is an original mixed-colored lithograph realized by Rafael Canogar.
This work belonging to the Suite "Olympic Games Beijing 2008". Each work of this portfolio is recognizable by the official stamp of the Olympic Organising Committee.
This work is from the portfolio The Unique Collection for the Olympic Fine Arts 2008 presented during the Olympic Games and produced in 260 copies as the only official artistic product of the 2008 Beijing Olympics. Hand-signed on the lower right, Numbered on the lower left,.
Excellent conditions.
- Creator:Rafael Canogar (1935, Spanish)
- Creation Year:2008
- Dimensions:Height: 37.01 in (94 cm)Width: 27.56 in (70 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1293811stDibs: LU65039710712
Rafael Canogar
Rafael Canogar (Toledo, 1935), painter and engraver, is considered as one of the leading figures of Spanish Abstract Art. Between 1948 and 1953 he was a disciple of Daniel Vázquez Díaz and focused on the study of the avant-garde and evolved rapidly to an informalist abstraction. In 1957, Canogar founded with Antonio Saura, Manuel Millares, Luis Feito, Manuel Rivera, Pablo Serrano, Juana Francés, Antonio Suárez and José Ayllón the El Paso group. Between 1957 and 1960 they all defended the informalism as an expression of freedom in an attempt to enter Spain in the international framework. In 1960 he participates in the "New Spanish Painting and Sculpture" show at MOMA New York. In 1963, he starts a new stage in his life in which he gradually gets close to figuration with a rising narrative content. In works of this period we find new materials such as newspaper clippings and photographs his subjects are close to the human and the nature of objects. As the critic Vicente Aguilera says about the works of this stage: "The themes do not express opinions or reflect facts, but facts are human tragedies, are encoded images where the human, object and amount, become symbolic hierarchy". In 1971 he is awarded with the Grand Prize of the Bienal de São Paulo. After 1975 we find in his work a return to an abstraction that quickly becomes a new iconography that represents man as a plastic element through masks and faces. Notable from this period are his still lifes, city scenes and the heads of Julio González. In 1982 he was awarded the National Prize of Plastic Arts.
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